ALONG WITH THE PRINCIPAL ARCHIVIST FROM THE SWAN ARCHIVES

Updated: Saturday, September 3, 2011 8:22 PM CDT
Post Comment | Permalink | Share This Post
![]() Hello and welcome to the unofficial Brian De Palma website. Here is the latest news: |
---|
E-mail
Geoffsongs@aol.com
-------------
Recent Headlines
a la Mod:
Listen to
Donaggio's full score
for Domino online
De Palma/Lehman
rapport at work
in Snakes
De Palma/Lehman
next novel is Terry
De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"
Supercut video
of De Palma's films
edited by Carl Rodrigue
Washington Post
review of Keesey book
-------------
Exclusive Passion
Interviews:
Brian De Palma
Karoline Herfurth
Leila Rozario
------------
------------
« | September 2011 | » | ||||
![]() |
||||||
S | M | T | W | T | F | S |
1 | 2 | 3 | ||||
4 | 5 | 6 | 7 | 8 | 9 | 10 |
11 | 12 | 13 | 14 | 15 | 16 | 17 |
18 | 19 | 20 | 21 | 22 | 23 | 24 |
25 | 26 | 27 | 28 | 29 | 30 |
De Palma interviewed
in Paris 2002
De Palma discusses
The Black Dahlia 2006
Enthusiasms...
Alfred Hitchcock
The Master Of Suspense
Sergio Leone
and the Infield
Fly Rule
The Filmmaker Who
Came In From The Cold
Jim Emerson on
Greetings & Hi, Mom!
Scarface: Make Way
For The Bad Guy
Deborah Shelton
Official Web Site
Welcome to the
Offices of Death Records
On his Facebook page, Mr. Uka had a link on February 15 to a 4:42 minute-long Youtube video, with pictures of detainees in Guantanamo, chanting in Arabic with German subtitles: "I can not stand this life of humiliation." The video also features pictures of fighters and the clattering of machinegun fire.
THE FACTS
German authorities believe that Arid Uka acted alone in the attack on March 2, 2011, and was not part of any terrorist organization, nor did he have any accomplices. A New York Times article by Jack Ewing and Souad Mekhennet from July 6 lays out what happened that day:
Mr. Uka, who had a temporary job sorting mail in the airport complex, went there armed with a pistol and two knives on the afternoon of March 2, prosecutors said, as they provided additional detail on the attack.
Authorities said that Mr. Uka spotted two airmen emerging from a baggage claim area in Terminal 2 of the airport, and followed them to an exit where a United States Air Force bus was waiting. Mr. Uka watched as 16 American military service members gradually arrived, then, shortly after 3 p.m., asked one of them for a cigarette and where the soldiers were heading.
After the airman confirmed that they were on their way to Afghanistan, Mr. Uka turned around, reached into his backpack and loaded a magazine into the pistol concealed there, authorities said.
Mr. Uka waited until almost all the airmen had boarded the bus, then shot one of them, 25-year-old Senior Airman Nicholas J. Alden, in the back of the head from about five feet away, prosecutors and Air Force officials said. Airman Alden died at the scene.
Boarding the bus, Mr. Uka then fatally shot 21-year-old Airman First Class Zachary R. Cuddeback in the driver’s seat and — repeatedly shouting “God is great” — seriously wounded two other men standing in the aisle of the bus, prosecutors said. One of them was blinded in one eye as a result.
The Air Force identified the two wounded men as Senior Airman Edgar Veguilla and Staff Sgt. Kris Schneider.
Mr. Uka next aimed the pistol point-blank at a 22-year-old airman who was trying to hide behind a seat, but the weapon jammed, prosecutors said. Mr. Uka then fled, pursued by an airman. He was captured by two German police officers in the terminal.
