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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


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The Virtuoso
of the 7th Art

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Carrie...A Fan's Site

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No Harm In Charm

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(Blow Out)

Carrie: The Movie

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italkyoubored

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De Palma a la Mod
site

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A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Sunday, April 19, 2009
BRINKE'S "RIDICULOUS" RESIDUALS

FROM "ALMOST INVISIBLE" ROLE IN BODY DOUBLE
Cult star Brinke Stevens, credited as "Girl #3 in Bathroom" in Brian De Palma's Body Double (1984), was asked by Fangoria's Sean Abley about "the weirdest film, TV show or commercial from which you still earn residuals"-- Stevens' reply:

I’ve made SO much money from Brian De Palma’s BODY DOUBLE, it’s kinda ridiculous. The residuals are now down to about $8 per check, but they still come in the mail. Back in the 1980s, I’d turned down that movie three times (my agent thought he was making a porno film), but I finally agreed to a meeting. De Palma and I got along great (I was a big fan of PHANTOM OF THE PARADISE). At the end of our meeting, he said, “I really like you and want to use you in this film, but I’m not sure how yet. Just show up for work on Monday.”

I showed up at the studio on Monday. Every time De Palma walked past me, I’d raise an eyebrow, as if to ask “Got anything for me yet?” He’d merely shrug, and say, “Come back tomorrow.” I returned every day that week. Usually, I went home at the end of the day, not having worked at all. Finally, he put me in a few scenes, and my name is listed in the credits. With residuals, I’ve made over $10,000 for that almost invisible performance. But what a joy to hang out on-set for a week and watch such an interesting filmmaker in action!

Abley then tells Stevens, "OK, my friend, actor Michael Kearns, had the exact same story about BODY DOUBLE! He sat around for a week, then had three lines or something and continues to make bank from it! Nice."

GLEIBERMAN ON CROSSOVER ADULT STARS
Meanwhile, Entertainment Weekly's Owen Gleiberman blogs about the recently deceased Marilyn Chambers, calling her "the first crossover adult star." After making her mark in adult films, David Cronenberg cast Chambers in the lead role of his 1977 horror film Rabid. Gleiberman runs a link from there to De Palma's initial idea to cast porn star Annette Haven in Body Double:

By starring in Rabid, Chambers effectively blazed a trail, one that, as it turned out, went cold fairly quickly. In our own time, we’ve seen adult-film stars become icons of kitsch -- like Ron Jeremy, the burly "Hedgehog" who gets cast in bit parts whenever a director wants to lend a comedy a bit of cheap “underground” cachet (e.g., Class of Nuke 'Em High 3), or Traci Lords, who has carved out a TV and movie career lampooning her earlier infamy. And, of course, the adult superstar Jenna Jameson is a one-woman self-promotion machine. Marilyn Chambers, though, enjoyed her short-lived mainstream breakthrough near the end of the porno-chic era, when it wasn’t just a cool-cred joke or a naked PR stunt. Her role in Rabid seemed to open the door to further possibilities. Seven years later, in 1984, director Brian De Palma flirted with casting another '70s adult-film star -- Annette Haven -- in the role of triple-X actress Holly Body in Body Double. But the idea fell by the wayside (there were reports that it was nixed by the studio), and the part went to Melanie Griffith instead. By that point, it was clear that these two worlds were not destined, at least in America, to do much in the way of cross-pollinating.


Posted by Geoff at 11:34 PM CDT
Updated: Sunday, April 19, 2009 11:47 PM CDT
Post Comment | View Comments (2) | Permalink | Share This Post

Monday, April 20, 2009 - 1:33 AM CDT

Name: "Ryan Clark"

David Cronenberg originally wanted Sissy Spacek for the role that Chambers eventually played in Rabid, but the producers didn't like Sissy's accent.  While they were making Rabid, Carrie was released and Spacek became a huge star.  In fact, in the film Chambers passes a theater showing Carrie, and you can briefly see the poster behind Chambers as she walks down the street.  Just a bit of trivia for those who didn't know.  :)

Monday, April 20, 2009 - 9:30 AM CDT

Name: "Geoff"
Home Page: http://www.briandepalma.org

Great stuff, Ryan-- I haven't seen RABID in a very long time. I'll have to check it out again soon!

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