It would seem to many that Bette Davis had the kind of career that dreams are made of.  By the time of her death she was a legend, with an enviable body of work behind her, and a reputation for being difficult that only endeared her to millions of fans.  Bette's never ending battle with the studio system, with her co-stars, and with herself, seemed to encompass her life.  And all that time, she maintained a love-hate relationship with Oscar ...


 


Bette's rise to the top started with humble beginnings.  She came to Hollywood during the introduction of talking films, after a modest success on the stage.  After signing with Warner Brothers, she took bit parts, gradually building a fan base, and establishing herself as a hard working actress.  

By the time the script for Of Human Bondage was making its rounds, Davis was primed to take a starring role.  The role of Mildred Rogers was a difficult one to cast, not only because it required someone who could act, but the role was anything but glamorous, and many actresses were afraid to play a vulgar waitress who suffers an indignant death.   On the other hand, this was just the kind of role that Davis was craving.  

Jack Warner wasn't willing to loan Davis out for the picture, feeling that such a role could have a damaging impact on her burgeoning career.  Davis continued to fight to play Mildred until she ultimately got her way.  

Life magazine declared her performance "probably the best performance ever recorded on screen by a U.S. actress."  Audiences were applauding and cheering in the theatres everywhere.  An Oscar nomination for the 1934 awards seemed like a sure thing.  

When Davis failed to get a nomination, there was a great uproar, and already dissatisfied members of the Screen Actors Guild used the opportunity to site unfair practices by the Academy.  The Academy was forced to give way to pressure that year and allow for write-in votes, thus still giving Davis a shot at the big prize.  

According to Davis, it seemed like a sure thing that she would win, but, as she put it later, a campaign was waged by her own studio boss, Jack Warner, to shut her out of the race by instructing employees to vote for her opponents.  She also felt that they were purposely not promoting her, which she stated was idiotic, as 'it was to their profit, if I won.'

In the end, Claudette Colbert joined her film maker and her co-star in the first ever sweep of the top prizes, by winning the Best Actress Award for It Happened One Night, a role that Bette Davis had turned down.  

As a result of the Oscar snub, the Academy changed the rules the next year, allowing all members of each branch to vote on nominations, and five nominees were allowed for each award.

Meanwhile, Davis sighed at the experience, stating that it was 'just as well' that she didn't win.  The film was still a huge success, due in large part to the controversy over her apparent snub for Best Actress, and as Davis put it, a win for her first great role would have 'looked like fast work - too fast.  Not good for me."

 

More

  

Bette got herself loaned out to RKO to make the controversial picture, Of Human Bondage.
 
The controversy was in the role that she chose to play, that of a cockney waitress, Mildred Rogers.
 
Bette strikes up a romance of convenience with the club footed Leslie Howard.
 
Bette finds out that Leslie is stalking her.
 
Bette starts to see other men.
Seeing her opportunity, Bette returns to the heartbroken Leslie.
 
Howard dumps the one woman who truly loves him, Kay Johnson, in favor of the wicked Bette.
 

Bette has Leslie wrapped around her finger.

Bette confesses to Leslie that his friend is taking an interest in her.

 
While sharing a cigarette with a fellow doctor, Leslie learns that the estranged Bette is on the sick on the streets with a baby.
 
Leslie goes back to the ailing, but still evil, Bette.
 
Davis tells Leslie what she really thinks.  "After you would kiss, I would wipe my mouth!"
 
Bette succumbs to tuberculosis.