AT THE TRIAL
An Associated Press report about the trial, while not as detailed as the Star And Stripes report, stated that the clip Uka viewed from a Facebook link the night before the attack turned out to be “a scene from the 2007 anti-war Brian De Palma film Redacted, taken out of context.” The AP report was carried by most American media outlets. However, a BBC report simply stated that the video Uka viewed was “a scene from Brian De Palma's anti-war film, Redacted,” with no mention of context. This BBC report is used as the main source in a Daily Caller post with the headline, “Terrorist credits Hollywood for his recruitment.” This post by Neil Munro is blatantly inaccurate. It opens with the following statement: “A Balkan Muslim who killed two U.S. Air Force servicemen in March has told a German judge Wednesday that he was motivated after seeing the movie Redacted, made as a political statement in 2007 by Hollywood director Brian De Palma, Dallas Mavericks owner Mark Cuban and several high-profile movie industry producers.” So now, all of a sudden, Uka had actually watched Redacted, in context and all? Definitely not.
That same paragraph is copied verbatim at the beginning of a Washington Times article, which in turn is linked to in an opinion piece by Yahoo’s Mark Whittington, who apparently thinks he is sourcing from the Washington Post (his link goes to the Washington Times article). With the headline, “Did Redacted Cross the Wrong Line Between Art, Life?”, Whittington seems to think that a man named “Arid Uki” was “one of the few” people in the world who “saw an anti-American, anti-war movie called Redacted.” Whittington stretches it again by stating that “a Muslim terrorist is citing an anti-American, anti-war movie directed by a famous American director as the motivation for his crimes.” (Redacted may be anti-war, but it is certainly not anti-American.) Meanwhile, Breitbart’s Christian Toto went back to the Daily Caller’s citing of the BBC article, which led him to state that Uka “saw the film [Redacted] and went on to kill two U.S. Air Force servicemen in March.” Toto continues, “Uka told a judge this week he was inspired by ‘the movie’s graphic depiction of U.S. soldiers raping a girl in Iraq,’ says The Daily Caller citing a BBC report.” As we have seen above, the video Uka watched was a video clip that appropriated clips from Redacted. These guys are suggesting that Uka watched De Palma’s movie in full and in context, which is so far from the truth it is incredibly embarrassing. Another one who sourced from the BBC article is Adam Martin at the Atlantic Wire, who posted the misleading headline, "Kosovo Man Says He Shot U.S. Airmen After Watching Redacted."
’REDACTED’ PRODUCER KLIOT RESPONDS TO DAILY CALLER:
In any case, The Daily Caller’s Munro did get ahold of Redacted producer Jason Kliot, although he unfairly asked Kliot questions based on its own stretched truth (that Uka actually viewed Redacted). “I honestly had not heard about it,” Kliot told Munro. “I’m terribly sorry to hear that, but I don’t understand how my movie would impel anyone to commit murder. The real culprit here is the tragedy of war, it is not Brian De Palma’s brilliant film. I don’t see how people would be made to commit acts of violence [after watching Redacted], any more than they would for watching Fox News,” Kliot is quoted as saying.
KLIOT: ‘REDACTED’ IS ABOUT ENDING WARS, NOT STARTING THEM’
Later in the article, Kliot is quoted again:
“War movies… show the nature of war,” Kliot said. “There is nothing more incendiary about telling the truth of what is happening in war.”
“Do Americans kill people in wars? Yes … [but] this is pro-American film, this is a pro-troops film… [because it shows the consequences] when soldiers are put in an impossible position,” Kliot said. “Right-wing nut-jobs” criticized the movie even though they had not watched it, he said.
Kliot said his movies show many sides of warfare, and cited his 2005 movie, The War Within, which shows a Pakistani preparing to murder Americans in New York’s Grand Central Station after he was radicalized by U.S. counter-terrorism policy. “Redacted is about ending wars, not starting them,” he said.
UKA TRIAL TO LAST UNTIL JANUARY
The Stars And Stripes article describes Uka’s confession on Wednesday (the first day of a trial that will take ten days, spread out on select Wednesdays between now and January). Here is the Stars And Stripes account of Uka’s confession (written by David McHugh and David Rising):
No pleas are entered in the German system, and Uka confessed to the killings after the indictment was read, telling the court "what I did was wrong but I cannot undo what I did." He went on to urge other radical Muslims not to seek inspiration in his attack, urging them not to be taken in by "lying propaganda" on the Internet.
