Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« August 2013 »
S M T W T F S
1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Congo
Conversation, The
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Edward R. Pressman
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
Genius of Love
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jack Fisk
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Scorsese
Sean Penn
Sensuous Woman, The
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Stephen H Burum
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Thursday, August 1, 2013
MR. BEAKS TALKS 'PASSION' WITH DE PALMA
ALSO: ABANDONED 'TREASURE OF THE SIERRA MADRE' REMAKE; MORE
Mr. Beaks' new interview with Brian De Palma was posted today at Ain't It Cool News. They talk about Passion, De Palma's abandoned remake of John Huston's Treasure Of The Sierra Madre, current TV vs. film, and De Palma's meeting with Daft Punk, among other things.

One of those other things is a movie De Palma wanted to do that was based on an old Robert Mitchum film called His Kind Of Woman. De Palma had mentioned this project to Anne Thompson last year. He mentions it again while responding to a question from Mr. Beaks:
-------------------------------

Beaks: When we spoke before, you mentioned how Hitchcock would take a break from his major works to just make a well-made play like Dial M For Murder. Where does Passion land for you in terms of the personal and simply telling a story?

De Palma: In your career, you really don't predict how these things happen. I was working on a lot of projects, and they were all tied up, and I couldn't get them launched in that five-year period. The Boston Stranglers was all tied up at Paramount, as was the prequel to The Untouchables. The problem with these movies is that these scripts get a lot of money against them. A guy wrote a script based on an old RKO movie that Mitchum did called [His Kind Of Woman], and I couldn't talk the RKO people into giving me the rights. So there's a lot of frustration with respect to development. So this movie sort of came to me because they wanted to make an American version, and I said, "Great! I can go to Paris and work on this!" That's how it happened.

-------------------------

'TREASURE OF THE SIERRA MADRE'
Another highlight of the interview happens when Mr. Beaks brings up De Palma's screenplay from the 1980s for a remake of Treasure Of The Sierra Madre:
--------------------------------------

Beaks: I think this is really your first remake. Obviously, Scarface was inspired by Hawks's film, but it's very different. This is explicitly a remake of Corneau's film. I know you wrote a remake of Treasure Of The Sierra Madre long ago that put an interesting spin on Huston's film. What's your feeling about remakes in general?

De Palma: Well, if you have a very good idea… obviously, Treasure Of The Sierra Madre is a fantastic movie. To remake that is a little madness. But I had a very good idea: instead of gold, I was going to make it about cocaine. You get it up there in the mountain it's kind of dealing with dust, but when you get it on the streets of New York it's like solid gold. And not only do you get corrupted because of the money, you get corrupted because of the drug. That gave me a really good idea. I came up with that idea so many years ago it's hard to remember. But it's very difficult to remake a classic movie. We were very fortunate with Scarface. Howard Hawks's Scarface is really good.

Beaks: Whatever happened to your Treasure Of The Sierra Madre?

De Palma: I have no idea. I wrote it so long ago, I don't even remember what I even did with it.

Beaks: I found a copy of the screenplay.

De Palma: You're kidding! I didn't even know there was a copy of the screenplay.

Beaks: I'm always hunting for those scripts of yours that never got made, and a friend of mine tracked this one down.

De Palma: How is it?

Beaks: It's great! I love the twist you put on it. It starts out so much like the original film that I wasn't sure what you were up to, but then it begins to go its own way, and it's really terrific. If you could ever get that together, I'd love to see that movie.

De Palma: Man. I haven't thought that about that in thirty or so years. (Laughs)

------------------------

AND BACK TO 'PASSION'
De Palma goes into some detail regarding the locations and storyboards for Passion. "There are a lot of really great exteriors in Berlin that no one had seen before," De Palma tells Mr. Beaks, "so we moved the whole production to Berlin. And we were very fortunate to get this great office building that was vacant because of the recession, so we could sort of take it over. That's always the problem with office buildings: you've got to work around the office. But this was not the case here. It was a great looking building that gave us interesting office locations, which, of course, can be extremely boring."

Beaks then asks, "Did you design all of your shots ahead of time, or did you allow yourself leeway to invent stuff on the day?"

De Palma responds, "What's interesting about this one is that we had a long time to work on the script as we were preparing production and casting it, and I also had the advantage of the other movie. So I literally laid the whole movie out, every setup and every shot. I had these architectural programs where you could put people in them and move them around. And I could reference the other movie: two women talking to each other from across a desk. I could take a shot from the other movie and put it into my storyboards. 'Oh, that's the scene where Isabelle comes into Christine's office and they talk about A, B and C.' I printed them all out, so I could stack 8x11 printouts on my desk and walk anyone through the whole movie."

Beaks later asks De Palma if the power-struggle-kissing scene between Isabelle and Christine was scripted. De Palma replies, "Absolutely not. The girls did it on the day. When Noomi grabs her and gives her the kiss of death, and Rachel kisses her back leering at Noomi's assistant in the doorway... (Laughs) I would just sit behind the camera and smile. 'My god, these girls are really doing it!' They did a lot of stuff like that. The way she's playing with her in the car. 'I want to be admired! I want to be loved!' She kisses her, and Noomi's like, 'What the hell is going on here?' And Rachel picks up the lipstick and says, 'You need a little color.' (Laughs) It's hilarious!"

In discussing how eroticism in film has changed due to the more explicit nudity shown on cable TV, De Palma mentions the sex tape scene in Passion, saying, "That scene where the guy uses the camera to videotape their making out in the hotel room, I basically just gave them a camera and said, 'Just do whatever you would do.' (Laughs) Believe me, they did some incredible things."

'PHANTOM', DAFT PUNK, & PAUL WILLIAMS
Mr. Beaks also asks about the resurgence of interest in Phantom Of The Paradise, noting Daft Punk's recent collaboration with Paul Williams on the song "Touch". "It's great to be remembered!" De Palma tells Beaks. "I met with Daft Punk in Paris. We talked about Phantom, but it was just a preliminary discussion. I don't know what will come of it. We've always had a stage version we wanted to do, but it's never really come together. I saw the Paul Williams documentary, and thought it was charming."

Read the whole great interview here.


Posted by Geoff at 5:40 PM CDT
Updated: Thursday, August 1, 2013 10:41 PM CDT
Post Comment | Permalink | Share This Post

View Latest Entries