"MELANIE GRIFFITH CHALLENGES ALL EXPECTATIONS IN HER PERFORMANCE"
At Bloody Disgusting yesterday, William Bibbiani posted an article with the headline, "Things of the Past: The 14 Best Horror Movies of 1984!" The list includes Brian De Palma's Body Double.
"There’s an alternate reality out there in which we’re all at the multiplex, or at least able to go, and watching all of the big blockbusters that were originally scheduled to come out in the summer of 2020," Wonder Woman 1984, we can still go back to 1984 and watch all the movies that would have been playing in theaters while Wonder Woman was fighting supervillains."
Bibbiani's alphabetical list also includes Joe Dante's Gremlins, Neil Jordan's The Company of Wolves, Tim Burton's short film, Frankenweenie, Wes Craven's A Nightmare On Elm Street, and several others. Here's what Bibbiani says about Body Double:
Brian De Palma’s lurid pastiche of Hitchcock’s Rear Window, Vertigo and Dial M for Murder stars Craig Wasson (A Nightmare on Elm Street 3: Dream Warriors) as a sad-sack struggling actor who takes a housesitting gig and falls in love with a beautiful neighbor through a telescope, watching her as she seductively dances at night. His late night voyeurism makes him the only witness to her brutal murder, but the plot takes a bizarre turn when he notices that a famous porn star named Holly Body, played by a never-better Melanie Griffith, has the exact same sensual dance routine in her films.
The creepy psychosexual subtext of Hitchcock’s films is laid bare, front and center, in De Palma’s Body Double, a film which showcases some of the most ambitious and playful camerawork of the director’s career. Even when it’s not shockingly violent Body Double still feels shocking, as Wasson’s hapless protagonist discovers the depths of his own obsessions and the bizarre lengths he will go to in order to seduce the woman (women?) of his dreams. Meanwhile, Melanie Griffith challenges all expectations in her performance, revealing Holly Body to be as complete, as radical, and as intriguing a character as any in De Palma’s filmography.