Uka, dressed in jeans, sneakers and a crisp white shirt with rolled-up sleeves, smiled at his attorneys as he was brought in and his handcuffs were removed. But he wept repeatedly as he recounted the attack and watched the jihadist videos he said motivated him.
"To this day I try to understand what happened and why I did it... but I don't understand," he said, at times speaking so softly that court officials had to bring in a microphone and put it directly in front of him.
Cooperating with authorities and confessing can help reduce a defendant's sentence - but Uka refused to tell the court where he obtained the 9mm semi-automatic pistol he used, which Presiding Judge Thomas Sagebiel said meant his confession was incomplete.
Uka described becoming increasingly introverted in the months before the attack, staying at home and playing computer games and watching Islamic extremist propaganda on the Internet.
The night before the crime, Uka said, he followed a link to a video posted on Facebook that purported to show American soldiers raping a teenage Muslim girl. It turned out to be a scene from the 2007 anti-war Brian De Palma film Redacted, taken out of context.
He said he then decided he should do anything possible to prevent more American soldiers from going to Afghanistan.
"I thought what I saw in that video, these people would do in Afghanistan," he told the court, his voice choking with emotion as he wiped away tears.
Uka conceded when asked by prosecutor Jochen Weingarten that the airman driving the bus had not been going to Afghanistan. On the bus on the way to the airport to look for victims, he said he listened to Islamic music on his iPod while nursing doubts that he'd be able to follow through with his plan.
"On the one hand I wanted to do something to help the women, and on the other hand I hoped I would not see any soldiers," he told the court.
He says he now does not understand why he went through with the killings.
"If you ask me why I did this, I can only say ... I don't understand anymore how I went that far."
Prosecutors introduced evidence from Uka's laptop, cell phone and iPod, which included hundreds of files containing jihadist videos, literature, sermons and songs.
One song went, "Mother be strong, your son is on jihad," and "do not mourn for me." A video showed rifle-toting Islamic fighters in Pakistan, and a bullet-holed target with "Obama" scrawled on it.
The New York Times' Mike Hale
"Colombiana isn’t content to be a comic-book joyride (though it is that); it has pretensions to a more turgid class of revenge melodrama, along the lines of Tony Scott’s Man on Fire. It also has pretensions, period: Mr. Megaton sprinkles in homages to Francis Ford Coppola (Ms. [Zoe] Saldana’s rising out of the water like Martin Sheen in Apocalypse Now) and Brian De Palma (the climactic sequence at a drug lord’s lair is redolent of Scarface). The overall effect is distancing; there are some early comic moments that have you laughing along with the movie, but eventually the clashing tones and preposterousness just have you laughing."
Advance Screening's Matthew Fong
"Were your parents murdered in front of you as a child? Well Cataleya’s were and she instantly plotted revenge. There’s something eerily cute when a little 9 year-old girl replies to the question, 'What do you want to be when you grow up?' with 'a killer' (in a Colombian accent). She reads Xena: Warrior Princess and wants to become a warrior princess herself. Cliff Curtis plays Emilio Restrepo, Cataleya’s uncle, who takes care of her and trains her to become an assassin. He sets her up in his late son’s room which is filled with guns and a poster of Scarface so you can see what her influences were."
Movieline's Jen Yamato
"...watching the film there are a handful of notable nods to Colombiana’s genre predecessors — basically, every Luc Besson movie, The Professional and La Femme Nikita, and even a touch of Scarface."
indieWIRE's Drew Taylor
"Instead of a young American girl tutored by an aging French hitman, though [as in Léon], Colombiana is first set in Colombia, with the aforementioned parent-murdering (the little girl’s father was involved in some shady cartel business). The little girl then goes to Chicago where she’s taken in by her equally shady uncle (Cliff Curtis). The little girl, named Cataleya Restrepo, after a rare Amazonian orchid, wants her uncle to teach her how to murder, which he rejects by randomly firing his gun at a passing car (and presumably killing a perfectly innocent pedestrian). “Is that what you want?” he asks her, passion bubbling in his Al Pacino-in-Scarface-accented voice. She says no, she’ll wait, but it’s a shocking, clumsy moment that the audience barely has any time to recover from.
