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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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De Palma interviewed
in Paris 2002

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The Black Dahlia 2006


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De Palma a la Mod
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Friday, May 13, 2022
MORRICONE 'CINEMA SUITES' INCLUDES A DE PALMA SUITE
THE SCORES FOR THIS NEW RECORDING WERE COMPLETED BY MORRICONE MONTHS PRIOR TO HIS DEATH
https://www.angelfire.com/de/palma/cinemasuites0.jpg

"Prior to his death at the age of 91 in July of 2020, composer Ennio Morricone completed the scores for this recording, which features his longtime violinist, Marco Serino," Stereophile's Sasha Matson states in a review of Ennio Morricone: Cinema Suites for Violin and Orchestra. Matson continues:
This collection of suites is a product of Morricone's reworking of his own scores for film, intended for concert performances. I am not often a fan of rerecordings of film music: I prefer to hear the music tracks used, as typically found on albums designated "original motion picture soundtrack." This collection is of another kind altogether: well-thought-through compositional variations on the original music, beautifully performed by the Haydn Orchestra and conducted by the composer's son, Andrea Morricone. With a career output exceeding 400 film scores, Morricone gathered excerpts from 14 of them to create these suites, organized by films and their directors.

Included are a "Sergio Leone Suite," a "Giuseppe Tornatore Suite," and a "Brian De Palma Suite." Putting Morricone's best foot forward, the collection opens with three themes from Once Upon a Time in America, one of the greatest meldings of music and visual drama ever melded. The simplest musical materials get to the emotional heart of that great film about love and memory in such a powerful way that I tear up when I hear it. The solo violin part features Morricone's fine melodic gifts, thematic materials as used in the films but also newly created lines handed back and forth between violin and orchestra. In a fine interview, Marco Serino describes Morricone "reworking existing scores with me as soloist in mind ... talking in depth about the solo part and the scoring for orchestra." Playing gorgeously his Matteo Goffriller violin made in Venice in 1768, Serino gives voice to a great composer commenting on his own life's work.—Sasha Matson


The "Brian De Palma Suite" consists of two parts: Main Theme from Casualties of War, and Death Theme from The Untouchables.

The editorial review at Amazon reads:

For twenty years Marco Serino was Ennio Morricone’s violinist, the soloist on his film soundtracks and on world tours where they were reworked for the concert hall. In January 2020, after what proved to be his last public concert, at the Italian Senate in Rome, Morricone finished the transcription of this magnificent and unpublished collection, which recasts the themes of his most famous scores in suites transcribed for violin and orchestra. The work was carried out in close collaboration with Marco Serino and dedicated to him as a fruit of the artistic partnership between the two men. The collection alternates between pieces already performed in concert and others that are heard in this version for the first time. A year and a half after the composer’s death, this extraordinary document, a testimony to friendship and professional esteem, now becomes a recording project with the collaboration of Andrea Morricone, the composer’s son, who conducts the Haydn Orchestra of Bolzano and Trento.


Posted by Geoff at 7:18 PM CDT
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