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a la Mod:

Domino is
a "disarmingly
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book


Exclusive Passion

Brian De Palma
Karoline Herfurth
Leila Rozario


AV Club Review
of Dumas book


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De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site


No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags


The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

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FilmLand Empire

Astigmia Cinema


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Icebox Movies

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Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
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So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

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This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds


No Time For
Love, Dr. Jones!

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De Palma a la Mod

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Ambrose Chapel
Are Snakes Necessary?
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Black Dahlia
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Body Double
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Conversation, The
Daft Punk
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Demolished Man
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Film Series
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Fury, The
Genius of Love
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Get To Know Your Rabbit
Ghost & The Darkness
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Hi, Mom!
Home Movies
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Iraq, etc.
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Rotwang muß weg!
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Wednesday, October 21, 2009
According to Variety, the stage musical version of Carrie, a notorious flop on Broadway in 1988, is being touched up for a potential upcoming production. Producer Jeffrey Seller told Variety that the show's original creators are reworking the script. These include composer Michael Gore, lyricist Dean Pitchford, and librettist Lawrence D. Cohen, the latter having adapted Stephen King's novel for Brian De Palma's film in 1976.

Meanwhile, Clyde at Clyde's Movie Palace has written a very entertaining remembrance of seeing De Palma's film for the first time on the big screen. Clyde talks about how the crowd was completely stunned at the film's final scene, but also about his appreciation for the locker room sequence:

It was my first journey inside a fully occupied girl’s locker room. Heck, it was probably the first time a lot of guys were inside a fully occupied female locker room filled with half dressed women, completely undressed women, and a few fully dressed women that you’ll barely notice are there. So before I go any further, I want to thank the cast, the cinematographer, and of course Brian DePalma for the experience.

Posted by Geoff at 11:36 AM CDT
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Wednesday, October 14, 2009

Captain Lou Albano

Posted by Geoff at 7:03 PM CDT
Updated: Wednesday, October 14, 2009 7:03 PM CDT
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Tuesday, October 13, 2009
According to Sci-Fi Blast, J.J. Abrams spoke at a press conference for the DVD release of his Star Trek film last week. The blog quotes Abrams, who directed the third Mission: Impossible film, and who is currently producing a fourth installment, as being shocked to learn that the TV series' original Jim Phelps, Peter Graves, is interested in a part in the new film. "I just got a call that Peter Graves is in great shape, which would be a very bizarre bend in the space-time continuum, for obvious reasons."

Jon Voight played Phelps in the first film, which was directed by Brian De Palma. Phelps was, of course, killed in that film, so bringing Graves into the picture would/could be a tricky move in a franchise known for its tricks. As Sci-Fi Blast points out, Graves has since created a more recent comedic legacy via his role as Captain Oveur in the Airplane film series. "I almost feel like you could make him serious again and bring him back," Abrams is quoted as saying. Abrams also mentioned the possibility of bringing back Leonard Nimoy, who joined the TV show in its fourth season. Abrams, who had cast Nimoy as Spock in his Star Trek film, reportedly said, "Whether it's Nimoy, who I have an incredible affinity for, or Graves, or anyone, we'll see."

Abrams also revealed that for the third film, he had wanted to cast Martin Landau, who was the TV show's original master of disguises. "I actually tried to get Martin Landau in Mission 3, in a very small little moment just for fun, and was told that he had no interest in doing it," Abrams said, according to Sci-Fi Blast. "But then, when I met him after the movie came out, it was the greatest thing. We were at this restaurant in New York, for one of the TV up-front parties, and someone introduced me to Landau. They took me over and Martin Landau came over to me, extended his hand and [pretended to lift his face off]. That was the greatest thing I'd ever seen."

Posted by Geoff at 12:58 PM CDT
Updated: Wednesday, October 14, 2009 9:29 AM CDT
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Thursday, October 8, 2009
Edgar Wright will present a double feature Friday night at London's Prince Charles Cinema. First up will be Nicolas Roeg's classic Don't Look Now, followed by Brian De Palma's Carrie. Both films have brilliant scores by Pino Donaggio. Wright says he is excited, as he has never seen either film on the big screen. On his website, Wright wrote:

These are not simply two of my favourite horror films of all time, but two of my very favourite films of all time.

Nic Roeg’s DON’T LOOK NOW starring Donald Sutherland and Julie Christie is a superlative supernatural film with some of the best editing in cinematic history. It’s been an influence on many a film over the years including THE SIXTH SENSE and (yes) SHAUN OF THE DEAD. If you’ve never seen it, don’t miss a chance to see it on a big screen. It’s haunted me since I first saw it one late night on BBC2.

