"WARHOLIAN POP VIBE VIA MOD THRILLER"

"Whittling down De Palma’s diving board to Hitchcock is also woefully inadequate. When an art critic listed 90 of Picasso’s influences, the artist wrote back: 'You forgot Gauguin.' Sergei Eisenstein, Jean-Luc Godard, Andy Warhol, Orson Welles, Michelangleo Antonioni, Sam Peckinpah, Francis Ford Coppola, Irvin Kirshner, Martin Scorsese and Robert Flaherty have all informed De Palma’s work and are filtered through his pre-existing sensibilities, which include a background in mathematics and avant-garde narrative. This diversity renders De Palma far more eclectic than any of his predecessors or peers.
"Contrary to the claims of populist criticism, an aesthetic path is rarely linear. De Palma’s malleability is evident in his returns to low budget satire (1980’s Home Movies), observational cinema (2007’s Redacted), and the Warholian pop vibe via mod thriller of 2002’s Femme Fatale and 2012’s Passion.
"De Palma once again makes use of a grandly dated split-screen, juxtaposed to Pino Donaggio’s hyper-lush score, dressing and undressing the oozing, ribald, kinky milieu. More than once, De Palma quotes Dressed To Kill, throwing in Rachel McAdams and Noomi Rapace as the AC/DC couple who go the distance to liven up a potentially dull advertising firm with dark red lipstick, Skype, high-heeled Euro fashion, chic Debussy, explosive sex tapes, provocative primary colors, slow-mo pursuits, and a gleaming stiletto.
"True to form, De Palma milks manipulative bad acting from his two leads, which punctuates the obligatory opulent set piece (an impressionistic ballet) and unfolding illicit crime caper.
"Passion giddily enjoys being a movie for the sake of movies. A few bourgeoisie critics have complained that De Palma is simply stuck on repeat mode, but if you are willing to entertain his inviting disregard for neorealist trends, you may discover a deepening of his art and be transported into a celluloid Canaan."