The movie then snaps forward 15 years, to Los Angeles, where Cataleya is now grown and carrying out a cleverly elaborate hit job in a local prison. Her target is Latin American, and she brands the corpse with her signature (a curlicue scribble of her namesake), so we assume that this victim had something to do with her parents’ murder. It adds a juicy jolt of thrills to the ingeniously plotted maneuver, which has all the hallmarks of a great Mission: Impossible jaunt, with the added bonus of Saldana pouring herself into a slinky black catsuit."
Not A Supermom
"And after a hard day of killing, there’s nothing Catalaya likes to do better than to return home, strip off, do a little sexy-dance around her empty apartment, take a shower and then spend a full minute eating a lollipop. Just like Pacino in Scarface! There are a few call-backs to Scarface in this movie, as well as the Lethal Weapon franchise. When she visits the FBI agent tracking her, you can almost hear him say that he’s 'too old for this'…stuff... Thankfully, Catalaya abstains from post-mortem one-liners. But feel free to add some in your own head throughout the movie. When she is standing on a balcony in the mansion and raining bullets down on the cartel henchmen, I defy you not to think 'Say hello to my little friend'."
Tr3s' Michael Lopez
"The final invasion on El Don is something straight out of Scarface, complete with machine guns, grenades, and choreographed head butts. Unfortunately, every action moment in this movie felt a bit too familiar. Cataleya's jail escapes mirrored Mission Impossible, her fights seemed like Guy Ritchie retreads, and so on. Colombiana definitely brings the action, but somehow lacks the punch."
Movieline's 9 Revelations About the Gangster Classic
Collider Attends the SCARFACE Blu-Ray Party
The Wrap - 'Scarface' Gang Thanks Spielberg & Scorsese for Early Support at Reunion Bash
The Examiner - Ludacris joins Al Pacino, Robert Loggia, and Steven Bauer in ‘Scarface’ reunion
MTV - 'Scarface' Hip-Hop Fans 'Really Get It,' Al Pacino Says
Also:
Big Hollywood's Jim Nolte:
"Scarface ranks in the Top 10 Most Re-watchable" DVDs
Watch the Live Scarface cast reunion tomorrow night (Tuesday, August 23rd) at 11:15pm eastern, on livestream. Al Pacino, Steven Bauer, Robert Loggia, F. Murray Abraham, and producer Martin Bregman are all expected to take part in the live reunion. All but Loggia have worked with Brian De Palma on more than one occasion, so it should be a fun discussion.
Well, they're off to an excellent start with that top notch talent by signing De Palma to direct the picture, which will be produced by Harold, Block, Tory Tunnell (Awake, Trumbo) and Paul Hanson (Oliver Stone's W.).
PRODUCTION TO START BY YEAR'S END; QED STARTING OFFERS TO ACTORS
Deadline's original story stated that principal photography was "due to begin by early 2012," and today's post from Fleming states that production will begin "by year's end." TheWrap's Joshua L. Weinstein, following up on Fleming's Deadline report, states that "with the De Palma deal closed, QED is starting to make offers to actors."
Harold has cited early Roman Polanski as one of his main inspirations for making films. Last year, he was signed to Tunnell's Safehouse Pictures to apply his talents to commercials as well as feature films. Safehouse is mentioned by Fleming as one of the companies involved in The Key Man. Harold has had his hand in many a project of late. At Safehouse, he wrote a treatment for the Meryl Streep/Tina Fey comedy Mommy & Me, which he is co-executive producing with director Stanley Tucci. He has also written Fountain City, currently in development at Safehouse with Andrew Adamson directing. After hiring Harold a few years ago to work on a draft of Zach Snyder's "ultimate zombie movie," Army Of The Dead, Warner Bros. more recently set Harold to rewrite an adaptation of Hiroshi Sakurazaka's time-travel space opera All You Need Is Kill, with Doug Liman attached to direct.