And Brian De Palma’s CARRIE is simply magnificent. In my opinion the best Stephen King adaptation with a simply amazing cast: Nancy Allen, Amy Irving, PJ Soles, John Travolta and two Oscar nominees Piper Laurie and Sissy Spacek. Add in De Palma’s amazing visuals with incredible continuous takes, split screen and backwards flashbacks, plus Pino Donnagio’s incredible score and you have a stone cold classic.

I will be on hand too – with maybe some little extra nuggets to show between the films.

Meanwhile, Chicago's Music Box Theater begins its annual Music Box Massacre at 11:59 am Saturday-- 24 hours of horror films, ending with Carrie at 10:15am Sunday morning. Just before Carrie, the one film Stephen King has directed, Maximum Overdrive, will be screened. Stay awake and pass the popcorn.

Posted by Geoff at 12:47 PM CDT
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Wednesday, October 7, 2009
Romain has posted the poll results of fans' favorite Brian De Palma film, and Blow Out has once again come out on top. The top three films, however, are only separated by a single percentage point. Romain reports that 304 people voted in the poll, and the results are a bit different than the poll run last month for Cinema Viewfinder's De Palma Blog-A-Thon. The Blog-A-Thon poll was less concentrated on De Palma fans, with its contributors presumably being film fans who may or may not consider themselves De Palma "fans." It is also worth noting that while one could only vote for a single definite favorite in Romain's poll, each voter in the Blog-A-Thon poll offered their top three choices.

In any case, it seems safe to say that Blow Out is the collective film of choice when speaking about De Palma. In Romain's new poll, Carlito's Way came in at number two (4th place in the Blog-A-Thon), followed very closely by Phantom Of The Paradise at number three (9th place in the Blog-A-Thon). Body Double showed a surprising resurgence in both polls, tying Dressed To Kill for the fourth spot in Romain's poll, and tying Femme Fatale for the fifth spot in the Blog-A-Thon. The Blog-A-Thon's number two film, Carrie, only came in at number eight in Romain's poll. Scarface and The Untouchables hover in the bottom of the top ten on both lists. In fact, the top ten of each poll include the same nine films in the top nine. Coming in at number ten on Romain's new poll is Casualties Of War (number 13 on the Blog-A-Thon). The Blog-A-Thon's number ten film, Sisters, did not even get a single vote in Romain's poll.

Posted by Geoff at 8:23 PM CDT
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Tuesday, October 6, 2009
Today is the last day to vote for your favorite De Palma film at Romain's Virtuoso of the 7th Art. Romain will post the results tomorrow!

Posted by Geoff at 9:00 AM CDT
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Tuesday, September 29, 2009
Brian De Palma's Obsession makes its premiere on Turner Classic Movies tonight at midnight, eastern time. TCM has been running a series on composer Bernard Herrmann every Tuesday in September, and tonight's line-up is of particular interest to De Palma fans, as it highlights some of Herrmann's post-Hitchcock works of macabre suspense. It starts at 8pm eastern with François Truffaut's Hitchcock homage, The Bride Wore Black, followed by Alastair Reid's The Night Digger (10pm eastern), which features a screenplay by Roald Dahl. Obsession follows at midnight, and then the TCM premiere of Martin Scorsese's Taxi Driver runs at 2am eastern. Then at 4am eastern, TCM is showing the 2004 documentary Scorsese On Scorsese. Time to set the DVR, or take the day off tomorrow.

Also, don't forget to check out Laurent Bouzereau's The Suspenseful World of Thrillers on TCM Friday night at 8pm eastern (repeated at 11pm eastern). The Washington Times' Gary Arnold has posted a review of the special, which features interviews with Paul Hirsch and David Koepp.

