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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« September 2018 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
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Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
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Carlito's Way
Carrie
Casualties Of War
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Clarksville 1861
Columbia University
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
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Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
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Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
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Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
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Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Spielberg
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Sweet Vengeance
Tabloid
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Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
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Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
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Monday, September 3, 2018
ÁLVAREZ LÓPEZ ON COLLAGE ASPECT OF 'WOTON'S WAKE'
DE PALMA'S EARLY SHORT FILM "BOILS WITH A FERVENT, CREATIVE, YOUTHFUL VITALITY"
https://www.angelfire.com/de/palma/wotonswakemirrors.jpg

"Collage takes many forms in De Palma’s cinema," states Cristina Álvarez López in her latest Foreplays column at MUBI. "It’s in his taste for mosaic-narratives that merge almost-autonomous plot lines. It’s in the way he fits together disparate tones, genres, and styles of acting. It’s in the play with surfaces and depth, fostered by some of his favorite ‘composite’ images—split screens, materialized memory flashes or mental hypotheses, split focus diopter shots. It’s in his very conception of reality as a complex puzzle that can only be grasped via a laborious reconstruction and rearrangement of the pieces. It’s in the incorporation, mimicking, and merging of different audiovisual formats, textures, dispositifs—TV reportage in Sisters (1972), video-clip and porn advertising in Body Double (1984), images from security cameras in Scarface (1983) or Snake Eyes (1998), screen tests in Murder à la Mod (1967) and The Black Dahlia (2006), YouTube videos in Redacted (2007) and Passion (2012), the reconstructed film in Blow Out (1981), and the photographic collage that closes Femme Fatale (2002).

"Woton’s Wake boils with a fervent, creative, youthful vitality. It’s a product of the multifaceted cultural scene of a particular time and place (the New York of the 1960s). It’s also a low-budget film, made—literally—with De Palma’s own hands. This is, at least in part, what gives Woton’s Wake its collage form, wild and raw, but also thoroughgoing: from the very conception of character and narrative as complex assemblages, to formal choices that privilege operations of fragmentation, cutting, pasting, stitching; from the depiction of mismatching architectures, to the treatment of space as the envelope for pockets of film history—or as the battleground for colliding energies."

Read the rest of Álvarez López' insightful analysis of Woton's Wake at MUBI. "Watched today," she writes, "Woton’s Wake signals a strong tendency in the filmmaker’s career: his investment in collage." You can also watch the short film for free at Vimeo.


Posted by Geoff at 6:35 PM CDT
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