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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


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De Palma Community

The Virtuoso
of the 7th Art

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Carrie...A Fan's Site

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No Harm In Charm

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a la Mod

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a la Mod

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and the Infield
Fly Rule

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Came In From The Cold

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(Blow Out)

Carrie: The Movie

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Official Web Site

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italkyoubored

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EatSleepLiveFilm

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De Palma a la Mod
site

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A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Wednesday, January 9, 2019
SCORSESE RECALLS MEETING SCHRADER VIA DE PALMA
TELLS NYFCC CROWD HOW THEY ALL ATTENDED OZU SCREENINGS TOGETHER, ETC.
https://www.angelfire.com/de/palma/scorsesenyfcc2019.jpgAt The New York Film Critics Circle’s annual awards dinner Monday, Martin Scorsese presented the Best Screenplay award to Paul Schrader for First Reformed (image here cropped from a tweet by Alissa Wilkinson). In his ten-minute intro for the award, Scorsese mentioned meeting Schrader via Brian De Palma, saying that the three of them would go to screenings of Yasujirō Ozu films together. According to IndieWire's Zack Sharf, Scorsese added that Schrader's license plate back then read O-Z-U. "After discussing how their shared love of John Ford’s The Searchers and Robert Bresson’s Diary of a Country Priest made them fast friends," writes Sharf, "Scorsese championed First Reformed: 'I was so impressed and moved by the way Paul discusses the nature of faith and how it’s bolstered by Ethan Hawke, who gives such a magnificent performance and goes so deep into his character’s pain, into his long, twisted road to understanding.'”

Hawke won the NYFCC Best Actor award for First Reformed, and Sharf quotes much of the actor's acceptance speech:
“My mother gave birth to me when she was 18 and one of the things she hid from her father was her subscription to The New Yorker magazine,” Hawke said. “It’s a weird thing to combine white trash and The New Yorker, but that’s my family. When I was growing up, what she used to do was save The New Yorker and whatever Pauline Kael reviewed was the movie we would go see. After we saw it, we would read Pauline Kael’s review, which we often did disagree with. … Even after ‘Dead Poets Society’ came out I had to go home and sit at the dinner table and read Pauline Kael’s very negative review of that movie. ‘The whole thing is wrapped in a gold bow like a bunch of bullshit. If I have to see another movie that makes me glad I’m alive I’ll have to kill myself,” is what I think she said.”

Hawke’s ability to pivot from humorous anecdote to profound meditation remains unmatched. “In my life, I have witnessed big business absolutely devour an extremely young art form,” he said at the end of his speech. “We live in a culture that hero worships the accumulation of wealth and then acts surprised about who we elect as our officials. Film criticism establishes a different barometer of success and it teaches audiences what to look for, how to watch movies, how to listen to stories, and I’m so grateful to articulate why all these movies you are celebrating tonight matter, because they matter to me.”


According to Paula Schwartz at Showbiz 411, Hawke also spoke of Roger Ebert: "He’s the only critic that matters. I don’t understand this, but okay, at the Cannes Film Festival Roger Ebert gave me a toast as the most successful, the only successful American actor who has never killed anybody on screen. I was about 30 years old and I knew that I was going to kill people. I knew, I did. I knew that there was no way it was going to last. I respected the attention, but I learned from Roger Ebert that it matters what we put into the world and I was extremely inspired by the critics of art."

See Also:

Mark Jacobson, Vulture
In Conversation: Paul Schrader


Posted by Geoff at 12:46 AM CST
Post Comment | View Comments (3) | Permalink | Share This Post

Thursday, January 10, 2019 - 5:58 PM CST

Name: "mr dick"

whats happening with domino? so much with sweet vengeance january shoot ?

Tuesday, January 22, 2019 - 6:47 AM CST

Name: "Patrick"

First Reformed is worth a look, the best Movie Brats film I've seen in years (complete with a 360° dolly climax right out of Obsession)

Tuesday, January 22, 2019 - 7:13 AM CST

Name: "Geoff"
Home Page: https://www.angelfire.com/de/palma/blog

I agree, First Reformed is my favorite film of 2018, followed by Sorry To Bother You and The Favourite. The end of First Reformed does make me wonder if Schrader has come around to embracing the way Obsession ends now, although he has cited different inspirations for the end of First Reformed.

I have previously posted some links to reviews of First Reformed here:

https://www.angelfire.com/de/palma/blog/index.blog/1497288/paul-schraders-first-reformed/

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