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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

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Alfred Hitchcock
The Master Of Suspense

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a la Mod

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a la Mod

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and the Infield
Fly Rule

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Came In From The Cold

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Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

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Offices of Death Records

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Fan Page

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Guillotine

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A Lonely Place

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italkyoubored

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Not Just Movies

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24 Frames Per Second

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So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

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Thursday, June 10, 2010
PASSION FOR THE FURY
"DELIRIOUS, BOUNDARY-PUSHING CINEMA AT ITS HIGHEST FORM"
Kenji Fujishima discovered Brian De Palma's The Fury on DVD last weekend, and calls it "delirious, boundary-pushing cinema at or very near its highest form." With that I concur completely. Fujishima breaks down The Fury's operatic slow-motion escape sequence, with selected captures from the scene. "De Palma—more so than in his previous film Carrie," states Fujishima, "creates a world in the film, but not just a visual one: He practically evokes a whole emotional universe, one keyed intensely into the broiling anxieties of its telekinetic pre-pubescent characters, Gillian and Robin."

Posted by Geoff at 1:41 PM CDT
Post Comment | View Comments (3) | Permalink | Share This Post

Thursday, June 10, 2010 - 3:30 PM CDT

Name: "Gustavo"
Home Page: http://mulhollandcinelog.wordpress.com

I couldn't disagree more. To me, THE FURY is an abortion, while CARRIE is a masterpiece. And those two characters he mentions are not PRE-pubescent at all.

Friday, June 11, 2010 - 12:24 AM CDT

Name: "Geoff"
Home Page: http://www.briandepalma.org

You are right-- they are not pre-pubescent. But the film is excellent-- I do like CARRIE better, but I do like what Fujishima says about THE FURY evoking "a whole emotional universe." Of course, this is what De Palma does, but for me, THE FURY has always struck just the right chords.

Saturday, June 12, 2010 - 2:52 AM CDT

Name: "Ryan"

Count me as another big fan of The Fury.  I don't think it's as good as Carrie (which is my all-time favorite) either, but there are some breathtaking sequences in the film.  My favorite by far is the escape, but I also love the scene where Amy Irving makes her classmate's nose bleed, and the infamous ending.  Also her scene on the staircase with Charles Durning.  The story is a bit convoluted, but I've read the novel and that's even more complicated than the movie!  I'm especially fond of Carrie Snodgress's sympathetic character.

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