"I WANT TO DO WHAT HITCHCOCK DID, WHAT SPIELBERG DID, WHAT BRIAN DE PALMA DID"
Jordan Peele talks to the Los Angeles Times' Glenn Whipp, in an article inspired by the recent Oscar nominations for Peele's Get Out. Here's a brief excerpt from Whipp's article:
Peele has just put me in the same leather armchair that Missy Armitage (Catherine Keener) invites Chris Washington (Oscar nominee Daniel Kaluuya) to sit in before she sends him falling into the Sunken Place. Missy’s floral-accented chair is just off to the left; Peele spreads out on a couch across from me.
“I definitely needed to take a couple of things from the set after the movie wrapped,” he says, smiling.
Peele knew the Missy-Chris hypnosis scene would become iconic. But he figured it would take years and, like most horror films, its appreciation would exist on a cult level. Instead “Get Out,” released the weekend “Moonlight” won the best picture Oscar last year, grossed $254 million and became a cultural phenomenon, the subject of endless discussions over its treatment of race and an Oscar powerhouse, earning Peele nominations as a director, writer and producer.
Now Peele, under the Monkeypaw Productions banner, is working hard, indulging his love for horror and the supernatural and boosting representation in genres that historically haven’t been generous toward black people. He’s producing a “Twilight Zone” reboot for CBS All Access and, with Misha Green and J.J. Abrams, an HBO series based on the novel “Lovecraft Country,” a series of interconnected stories that use various classic horror styles to examine the terrors of Jim Crow America.
And he’s writing his next movie.
“I’m in this horror, thriller, parable, ‘Twlight Zone’-y genre, probably forever,” Peele says. “I want to do what Hitchcock did, what Spielberg did, what Brian De Palma did — dark tales.”