AND LOS ANGELES TIMES - 5 AMERICAN MOVIES TO SEE ON INDEPENDENCE DAY
Den Of Geek's Ryan Lambie discusses how Brian De Palma's Blow Out shows why we need movies that challenge us...
It was through thinking about my initial, knee-jerk reaction to Blow Out that I realized how carefully crafted and outright brilliant De Palma’s film is. I’d seen the movie before as a teenager, but I’d failed to understand the true gravity of that ending I’ve been talking about for two or three paragraphs already. Watching it again about 20 years later, I finally felt the weight and heft of Blow Out’s downbeat climax, its political cynicism, and the totality of Jack’s failure in achieving the goals laid out for him as the film’s protagonist.
De Palma didn’t make matters easy for himself by giving Blow Out such a bleak conclusion (he wrote the screenplay as well as directed). When the film came out in 1981, audiences appeared to vote with their wallets, with the warm recommendations from critics falling largely on deaf ears. Yet De Palma remained true to the movie he wanted to make; in the final analysis, Blow Out’s conclusion is as vital to its construction as the desolate resolution of David Fincher’s Seven.
In fact, there’s another potential reading of Blow Out that its director may or may not have consciously placed there for us: the movie is a master class in how to craft the perfect shock ending.
Meanwhile, Justin Chang at The Los Angeles Times includes Blow Out on today's list of "Five American movies to see on Independence Day"--
A tribute to the mechanics of filmmaking, yes, but Brian De Palma’s 1981 thriller also achieves a powerfully cynical evocation of America at the dawn of the Reagan era. Heavily influenced by the Watergate scandal, President John F. Kennedy’s assassination and other national tragedies, the movie builds to a Liberty Day celebration where patriotism is subsumed in madness, violence and inexorable tragedy.