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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« February 2015 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

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Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Sunday, February 8, 2015
SUPREME IRONY OF 'SCARFACE' ENDING
APPEARS TO BE LOST ON AN ENTIRE GENERATION
The Hollywood Reporter's Boyd van Hoeij reviews the new documentary, Jack Pettibone Riccobono's The Seventh Fire, which premiered at the Berlin International Film Festival the other day. Presented by Terrence Malick, and executive-produced by Natalie Portman, the film follows "the hardscrabble lives of two men on the White Earth Reservation in Minnesota" for several years, according to van Hoeij. "The first couple of reels are very loosely structured," van Hoeij states, "with no one identified onscreen, which gives the film a verite edge but which also means that it takes a good while for the material to find its footing and make it clear what and, more importantly, who, the film is exactly about.

"The feature’s protagonists finally turn out to be Rob Brown, in his thirties, and Kevin Fineday, who’ll be 18 when the film ends. They are, respectively, a criminal with (as per the press notes) ties to the Native Gangster Disciples gang and his young and unofficial protégé of sorts, with the initially scrawny Kevin looking up to the hulking Brown, who’s been to prison already five times. Kevin, called a liar and worse by several others around him, admits on camera he’s torn between the idea of becoming a big drug dealer and 'doing something somewhat the right way,' though for the moment, he described himself as a 'middle man, for weed, pills, meth, whatever,' and says that’s pretty much his 'job until further notice'. In one of the film’s strongest scenes, which would have deserved a bit more prominence, Brown tells Kevin that he already spent 12 years in jail and Kevin’s only 15 years old. 'Don’t be like me and get used to it,' he says, though at that very moment, Kevin’s just told Rob he hopes he’ll get his first plea bargain.

"Brown, meanwhile, has impregnated his girlfriend of three months before he’s off to jail for another 57 month stint and Kevin has even followed his example in this respect, knocking up a girl who then lost the baby a couple of weeks into her pregnancy. She blames herself, saying she 'messed up' (not quite the term she uses) birth control and has since broken up with Kevin over the fact he 'messed' -- more f-words used here -- with several drugs deals for her, each time adding salt to the meth he’s selling so as to increase the weight. Clearly, any idea of a connection or some kind of affection between these two human beings seems far-fetched; Brown, despite the fact he’s about to miss out on the first two-and-a-half years of his daughter’s life, seems a little -- but just a little -- luckier in that respect.

"What thus emerges, initially in fits and starts but then more forcefully as the film builds and the relationships crystallize, is a picture of life in the reservation community of Pine Point (or 'P-Town') as a place where lying and cheating, scoring and selling drugs and a host of other criminal activities are the order of the day and something as normal as love and human warmth are in short supply, with even the rapport between Kevin and his father feeling distant. Drug use is filmed with an unflinching eye (though some of this footage is not as high-definition as the rest) while posters on the walls in the background attest to an unoriginal and unhealthy obsession with the Brian De Palma version of Scarface, which seems to have made being a gangster super cool, suggesting exactly none of the people of an entire generation watched the film al the way through until it’s bloody, tragic and supremely ironic ending."


Posted by Geoff at 12:16 AM CST
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Tuesday, February 10, 2015 - 7:30 AM CST

Name: "Patrick"

I've long given up quoting De Palma in casual conversation simply because everybody nowadays immediately (and wrongly) associates him with the disturbing shit-hop interpretation of Scarface I want nothing to do with. Even erased my BdP Facebook "like", just to be on the safe side. Thank you, Grammy poopers!

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