AT BLOODY DISGUSTING - "THE TERROR OF SEEING YOURSELF IN AN OTHER"
"Look-alikes, doubles, or doppelgangers are a common trope in horror," Beatrice Loayza writes in an article posted yesterday at Bloody Disgusting. "There’s the Jekyll and Hyde dichotomy, that pits an evil side against a good one, and there’s the appearance of an imposter that threatens to replace by force. In any case, a double implies a tension, and therefore a struggle between two forces that must either find a way to live in harmony or recede, while one side reigns dominant. Decades of excellent horror films have kept the tool fresh, reinventing and adjusting the eerie encounter of the duplicate to resonate with the times — suffice it to say, we’re really excited about what Jordan Peele has up his sleeve.
"To celebrate the upcoming release of Peele’s Us," Loayza continues, "we thought it’d be timely to look back at some of the most iconic uses of doubles in horror, and how the visual and narrative tool is used to convey psychological distress, societal tension, generational anxiety, and the ol’ crippling fear of death."
Along with films such as David Lynch's Lost Highway, Bryan Forbes’ The Stepford Wives, David Cronenberg’s Dead Ringers, and Darren Aronofsky's Black Swan, Brian De Palma's Sisters is included:
If the patent on doppelgangers could go to only one filmmaker, Brian DePalma might very well have the strongest claim. With a filmography bursting with body doubles, the iconic director has proven he has quite the obsession with dueling manifestations of replicated bodies (see what I did there?). But if I had to pick one representative, the sash would go to DePalma’s phantasmagorical riff on Hitchcock– Sisters. Starring Margot Kidder as both halves of a pair of formerly conjoined twins, this tightly executed slasher has Danielle, the normal or “good” twin, wrestling with the deranged demands of “evil” twin, Dominique — all captured with the disorienting pizzaz of DePalma’s split-screen compositions. A voyeuristic glean activates this 1973 classic with erotic energy and a touch of humor, a tension that moves us forward as we get to the bottom of just how interdependent and fucked up these sisters really are.