"WHEN TRUFFAUT MET TARANTINO"
The Financial Times' Nigel Andrews looks at the fifty-year anniversary of the French New Wave through a Quentin Tarantino lens, where Godard is "Mr. Red," Truffaut is "Mr. Pink," and Chabrol is "Mr. Black," etc. Andrews writes:
Or, to maintain the metaphor, by which the new criminal shook off the old lag and mentor. For the New Wave was a crime: that was its beauty. It was an outrage against law, order and aesthetic decency. If you have doubts that that was its spirit and agenda, look at the films. See what a preponderance are stories involving crime. In their early years Godard, Truffaut and Chabrol could hardly pick up a camera without depicting robbery or violence. The overthrow of society and culture was both their missionary activity and their favourite story.