ÁNGEL SALAZAR, TOO!
 Hello and welcome to the unofficial Brian De Palma website. Here is the latest news: |
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Hello and welcome to the unofficial Brian De Palma website. Here is the latest news: |
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E-mail
Geoffsongs@aol.com
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Recent Headlines
a la Mod:
Listen to
Donaggio's full score
for Domino online
De Palma/Lehman
rapport at work
in Snakes
De Palma/Lehman
next novel is Terry
De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"
Supercut video
of De Palma's films
edited by Carl Rodrigue
Washington Post
review of Keesey book
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Exclusive Passion
Interviews:
Brian De Palma
Karoline Herfurth
Leila Rozario
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De Palma interviewed
in Paris 2002
De Palma discusses
The Black Dahlia 2006
Enthusiasms...
Alfred Hitchcock
The Master Of Suspense
Sergio Leone
and the Infield
Fly Rule
The Filmmaker Who
Came In From The Cold
Jim Emerson on
Greetings & Hi, Mom!
Scarface: Make Way
For The Bad Guy
Deborah Shelton
Official Web Site
Welcome to the
Offices of Death Records
Watch the Live Scarface cast reunion tomorrow night (Tuesday, August 23rd) at 11:15pm eastern, on livestream. Al Pacino, Steven Bauer, Robert Loggia, F. Murray Abraham, and producer Martin Bregman are all expected to take part in the live reunion. All but Loggia have worked with Brian De Palma on more than one occasion, so it should be a fun discussion.
This Tuesday, August 23, the Brattle Theatre in Cambridge, Massachusetts, will pair up Brian De Palma's Sisters with Roy Boulting's Twisted Nerve for a double feature as part of its series, "Music for Movies: Bernard Herrmann Centennial," which began in early July and concludes August 30th. Herrmann's eerie whistled theme from Twisted Nerve was used by Quentin Tarantino in a De Palma-esque sequence of Kill Bill Vol. 1.
Brian De Palma has just closed a deal to direct a thriller, with financing and distribution already in place, according to Deadline Hollywood's Michael Fleming. But let's go back to the beginning:Well, they're off to an excellent start with that top notch talent by signing De Palma to direct the picture, which will be produced by Harold, Block, Tory Tunnell (Awake, Trumbo) and Paul Hanson (Oliver Stone's W.).
PRODUCTION TO START BY YEAR'S END; QED STARTING OFFERS TO ACTORS
Deadline's original story stated that principal photography was "due to begin by early 2012," and today's post from Fleming states that production will begin "by year's end." TheWrap's Joshua L. Weinstein, following up on Fleming's Deadline report, states that "with the De Palma deal closed, QED is starting to make offers to actors."
Harold has cited early Roman Polanski as one of his main inspirations for making films. Last year, he was signed to Tunnell's Safehouse Pictures to apply his talents to commercials as well as feature films. Safehouse is mentioned by Fleming as one of the companies involved in The Key Man. Harold has had his hand in many a project of late. At Safehouse, he wrote a treatment for the Meryl Streep/Tina Fey comedy Mommy & Me, which he is co-executive producing with director Stanley Tucci. He has also written Fountain City, currently in development at Safehouse with Andrew Adamson directing. After hiring Harold a few years ago to work on a draft of Zach Snyder's "ultimate zombie movie," Army Of The Dead, Warner Bros. more recently set Harold to rewrite an adaptation of Hiroshi Sakurazaka's time-travel space opera All You Need Is Kill, with Doug Liman attached to direct.
Richard "Dicky" Deats, who worked as a key grip on Brian De Palma's Blow Out and The Black Dahlia (both with cinematographer Vilmos Zsigmond), passed away July 14 at the age of 66, according to Below The Line. Just prior to working on Blow Out in 1981, Deats and Zsigmond built the first portable crane, which Deats called "the Little Big Crane," because it was lightweight and could be disassembled and carried around anywhere. The pair put it to good use on Michael Cimino's Heaven's Gate (1980), and Deats later won an Academy Award for Technical Achievement in 1984 for the Little Big Crane's design and manufacture.