Posted by Geoff at 11:37 AM CDT
Updated: Tuesday, September 29, 2009 11:39 AM CDT
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Wednesday, September 23, 2009

Yesterday, John Huntington at Control Geek relayed a story about how Brian De Palma had wanted a scene entirely illuminated by a gun shot for Carlito's Way. Here is what Huntington wrote about it regarding response time between audio cues and the lighting:

Years ago, when I was working at Production Arts Lighting, we got a call from Brian De Palma's people. De Palma (who I had encountered before on The Untouchables when working for Bran Ferren) was shooting Carlito's Way, and he wanted a scene entirely "illuminated" by the flash of a (blank) gun. They did some tests, and, if I remember correctly, the gun flash wasn't bright enough, and too short to be adequately exposed on the camera. They wanted to take a big 5K fresnel, and have it respond to the sound of the gunshots. We didn't have a lot of time, so we borrowed a pitch-MIDI converter, ran it through Bars and Pipes on an Amiga, and then I wrote some filters there that would generate MIDI messages for a lighting console, that would fire a dimmer which would then light up the 5K. It was very reliable, but with all that early 90's technology, very slow. We did some gun shots, and by the time everything was captured and processed, and the 5K heated up, it was like a second late. It looked pretty cool but was too slow in general to achieve the desired effect.

Posted by Geoff at 12:36 PM CDT
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Thursday, September 17, 2009
The extremely fun De Palma Blog-A-Thon hosted by Tony Dayoub at Cinema Viewfinder closed yesterday with an excellent final entry from Dayoub that juxtaposed Scarface with Carlito's Way. Dayoub begins his essay with a description of his own experiences growing up as a Cuban American in an Hispanic neighborhood in Miami in the late 1970s. He then moves on to describe how Carlito's Way is a "symmetrical counterpoint" to Scarface:

De Palma is always prone to symmetry in his work, often bookending his films with similar visual or thematic concerns: the menstrual blood at the beginning of Carrie (1976) with the pig's blood in its climax; the sexually violent shower dream that opens Dressed to Kill (1980) and the one that ends it; the way an empty gun helps Carlito escape during a shootout at the start of Carlito's Way, and seals his lawyer Kleinfeld's (Sean Penn) fate as the movie wraps up. But with the release of Carlito's Way, De Palma provided not so much an apology, as some have said—for his negative depiction of a Latin gangster in Scarface—as much as he provided a doppelganger, a symmetrical counterpoint to the earlier film that gives it some unexpected depth.

I have been working on something for the Blog-A-Thon that nevertheless was not finished in time-- my piece grew after I discovered some things about the films I was writing about that I hadn't picked up on before. As a result, I had to do a little more research (i.e. watch more films), which is great, but I was not able to complete my essay before the Blog-A-Thon ended. But I do thank Tony for giving me the incentive to write this piece in the first place, and I hope to have it completed and posted by early next week.

The last big survey of De Palma fans' favorite De Palma films was done in 2002 by Carl Rodrigue at Le Paradis de Brian De Palma (Romain at Virtuoso of the 7th Art also has one going right now through October 4th). As the Blog-A-Thon ended, so did the Cinema Viewfinder poll, which ended up with 168 votes tallied from users voting for their three favorite De Palma films, in no particular order. Amazingly, the top four titles are the same as the 2002 poll, with the exception that Dressed To Kill was number 2 back then (at Cinema Viewfinder it switches with Carrie and takes the number 3 spot). While Femme Fatale was number 5 all on its own back when it was brand new, it remains number 5 today, although now Body Double has jumped up to tie for the position (the latter was number 9 in 2002). The top ten are further filled out by The Untouchables, Scarface, Phantom Of The Paradise, and Sisters. Here is the entire list:

1. Blow Out
2. Carrie
3. Dressed To Kill
4. Carlito’s Way
5. Femme Fatale/Body Double (Tie)
7. The Untouchables
8. Scarface
9. Phantom Of The Paradise
10. Sisters
11. The Fury/Mission: Impossible (Tie)
13. Casualties Of War
14. Raising Cain
15. The Black Dahlia
16. Obsession
17. Hi, Mom!/Snake Eyes (Tie)
19. Redacted
20. Mission To Mars
21. Dionysus In ‘69
22. Murder a la Mod/Greetings/Get To Know Your Rabbit/Home Movies/The Bonfire Of The Vanities (each received one vote)
27. The Wedding Party/Wise Guys (each received zero votes)

We will see how these votes stack up against Romain's poll in October.

Posted by Geoff at 5:52 PM CDT
Updated: Thursday, September 17, 2009 5:58 PM CDT
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Tuesday, September 15, 2009

Brian De Palma was a surprise guest Saturday at the Toronto International Film Festival's Talent Lab, which took place September 9-12. According to Catbird Productions' Twitter page, De Palma, actress Tilda Swinton, and director Scott Hicks all showed up on the last day of the lab, which offers development opportunities to up-and-coming Canadian filmmakers. De Palma has participated in the event a number of times over the years.

