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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


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The Virtuoso
of the 7th Art

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No Harm In Charm

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a la Mod

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a la Mod

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and the Infield
Fly Rule

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Came In From The Cold

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Scarface: Make Way
For The Bad Guy

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(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

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Offices of Death Records

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italkyoubored

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De Palma a la Mod
site

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Sunday, February 11, 2018
'PHANTOM' IN CONCERT @ NYC SECRET LOFT IN MARCH
MUSIC FROM DE PALMA'S FILM PERFORMED AS "IMMERSIVE" EXPERIENCE, w/DIALOGUE BETWEEN SONGS
https://www.angelfire.com/de/palma/phantomsecretloft.jpg

The Instagram above was posted by Lindsey Freeman of Weasel War Dance Productions four days ago. Elann Danziger is the director of this upcoming concert featuring Paul Williams' songs from Brian De Palma's Phantom Of The Paradise. The concert, which will be performed on three consecutive Mondays in March (12, 19, 26) at The Secret Loft in New York City, is described on a Backstage casting call from a couple of months ago as "immersive in nature," with "some dialogue in between songs."

The Backstage casting call does not specify a gender for the lead role of Winslow Leach/The Phantom: "tenor; a struggling young nerdy musician/songwriter who is both the anti-hero and the main protagonist. Winslow makes a futile attempt to advertise their talents by playing at a club owned by Swan, a nefarious music producer. Swan overhears them playing and orders Winslow’s music stolen so that he can use it to open his groovy new club--'The Paradise.' Swan then promptly frames Winslow for drug dealing, giving them a life sentence in Sing Sing Prison, where they eventually escape, but not before having their teeth removed. Following a rage-fueled escape and a traumatic scarring which disfigures their face, Winslow finally makes their way to the Paradise, taking on the identity of the Phantom to take revenge on Swan."

As can be read in Freeman's post, tickets are $20 in advance, and $25 the day of the show-- I did not find any tickets for sale online as of this morning, but Freeman adds that you can send her a message to reserve tickets "for this almost sold out event." There will also be a preview performance on Sunday, March 11th. Freeman and Sean Pollock are the lead producers.

Here are the other roles listed in the casting call at Backstage -- note the Rocky Horror references:

Phoenix (Lead): Female, 20-45

alto; a young singer with strong integrity and hopes of becoming a star, who refuses to partake in the casting couch sessions that Swan has the other young women participate in. Prior to their imprisonment, Winslow met Phoenix at the auditions for Faust and realized she would be perfect for the lead in their cantata--ultimately going so far as to kill anybody who opposed her rise to stardom. Swan, however, despises her perfection and has her demoted to back up singer. She will eventually rise to the occasion, discovering about herself that she's prepared to do anything to earn that crowd applause.

Swan (Lead): Male, 28-50

(Baritenor) Evil CEO and producer of Death Records, Swan is an expert at making hit records and exploiting his musicians for all they're worth--including hosting casting couch sessions to pray on young women. He is arrogant, narcissistic, and always looking for a chance to drum up publicity. Swan has recently finished building his new club “The Paradise” and is looking for the right music to open it with, so he steals Winslow’s.

Beef (Supporting): Male, 25-45

tenor; a self-professed “profess-ion-al,” Beef is brought in to sing Winslow's cantata, after Phoenix was deemed "too perfect." Like most of Swan's acts, Beef is very flamboyant and hooked on drugs. He is narcissistic, superstitious and has the ability to turn either his manliness or femininity up to 11 at will. Very glam rock and Bowie inspired. Ambiguously bisexual--he can flirt with anyone to get whatever he wants. Think a cross between Frank-n-Furter and Rocky from "Rocky Horror."

The Juicy Fruits/The Beach Bums/The Undead (Supporting): 18-35

a trio of three singers, and unofficial chorus of the story. Swan's band, constantly being reformed and renamed to match current trends (they go from Sha Na Na, to The Beach Boys, to KISS). They’re reused as leads and backup singers wherever necessary--partly to save money, but mainly to capitalize on their sheer malleability.

Philbin (Supporting): Male, 25-50

Swan's right-hand man; Philbin's job encompasses a number of fields, including scouting for talent, managing bands, directing the actors and singers on the Paradise set, and enforcing Swan's orders; very butch, stereotypical drug pusher/meathead bodyguard “tough guy” gangster/mob type. Think Eddie from Rocky Horror, but without the groupies or the Rock and Roll fame.

Ensemble (Chorus / Ensemble): 18-45

some roles which will need filling: Secretary, Audition Girls, Bodyguards, Video Camera, and Rock Freak. Some of these will be doubled up.


Posted by Geoff at 9:41 AM CST
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