Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« February 2020 »
S M T W T F S
1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Friday, February 21, 2020
EARLY REACTIONS TO 'ARE SNAKES NECESSARY?'
"LIKE A BRIAN DE PALMA'S GREATEST HITS OF OBSESSIONS, FIXATIONS & FETISHES"
https://www.angelfire.com/de/palma/snakescover.jpgAre Snakes Necessary? hits the streets on March 17th, but some early reactions to the novel, co-written by Brian De Palma and Susan Lehman, are beginning to show up online. "Read Are Snakes Necessary? in one night and it really is like a Brian De Palma's greatest hits of obsessions, fixations and fetishes," author Jedidiah Ayres wrote in a Twitter post yesterday. "Loved it," he continued, adding, "All I want to do now is watch Femme Fatale again."

Novelist Scott Adlerberg then responded, "Enjoying it so far. It’s definitely a feast for De Palma fans."

Writer Nick Kolakowski chimed in with a link to his review at Mystery Tribune, tweeting, "It really does win every single square of De Palma bingo, but I had some... issues with it."

To which Ayres replied, "It's... slight? But so pleasingly symmetrical."

Adlerberg then added, "It’s a little slight, I guess. And the writing style is a bit bare bones and screenplay like, but does that matter really? I like how tongue and cheek it is."

Here's an excerpt from Kolakowski's review at Mystery Tribune:

On the cover of “Are Snakes Necessary?”, the thriller authored by legendary director Brian De Palma (co-written with Susan Lehman), there’s a blurb that many a noir writer would commit literal murder for: Martin Scorsese announcing that this book is “like having a new Brian De Palma picture.”

As a blurb, it’s dead-on, and therein lies the rub: If you’re a fan of De Palma’s cinematic work, this book may very well scratch that itch for another thriller from the maestro, albeit in a totally different format. If you’re one of those folks who dislikes the director’s hothouse Hitchcock homages, then you’re no doubt going to roll your eyes as the book trots out pretty much every single De Palma trope of the past 45 years.

Psychosexual shenanigans? Check. Political malfeasance? Check. Unscrupulous people doing their level best to one-up each other? Check. Knife deaths? Check.

Hitchcock-style tumble from a really tall, internationally famous landmark? Oh yeah, big check. Not to spoil too much, but a climactic incident “happens in that funny slow-motion way that events unfold in the heat of certain moments,” to quote the narration directly.

It’s like De Palma is attempting to do in print what he’s done so notably in some of his most famous films (the train-station shootout in “The Untouchables,” the cross-action finale of “Raising Cain”); the paragraphs become individual shots, the action so clear you could storyboard it.

Indeed, if there’s one minor quibble to make with the book, it’s the pacing. Within chapters, the narrative will suddenly jump to that night, or even a few weeks later; it would work in a movie, where a single cut is all you need to seamlessly suggest that time has elapsed, but it’s jarring in prose.

For those who grew up watching, re-watching, and generally enjoying De Palma’s films, perhaps the biggest surprise here is the tone. His movies’ characters might be psychologically twisted wrecks, but De Palma always approached pacing, framing, and the other elements of filmmaking with a surgeon’s eye, expertly dialing in his effects. Yet the book’s tone is casual—“folksy” is probably the wrong word to use, but that term hints at its relaxed nature.


Posted by Geoff at 7:42 AM CST
Updated: Friday, February 21, 2020 7:43 AM CST
Post Comment | Permalink | Share This Post

View Latest Entries