The Music in the Film

Though musical conductor Neville Marriner, with the help of the Academy of St. Martin-in-the-Fields, recorded a lot more of Mozart's music than is actually in the film, only several particular pieces were selected to be heard in Amadeus. Below is the list of the music heard in Amadeus, as well as the scene that accompanies it.

Opening credits:

Symphony No. 25 in G Minor, K. 183
Composed by Wolfgang Amadeus Mozart

Katerina Cavallieri sings (in flashback) one of Salieri's operas:

Song from "Auxor"
Composed by Antonio Salieri

Salieri in asylum at piano:

Eine Kleine Nachtmusik
Composed by Wolfgang Amadeus Mozart

Flashback to young Salieri in church & his father's death:

Stabat Mater; Quando Corpus Morietur and Amen
Composed by Giovanni Battista Pergolesi

Archbishop's Palace as Salieri first walks in:

Bubak and Hungaricus
Early 18th-Century Gypsy Music

Mozart's music at the Archbishop's Palace:

Serenade for Thirteen Wind Instruments, K. 361
Composed by Wolfgang Amadeus Mozart

Salieri's "March" for Mozart:

Non Piu Andrai
Composed by Antonio Salieri

Mozart transforms Salieri's "March":

Overture from "The Marriage of Figaro"
Composed by Wolfgang Amadeus Mozart

Katerina Cavallieri sings in Mozart's opera:

One of Konstanze's arias from "The Abduction from the Seraglio"
Composed by Wolfgang Amadeus Mozart

Opera finale with Katerina Cavalleri:

Turkish Finale, "The Abduction from the Seraglio"
Composed by Wolfgang Amadeus Mozart

Leopold asks the Archbishop of Salzburg to rehire Mozart:

Overture to "Don Giovanni"
Composed by Wolfgang Amadeus Mozart

Wolfgang and Constanze's wedding:

Mass in C Minor, K. 427, Kyrie
Composed by Wolfgang Amadeus Mozart

Salieri with a lady practicing her lessons:

Caro Mio Bene
Composed by Wolfgang Amadeus Mozart

* - this scene/music was cut from the original release

Salieri reviews Mozart's music:

Concerto for Flute and Harp, K. 299
Symphony No. 29 in A, K. 201
Concerto for Two Pianos, K. 365
Symphonie Concertante, K. 364
Mass in C Minor, K. 427, Kyrie
Composed by Wolfgang Amadeus Mozart

Constanze comes to Salieri later that night:

Confutatis, Requiem, K. 626
Composed by Wolfgang Amadeus Mozart

* - this scene/music was cut from the original release

Mozart attempts to pupil a young girl:

Overture to "The Marriage of Figaro"
Composed by Wolfgang Amadeus Mozart

* - this scene/music was cut from the original release

Mozart walks through Vienna streets & greets Leopold at his house:

Overture to "The Marriage of Figaro" & Overture to "Don Giovanni"
Composed by Wolfgang Amadeus Mozart

Wolfgang, Constanze, and Leopold get in costume & the Masquerade Ball:

Chorus Of The Janissaries, K. 384 & Ich Mochte Wohl der Kaiser Sein, K. 539, "The Abduction from the Seraglio"
Composed by Wolfgang Amadeus Mozart

Wolfgang composes at the pool table:

Act IV, Ah Tutti Contenti, "The Marriage of Figaro"
Composed by Wolfgang Amadeus Mozart

Mozart gives an outdoor concert:

Piano Concerto in E flat, K. 482
Composed by Wolfgang Amadeus Mozart

Salieri sneeks into Mozart's house:

Piano Concerto in E flat, K. 482 & Overture to "The Marriage of Figaro"
Composed by Wolfgang Amadeus Mozart

Beginning rehearsals for "The Marriage of Figaro":

Unknown from "The Marriage of Figaro"
Composed by Wolfgang Amadeus Mozart

Rehearsals in costume (ballet) for "The Marriage of Figaro":

Act III, Ecco la Marcia, "The Marriage of Figaro"
Composed by Wolfgang Amadeus Mozart

Opening night of "The Marriage of Figaro":

Act III, Ecco la Marcia & Act IV, Ah Tutti Contenti, "The Marriage of Figaro"
Composed by Wolfgang Amadeus Mozart

Salieri's "best opera ever written" sequence:

Finale, "Auxor"
Composed by Antonio Salieri

Mozart stages "Don Giovanni":

Act II, Commendatore scene, "Don Giovanni"
Composed by Wolfgang Amadeus Mozart

Mozart meets the messenger:

Overture to "The Magic Flute," K. 620
Composed by Wolfgang Amadeus Mozart

The messenger leaves:

Introitus (orchestral introduction), Requiem, K. 626
Composed by Wolfgang Amadeus Mozart

Old Salieri visualizes Mozart's funeral:

Dies Irae, Requiem, K. 626
Composed by Wolfgang Amadeus Mozart

Parody of Mozart's music:

Act II, Commendatore scene, "Don Giovanni"
One of Konstanze's arias from "The Abduction from the Seraglio"
Act III, Ecco la Marcia, "The Marriage of Figaro"
Act IV, Ah Tutti Contenti, "The Marriage of Figaro"
Composed by Wolfgang Amadeus Mozart

Mozart composes the Requiem after the Parody:

Dies Irae, Requiem, K. 626
Composed by Wolfgang Amadeus Mozart

Lorl tells Salieri Mozart's ill, Mozart at home, & Mozart denounces his father's portrait:

Overture to "The Magic Flute," K. 620 & Masonic Funeral Music, K. 477
Composed by Wolfgang Amadeus Mozart

Constanze is frightened for Mozart & he leaves her to party:

Rex Tremendae Majestatis, Requiem, K. 626
Composed by Wolfgang Amadeus Mozart

Mozart parties with friends in a cabin:

Unknown from "The Magic Flute"
Composed by Wolfgang Amadeus Mozart

Mozart walks home drunk & finds Constanze gone:

Rex Tremendae Majestatis, Requiem, K. 626
Composed by Wolfgang Amadeus Mozart

Opening of "The Magic Flute":

Aria No. 14, Der Holle Rache Kocht, "The Magic Flute"
Composed by Wolfgang Amadeus Mozart

Birds sequences:

Unknown from "The Magic Flute"
Composed by Wolfgang Amadeus Mozart

Constanze decides to leave The Spa:

Six German dances, Nos. 1-3, K. 509
Composed by Wolfgang Amadeus Mozart

Salieri helps Mozart write the Requiem & Constanze comes home:

Confutatis, Requiem, K. 626
Composed by Wolfgang Amadeus Mozart

Mozart's death:

Lacrymosa, Requiem, K. 626
Composed by Wolfgang Amadeus Mozart

End credits:

Piano Concerto in D minor, K. 466
Composed by Wolfgang Amadeus Mozart