Topic: Architecture / Chicago
Although it is not unusual for Takotron to pithily describe its impressive accomplishments, it is rare that we disclose information about our personal plans, intentions, and undertakings. However, we feel it is necessary to release the following statement:
Our CEO and founder, thenovakids entity 00001, alias Mordecai, has been granted acceptance to the Illinois Institute of Technology's College of Architecture to pursue a Masters degree in the field of Architecture. There is a reasonable chance that he will attend this institution, and ultimately one day become an architect with grandiose plans for shaping our world's (and others') cities.
IIT is built from the master plan of Mies van der Rohe, who emigrated from Nazi Germany where he headed the late Bauhaus. He subsequently was invited to chair the architecture department (when it was called the Armour Institute of Technology) and has since had an enormous and indelible impact on the school. The keystone building for the architecture dept. is his famous Crown Hall (1956), where the architecture studios take place. His famous 860-880 N Lake Shore Dr. apartments (comp. 1951) are another example of his most successful and influential work.Unfortunately, his "international" high-rise style was so influential that today it is sometimes difficult to understand the true significance of Mies.
The Promontory Apartments (1949), his first completed high-rise, is around the corner from my apartment. Speaking for my generation, which has experienced the imitation before the original, it looks more like a housing project than the origin of revolutionary Modern architecture. (left: Promontory Apts. ; right: Cabrini Greens)Rem Koolhaas is responsible for the new student center at IIT, which features a steel tube to muffle the rattle of the 'L,' as well as a number of orange honeycomb polymer walls (Panelite) extending to the bathrooms, allowing me to urinate in a surreal orange glow. It also features icon mosaics that depict the faces of Mies and several other founders of the school. "I do not respect Mies, I love Mies. I have studied Mies, excavated Mies, reassembled Mies. I have cleaned Mies. Because I do not revere Mies I'm at odds with his admirers" (Content 182). Koolhaas' McCormick Center is an embodiment of that sentiment:
Koolhaas, in a gossipy moment, also states, "Mies's model shop had a (frequently exploited) view of the photo studios of Playboy Magazine [in Chicago]--all during the Fifties and Sixties Mies's architecture and the first generation of playmates had been produced in voyeuristic proximity. It is exactly that kind of proximity we proposed for the Campus Center and the Commons, and which the Miesians wanted to undo" (ibid. 189). I kind of see what he means, but I'm not sure its significance is as profound as he implies. I often have this type of reaction to Koolhaas' writings. I enjoy them immensely.
Is this post less entertaining than those in the past? Is TAKOTRON boring you? Are you unable to sit there for more than 2 minutes without clicking your mouse? We refuse to acknowledge any shortcomings on our part, nor will we grovel before you, buffoons for your amusement. We like entertainment and the frantic ADD pace of todays cyberworld. That is why we at Takotron provide you with our Cyan and Magenta world, luring you. But now you feel the catch. Yes. Go with it. You are becoming one of thenovakids. Death and rebirth, the origin and apocalypse.
Moving on, it is our opinion that Charles Edouard Jeanneret, aka Le Corbusier, offers a more lasting and revolutionary Modern architecture. Architect Thom Mayne (principal of Morphosis) expressed his disgust with much of the architecture being chosen by clients today, including a revival of an 18th century pseudo-Classical manor style, as we approach the 100-year anniversary of Corbusier's early work. He's absolutely right--and it's America where these bad ideas have taken root. It is evident that Mies' modernism caught on, but it's interesting to daydream about what our cities would look like if they followed the ideas of Corbusier instead. The latter was certainly more radical, or in a more anti-establishment way. Both men were strong-willed and firm in their opinions, but Mies was certainly better at courting clients (he suggests treating them like children unsure of what they want). Corbusier's utopia was a technocracy, a city lead by radical entrepreneurs occupying huge cross-shaped towers in the cities' centers (intersected by airplane runways). But he also thought extensively about communal space and working class housing in a way that still seems very progressive (and unfortunately far from reality). My hero.
Posted by thenovakids
at 9:08 PM CST
Updated: Tuesday, 30 May 2006 1:01 AM CDT
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Updated: Tuesday, 30 May 2006 1:01 AM CDT
Post Comment | View Comments (1) | Permalink | Share This Post
Takotron corporate picnic flag-football, March 06, 2005
It is a pear and almond tart with an apricot glaze, created by Kei who has become an expert on tart-fabrication. This weekend or next may be similarly productive.
A week or 2 ago we watched goodfellas, which is still great. It's too bad Scorcese has to make movies now that are ambitious but shitty, a la Gangs of New York and The Aviator. Those earlier movies were great and are now of historical significance, so I guess they should be appreciated as exactly that, rather than be used as templates for his newer movies. I think Casino was like that, pressed from the Goodfellas or Raging Bull template (Joe Pesci even got his ribs busted by DeNiro again, for real), but I really liked it. Joe Pesci buried alive and DeNiro playing a Jewish character? Sweet. But now, let us mourn those past days of Classic Scorcese.
Goodfellas is also important as an origin for Kei's new favorite gesture, which is added to the inventory that already includes the Asian 'V'-fingers camera pose, head-tilt-smile-wave, and laugh-accompanied low handclap. This new move comes from none other than Lorraine Bracco as Karen Hill, mob-wife extraordinaire. Here's how you do it: you put up your index finger and thumb, as though you might be describing the size of something small. But what you are actually indicating is something relatively big--a stack of cold hard illegally-obtained cash! Ms. Bracco's character threw up the sign when asked by her husband "how much" she needed to go shopping that morning. Kei uses it as a hopeful transition from a pouty face. ZANNEN!!! I have a stack of quarters for laundry, but I don't think that's the same. 
In other news, Alan Artner, Chicago Tribune art "critic," is no longer a person I want to meet and start a fight with, as I mention in my Friendster profile. I in fact met him at my part time job at the Art Institute book store, and he was nice. I still don't care for his reviews--he doesn't seem to like art that requires thinking, and he seems to uncritically praises whatever big blockbuster they put up at the Art Institute. 
He is far superior to such comparable actors/characters as Schwarzenegger, Van Damme (who lied about winning a bunch of kickboxing titles, and then declined offers to enter real tournaments when invited by offended real title-holders), Stallone, and even tubby old Steven Seagal (who has real street-creds, as in opening the first accredited Aikido Dojo run by a foreigner in Japan; recognition by high-ranking Buddhist priests). Dolph is clearly a step above. He got a masters at MIT in Chemical Engineering on a fulbright scholarship, after serving in the Swedish Marines and studying on scholarship in Sweden and Sydney, Australia. He also won several major full-contact Karate championships, and turned down a professional boxing contract. 
All before his movie career blossomed, seeing the creation of numerous films which proved inspirational to my grade-school self--The Punisher, Rocky IV, Universal Soldier--all the apex of that genre.
In other news, Miss Comrade Hotoda and I had a serious discussion regarding the magical and mysterious "tanuki no kintama." That means raccoon balls. Allow me to attempt an explanation; there are these traditional statues all around Japan, especially in older neighborhoods, that depict Tanuki and their huge balls. Apparently they are some sort of folk-lore trickster legend. They look like badgers, but they are called "tanuki," which means "raccoon," so i don't know what that discrepancy is. Perhaps it's part of the scrotal myth. 
and the kids love 'em.