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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


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De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

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No Harm In Charm

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The Master Of Suspense

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a la Mod

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a la Mod

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and the Infield
Fly Rule

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Came In From The Cold

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Scarface: Make Way
For The Bad Guy

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(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

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Offices of Death Records

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Fan Page

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Guillotine

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italkyoubored

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So Why This Movie?

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Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

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A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Friday, June 13, 2014
'22 JUMP STREET' SPLIT-SCREENS ARE 'DE PALMA-ESQUE'
Phil Lord and Christopher Miller's 22 Jump Street, which opened in theaters today, features an apparently inspired use of split-screen that at least one reviewer has deemed De Palma-esque:

Scott Foundas, Variety
"...Lord and Miller also know how to sell a joke visually better than most contemporary comedy directors, and 22 Jump Street is rife with delightful throwaway visual gags, from De Palma-esque split screens to a car chase (between Hummer and helmet-shaped golf cart) that might have been designed by ‘60s-era Richard Lester."

Sam Cohen, Under The Gun Review
"There are even some sly winks at filmmakers like Michael Bay and Brian De Palma through the film’s multitude of comedic set pieces. The film begins with a shot that pans in over Schmidt and Jenko conversing on the top of a parking garage with the sunset in the background. Naturally, some stakes-raising music along with a complimentary lens flare occupy the sequence as an almost direct stab at the generic Hollywood blockbuster aesthetic. That’s the best part about 22 Jump Street, it knows what films to make fun of it but it invites you to be a part of the joke as the viewer."


Posted by Geoff at 7:13 PM CDT
Updated: Friday, June 13, 2014 7:15 PM CDT
Post Comment | View Comments (2) | Permalink | Share This Post

Friday, June 13, 2014 - 8:30 PM CDT

Name: "harry georgatos"

I'll rather see a new De Palma film then a homage to a routine action comedy film. I hope it won't be another five years when De Palma made PASSION after REDACTED. Something must be happening soon?

Saturday, June 14, 2014 - 10:33 AM CDT

Name: "Geoff"
Home Page: https://www.angelfire.com/de/palma

Hi, Harry-- I know what you're saying and I agree, although if a movie is paying homage to a De Palma film, then it is paying homage to a non-routine film, for sure.Wink

As for upcoming De Palma films, there has been no news, but I think we have to understand that De Palma is older now, and while he will probably never "retire" as an artist (he will likely always be working on multiple scripts at a time, seeing which ones actually get produced), these days he seems to prioritize other aspects of life. So he has at least two movies that we know of in some stages of development, and all we can do is wait and see which ones, if any, make it to the gate.

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