TARANTINO IN ATTENDANCE, OWNS THE THEATER

...as much as Hitchcock is mentioned looked at how the film feels amazingly giallo-tinged, daring to bring a true sense of art to all that sleaze in those films, elements that usually make me want to take a shower—just where this movie begins in a sequence with its famous body double, come to think of it. How many giallos had De Palma taken a look at during the seventies? What is this film’s connection to the opening scene of THE CASE OF THE BLOODY IRIS? Is there anything to be gained in pointing out the resemblance of white-clad Angie Dickinson to the also white-clad Anna Maria Rosati in TWITCH OF THE DEATH NERVE? So you really think that Autotron’s going up? Why can’t I stop staring at Nancy Allen as she runs through that subway station?