According to the Globe And Mail's Johanna Schneller, De Palma liked Andrea Arnold's Fish Tank (pictured above), which won the Jury Prize at Cannes earlier this year. The film stars Katie Jarvis, who had never acted before this, as a foul-mouthed 15-year-old who dances with headphones on and has a crush on her mom's boyfriend. The newcomer is said to have been approached by the casting director on a railway station platform. The trailer can be viewed here.

Meanwhile, the Globe And Mail's Rick Groen reports that Gaspar Noé was excited to hear that De Palma was at the Toronto press screening for his latest film, Enter The Void, which features, we hear, the most extreme use of subjective point-of-view camerawork possible, moving from death to womb. Noé and De Palma shared an interesting link in 2002, when each of the films they released that year (Noé's Irreversible, De Palma's Femme Fatale), which were both made in France, featured Jo Prestia as a menacing rapist (although in De Palma's film, Prestia's character is no less than a tool used by the femme fatale to provoke Antonio Banderas' Nicolas into a rage). Here is what Groen posted on Saturday:

"Did you see Brian De Palma in the audience for my film?" The question bubbles up in a boyishly excited rush, which both charms and surprises me. That's because the questioner is French director Gaspar Noé, the last guy you'd expect to give a tinker's damn about the audience or anybody in it. His approach to filmmaking, in Irreversible and now again in Enter the Void, is, well, combative, assaulting us with triple-barrelled bursts of brutal imagery and fractured time-frames and kaleidoscopic effects. All sighted through his talented eye, the result is riveting to some and revolting to others. People get mesmerized by his movies, people walk out of his movies, and Noé has always seemed delighted with either reaction. Clearly, though, this is an exception: He wants Brian De Palma to have been there, and he really wants Brian De Palma to have stayed.

So Noé continues in the same bubbly rush: "Someone told me he was in the audience yesterday. At the press and industry screening. So I rushed over and looked at the seats but I couldn't see him." A pause, then he repeats: "Did you see Brian De Palma in the audience for my film?"

Okay, I was there, the theatre was maybe half-filled, and, since poor Noé seems on the cusp of imploring, I'd love to give him the right answer. But. "Um, sorry, I did not see Brian De Palma in the audience. But I was looking up, not around, and I've heard that De Palma, even when he doesn't have a film at the fest, has a history of coming to Toronto anyway just to watch lots of movies, so, you know, maybe he was there."

Noé, who spent several years raising the money for Enter the Void and two more years shooting and editing it and who doesn't yet have a North American distributor for his prodigious labour of love, tries to take heart from that "maybe." And who can blame him?

The Film Farm, which announced yesterday that De Palma's Tabloid is currently on the company's production slate, produced Atom Egoyan's Chloe, which had its premiere in Toronto Sunday. The film is a "reinvention" of Anne Fontaine' Nathalie..., with an all new screenplay by Erin Cressida Wilson (Secretary, Fur), that is said to have more Hitchcockian overtones than the original film. Amanda Seyfried, who also stars in Jennifer's Body, is said to give a breakout performance in Chloe. She and De Palma were spotted by The Star's Rob & Rita at a Toronto party the other day.

The Philadelphia Inquirer's Stephen Rea spotted De Palma "walking from one screening to another, and then later out in Yorkville, sitting on a rock in a pocket park in his trademark safari jacket, adjusting his iPod." Rea added that "De Palma is one of the fest's annual fixtures." The opening of Rea's post offers an interesting contrast of viewpoints:

Never mind health care, here's the real difference between the United States and Canada: Driving into the country from the States side of Niagara Falls, you pull up to the customs officer's booth; he asks you the purpose of your visit, and when you say you're covering the Toronto Film Festival, his next question is, "What's your favorite movie?" And then he tells you his (Raiders of the Lost Ark), and then he wants to know what's up with James Cameron's Avatar because he'd heard that it's going to revolutionize the moviegoing experience.

And then: What are you looking forward to seeing in Toronto? Are there going to be a lot of stars?

Somehow I can't picture the Homeland Security dude on my return through New York asking me if the new Pedro Almodóvar is as good as All About My Mother.

And finally, Bill Chambers of Film Freak Central tweeted yesterday, "I think I just pissed off Brian DePalma." After someone asked him for more details, Chambers wrote, "It might be too abstract to sum up in a tweet. I should add that my DePalma encounters are always fantastically unpleasant."

Posted by Geoff at 6:11 PM CDT
Updated: Tuesday, September 15, 2009 6:20 PM CDT
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