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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Saturday, February 22, 2025
2013 FLASHBACK - DE PALMA ON UNSCRIPTED 'PASSION' MOMENTS
"SHE KISSES HER, AND NOOMI'S LIKE, 'WHAT THE HELL IS GOING ON HERE?'"
https://www.angelfire.com/de/palma/passion345.jpg

A few days ago I linked to an Ain't It Cool News post from 2013, in which Mr. Beaks interviews Brian De Palma upon the release of Passion. Worth noting again, now that we're a dozen years on from the flood of interviews around that time, is this passage from the interview, about the ways that Rachael McAdams, Noomi Rapace, and Paul Anderson played with and improvised some of the more outrageous elements of the film:

Beaks: Getting back to PASSION, and the power struggle dynamic between Noomi and Rachel, there's that great kissing scene that Rachel turns back on Noomi. Was that scripted? 

De Palma: Absolutely not. The girls did it on the day. When Noomi grabs her and gives her the kiss of death, and Rachel kisses her back leering at Noomi's assistant in the doorway... (Laughs) I would just sit behind the camera and smile. "My god, these girls are really doing it!" They did a lot of stuff like that. The way she's playing with her in the car. "I want to be admired! I want to be loved!" She kisses her, and Noomi's like, "What the hell is going on here?" And Rachel picks up the lipstick and says, "You need a little color." (Laughs) It's hilarious!

Beaks: It's very kinky, and it's very much of a piece with your other erotic thrillers. By the way, how do you feel about being the "master of the erotic thriller"?

De Palma: Well, I don't think we can be that erotic anymore on the screen. We can't compete with cable. It's kind of amazing. We can't do the kind of nudity they do on cable. I don't know what's comparable to an X these days, but you'd get in a lot of trouble doing that stuff they do on cable on the big screen. Eroticism and pornography have sort of gone to cable television and the web, and I don't know if you can do much of it in movies anymore. You can only be very suggestive. But this is a movie about women for women basically, and you don't have to get too explicit. That scene where the guy uses the camera to videotape their making out in the hotel room, I basically just gave them a camera and said, "Just do whatever you would do." (Laughs) Believe me, they did some incredible things.



Posted by Geoff at 10:52 PM CST
Post Comment | View Comments (2) | Permalink | Share This Post

Sunday, February 23, 2025 - 12:29 AM CST

Name: "Harry Georgatos "

The eroticism in BASIC INSTINCT, SHOWGIRLS and BENEDETTA is on a level to itself. Paul Verhoeven is one of the few directors who still pushes the envelope.

Saturday, March 1, 2025 - 3:54 AM CST

Name: "Mustafa"

Sorry, but I could not feel any eroticism in Showgirls or Benedetta, more of dyscomfort, which I assume was the purpose, when use sex as a tool to gain power/rebelion against diety 

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On the other hand, I feel the eroticism in Dressed to Kill, Body Double, and even Carlito!

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