Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« October 2017 »
S M T W T F S
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Congo
Conversation, The
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Edward R. Pressman
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
Genius of Love
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jack Fisk
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Scorsese
Sean Penn
Sensuous Woman, The
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Stephen H Burum
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Sunday, October 8, 2017
BAUMBACH ON DE PALMA, SCORSESE, ETC.
AND JARED LETO INSPIRED BY "ELEVATED GENRE" FILMS, EARLY DE PALMA, SCORSESE, KUBRICK
Noah Baumbach has been out promoting his new Netflix film, The Meyerowitz Stories (New and Selected). A couple of interviewers have asked him about his influences, and specifically about Brian De Palma. Meanwhile, Jared Leto, while promoting Blade Runner 2049, also talked about some of his cinematic inspirations...

Eric Kohn, IndieWire
Noah Baumbach Reveals the Key Movies That Made Him Want to Be a Filmmaker

Noah Baumbach has been making movies for more than 20 years, and in that time, has developed a distinctive voice in American cinema. His stories of neurotic New Yorkers are loaded with memorable moments of self-obsession and narcissistic showdowns. But Baumbach didn’t become a filmmaker overnight; he learned much about filmmaking from watching other movies. Raised by novelist Jonathan Baumbach and film critic Georgia Brown, Baumbach grew up surrounded by cinema, and it played a critical role in his evolving love for the medium.

The filmmaker looked back on some of these key influences during a conversation at the Film Society of Lincoln Center shortly before a screening of his latest effort, the ensemble comedy “The Meyerowitz Stories (New and Selected),” which Netflix releases later this month.

The Movie Brats

Baumbach was born in 1969, which placed on the younger end of the spectrum of moviegoers influenced by the movie brat generation — the collection of mainstream filmmakers who produced iconic studio movies at a transitional moment in Hollywood history. “I’m the age of ‘Star Wars,’ and everybody’s the age of ‘Star Wars,’ but I was actually seven when it came out and grew up with it,” Baumbach said. “At that age, I wanted to make all kinds of movies.” He was also a big Steven Spielberg fan. “I could see all these movies — not ‘Jaws,’ I [wasn’t allowed] to see that — but all the others. They were so meaningful to me… ‘E.T.’ was my favorite film.”

Baumbach’s cinephilia blossomed in the late eighties and early nineties. That’s when he first discovered another ‘70s-era breakout, Martin Scorsese. “Like everybody, you’re seeing the luck of the draw,” he said. “It’s like, who’s your James Bond? What was your first Scorsese? I saw ‘King of Comedy,’ then ‘After Hours’ and ‘The Color of Money.’ Those were my Scorseses. Of course, then I went back and saw the others.”

These days, Baumbach’s favorite filmmaker from that generation may be Brian De Palma, the subject of the documentary “De Palma,” which Baumbach co-directed last year. “I’m friends with Brian, but I couldn’t see those movies at that age,” Baumbach said, referring to his childhood. “I couldn’t go to ‘Dressed to Kill’ or ‘Blow Out.’ Those I caught later. The first Brian movie I saw was ‘Wise Guys,’ which was a strange one, a comedy.” However, De Palma’s meta gangster drama “The Untouchables” hit theaters in 1987, a sweet spot for the young Baumbach. “I was lucky that he made that one right when I could see it,” Baumbach said. “Even though my parents would tell it was ‘lesser Brian,’ I was like, not in my mind. It was great.”


Mike Ryan, Uproxx
Noah Baumbach On The Best Movie Of His Career (That Stars Adam Sandler)

It’s a little jarring to think that Noah Baumbach has been directing movies now for 22 years. In some ways, he still seems like that fresh-faced kid who released Kicking and Screaming when he was only 26. Somehow, behind a curtain somewhere, Baumbach became a full-fledged “veteran director.” (To put this in perspective, Baumbach’s at the same stage of his career that Scorsese was when he was making Goodfellas and Cape Fear.) Baumbach, like contemporaries such as frequent collaborator Wes Anderson, have now been doing this a long time. They are no longer the new wave of directors, they are just “the wave.” And now, Baumbach may just have made his best movie.

