Vulture: I wanted to ask, we were talking before about the scene in the kitchen that you guys did for "A Year In The Life," and what a great experience you said that was. Looking back at the original seven seasons, is there an episode that is your favorite, either because it challenged you in some way, you have fond memories of working on it, or it just turned out really great? Are there certain moments from the original seven that stand out in your mind?

Scott Patterson: Oh, there’s one. Ah, yes, there is.

Vulture: Okay.

Scott: Well, it was the day that Brian De Palma, the famed director, came to visit the set to bring his daughter by—Lola, who was a big fan of the show. And, I came off the diner set, into the back area, because they were taking a little break for them to set some lighting. And somebody said, “Scott, I’d like you to meet Brian De Palma” [starts laughing]. And I went, “Holy crap!” So, anyway, I know a little bit about him. He’s a Philadelphia boy, we share a birthday, I knew a little bit about how he grew up, why he got into the film business, and why he got into the gory, gory, gory Carrie side of the film business to begin with. And, so I was quite pleased to meet him and chat with him a little bit.

And then we were in the diner shooting—Lorelei and I were shooting a scene in there, and it was a really, really daunting scene for both of us, because she comes in to the diner in this real rush and huff, spitting out all kinds of dialogue, and I didn’t have a lot of lines. But that’s even, maybe, harder, because you don’t want to screw up the other actor by missing a cue, and like, she’s got a big chunk of dialogue, and then you go, “Huh?” Or, “What?” Well, I didn’t, you know, it’s all timing, right? So, the pressure was on me not to screw up her timing, because she had such a daunting monologue to do. And so De Palma came in, on the set—no, no, he didn’t come on the set, he was in video village watching her side of it. Then when they turn the camera around—and she, you know, she executed flawlessly—and we were both pretty nervous, because Brian De Palma’s like watching us on a monitor—so we’re thinking, God, if we do really well, you know, we could be in, like, you know, we could be in a big movie, you just never know. So when they turned the camera around to do my coverage, and do my close-ups, Brian De Palma, the famed director, the Oscar-nominated-winning director, decided to come in and sit right next to the camera, where I’m supposed to look. [Starts laughing] So it was Brian De Palma’s head next to the camera lens, and Lauren’s head right above his. [Laughing some more…] And I had to try not to look at Brian De Palma while I was doing my six or seven little lines while she was spitting out all of this dialogue. It’s hysterical. After it was done, he gets up and waits and he goes back to video village, and Lauren looks at me, and she goes, “How did you possibly get through that?” I said, “I don’t know, I was scared shitless” [laughing].