Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod


De Palma Discussion


Recent Headlines
a la Mod:

Domino is
a "disarmingly
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book


Exclusive Passion

Brian De Palma
Karoline Herfurth
Leila Rozario


AV Club Review
of Dumas book


« January 2011 »
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
30 31


De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site


No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags


The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the

FilmLand Empire

Astigmia Cinema


Cultural Weekly

A Lonely Place

The Film Doctor


Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds


No Time For
Love, Dr. Jones!

The former
De Palma a la Mod

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Boston Stranglers
Bruce Springsteen
Capone Rising
Carlito's Way
Casualties Of War
Catch And Kill
Cinema Studies
Columbia University
Columbo - Shooting Script
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Dressed To Kill
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Happy Valley
Havana Film Fest
Hi, Mom!
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Montreal World Film Fest
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
Oliver Stone
Paranormal Activity 2
Parties & Premieres
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pino Donaggio
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Responsive Eye
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sean Penn
Snake Eyes
Sound Mixer
Star Wars
Stepford Wives
Sweet Vengeance
Taxi Driver
The Tale
To Bridge This Gap
Toronto Film Fest
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Tuesday, January 25, 2011
Thanks to The Virtuoso of the 7th Art's Romain Desbiens for pointing us in the direction of a recent video posted at Steadishots.org, in which Steadicam operator Larry McConkey, who has worked with Brian De Palma numerous times, discusses the great police station shot in De Palma's Raising Cain, in which two police detectives listen to a doctor relate the backstory of the main character's father as all three of them travel down stairs, hallways, and elevators to reach the basement morgue. With the crazy angles and logistics involved, McConkey says he originally told cinematographer Stephen Burum that "you can't do that with a steadicam," but Burum made him try, anyway. McConkey describes how he followed the characters with a steady, moving extreme dutch angle that had to slowly be brought back as the characters moved through the space. All the while, McConkey had to keep his arms from twitching or bumping as he kept pressure on the tilt, as the slightest movement would have disrupted the shot. McConkey describes how his idea to have actress Frances Sternhagen keep walking in the wrong direction (so he could position his camera where it needed to go to change into a wide shot) led to her developing the movements as part of her character (the character is so focused on what she is saying, she just keeps walking in whatever direction she is going until directed by the detectives to backstep or turn and go a different direction). Other nice tidbits: McConkey talking about De Palma silently watching the shot on a monitor and tilting his head as the characters walk down the stairs and the camera tilts with them, then looking back at McConkey and Burum with his head still tilted, then looking back at the monitor (McConkey says "It was never discussed!"); McConkey decided to tilt the camera again inside the elevator, because Sternhagen is so much shorter than Gregg Henry, which meant that when he panned over to the other detective and back, he had to go back-and-forth again at an odd angle; the elevator ride was much shorter than it appears on screen, and Henry had to do a little shift in his body weight to hide the fact that the elevator was coming to a stop. McConkey describes two takes where everything was perfect: in one, he wishes he had kept it because after they move into the morgue and the camera swings around to look at the three characters, according to McConkey, "you hear Brian yelling, 'TILT!...DOWN!...NOW!!!'" In another take, everything was perfect ("We all nailed it," says McConkey), except when he moved the camera around the bed in the morgue, he ran into the toes of the body on the bed, less than twenty seconds from the end of the shot. "Brian goes, 'Do it again,'" says McConkey as he mimics De Palma's arm motion, signalling everybody to pick up and go back to the start.

Posted by Geoff at 12:17 PM CST
Updated: Tuesday, January 25, 2011 12:21 PM CST
Post Comment | Permalink | Share This Post

View Latest Entries