And that’s not a claim made lightly. Baumbach’s filmography includes Greenberg, The Squid and the Whale, Frances Ha, Margot at the Wedding – and one of the best documentaries ever made about a filmmaker, De Palma (co-directed with Jake Paltrow). But with The Meyerowitz Stories (New and Selected), he’s arguably made his deepest and most complete film.

Dustin Hoffman plays Harold Meyerowitz, the father of Danny and Jean (Adam Sandler and Elizabeth Marvel), and their half-brother, Matthew (Ben Stiller). Their stories are divided in half, which builds anticipation because we have two of the biggest mainstream comedy stars of the last 20 years finally in a movie together, yet for a good portion of the film, they don’t share any scenes. Of course, Baumbach knows exactly what he’s doing. When the characters finally come together for the final act it’s truly powerful.

Baumbach does not like doing short interviews. So we had plenty of time to take a deeper dive into what he was trying to accomplish with The Meyerowitz Stories. And Baumbach can get a little skittish when talking about his movies and himself – like any normal person would – but it’s pretty obvious even Baumbach knows this movie is special.

The Meyerowitz Stories is currently playing at the New York Film Festival, as well as his partner’s film, Greta Gerwig’s Lady Bird, a movie that is also getting rave reviews. This is the first time the pair has had competing films (after collaborating many times) and as Baumbach admits, yes, it’s weird. Ahead, Baumbach also discusses who else he’d have loved to have made a filmmaking documentary about in the same style of De Palma. (It’s a legitimate “what could have been” reveal)...

...When it comes to a documentary based on a filmmaker, I’ve heard the phrase, “Well, it’s no De Palma,” used a few times. That’s got to be a nice feeling that you’ve made a documentary based on a filmmaker that’s so well received.

Well, it’s nice to hear. I love it. That’s a project that I can un-complicatedly talk about because I feel both proud of what we did with it, but also, obviously, it’s a celebration of Brian. Brian’s work speaks for itself. We didn’t create an advertisement for Brian, which some of these very entertaining documentaries sometimes feel like. You know, they’re there to remind you how important this person was. And I felt like, whether you know Brian or not, that would be clear by watching the movie. But also that wasn’t what we were setting out to do. But I loved working on it because it just meant picking cool Brian De Palma clips to go with what he’s saying – it’s a pretty good day at work.

Could you do something like that with someone else?

Well, yeah. I mean, it’s obviously singular to Brian. I think, yeah, there are people I wish I had actually done it with, people who I got to know who passed away who I loved talking to and talking about movies. Jake Paltrow and I and Brian are just very close, close friends. And the thing really is a document of our dinners, our hanging out, our asking him about what happened on this movie and what happened on this movie. I mean, we did it obviously in a more formalized way for the documentary, but it’s all stuff we talk about and talked about anyway.

So that’s obviously an important ingredient in why that feels so personal, in a way. I know from my own experience, and I know it from other people who I know who are well known and do interviews or whatever, it’s just, no offense, but you can’t kind of enter into the same kind of ease that you can with a friend – and a friend who does exactly the same thing as you. So that was really part of what makes that. I mean, you look at other great documents like Peter Bogdanovich’s interviews with directors…

Who you got to work with a couple years ago.

Yes, well, I’ve known Peter for a long, long time. And those are unbeatable, too, because they’re just so much about filmmaking. You have them answering the questions and talking about the things that are, I think, really about filmmaking. And that’s always, for me, the stuff that I’m most interested in reading or watching.

Who do you wish you would have gotten a chance to do a documentary with?

Mike Nichols. Bob Altman. I got to know them pretty well, and I think they both would have made – and very much in their own ways – you could have done an interesting, great version of what we did with Brian.


Erik Davis, Rotten Tomatoes
Jared Leto Wants to go from Blade Runner to Tron

“For me, when I was a kid, it was Blade Runner, it was Tron, it was The Shining,” Leto told Rotten Tomatoes. “It was these kind of elevated genre movies really blew my mind, as well as films like Clockwork Orange and Scorsese [movies] and the early work of Brian De Palma. But Tron is another one that I feel like is a world that we’re not done with yet. There’s so much more to explore and to see there. I would absolutely love to expand upon the world of Tron and see what we could do to bring that to life.”

Posted by Geoff at 11:36 AM CDT
Post Comment | Permalink | Share This Post

View Latest Entries