Tablistics

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Music For the Masses

Off 2 the War - A collabo between TipTopTaylor and me. We enter battle gravely, with sorrow and great compassion as if we were attending the funeral of a fallen soldier. *1998*
Sensory Overload - Just me and TipTop spitting some thoughts over a funky beat. *1998*
Garden of Buddha - This verse right here won lyric of the month at Mr.Blunt dot com back in 1997. TipTopTaylor is what I would call a deep, introspective lyricist, the kind of cat that will make you question what dope hip hop actually is. I made the beat and when I heard it I thought of this rhyme, when Taylor heard it, he said that he wanted to do this rhyme on the beat. Needless to say he dropped the lyrics. *1998*
Long Arm of the Law - For all the heads who call themselves masters. Pay your dues and everything will fall into place. Peace to Kenny Rogers. *1998*
The Tooth Collector - A horrific fantasy rhyme. The focus is a man recalling the previous nights murderous quest and a fetish for teeth. I wasn't trying to be gimmicky with this track, I was just trying to make the sickest song that the demented aspects of my mind could create. The beat is purposely choppy, to add to the twisted style. *1998*
True Darkness - I love this beat right here, my funkiest beat yet. Me and TipTop drop knowledge with some advice from Yoda. *1998*
The Unknown? - Who is this guy? Nobody knows. He is the unknown lyricist. One day I was playing one of my tapes and then here was this rap over one of my beats. It was dope, so I posted it. *1999*
Teenage Love - Probably one of the most frequently used titles in music. It is used here because of the blatent Puffy-esque rip off of the popular 60's song. Again Unknown? mysteriously drops his verses on the down low, just like he might of sexed your girlfriend without you knowing. *1999*
Fire - There was no way to get the static out of this sample, I just had to use it though. After the beat was almost complete I knew exactly which rhyme I was gonna spit on it. Now I like to think of the static as the crackling of a fire. *1999*
This and That - This beautiful beat was put together by my friend Omar. Look for his beats everywhere in the future. Flowing on the track is me and Sacs. *1999*
Porno People - Sex is such a huge part of my generations lives that I just had to do this song. I wish I could have made a song about love and commitment, but I don't have that in my life right now. I was satisfied with my production of the beat. Sometimes piano loops can sound boring, but this one is just banging. Even the cut ties into the theme, "Oh no, not my sweet baby". Hope this isn't your girlfriend. *2001*
Simple Classics - Pick a beat, grab a mic, spit. That was the formula for this song. I made the beat in 1998 and I always thought it was a sweet groove that somebody could flow to. My vocal flow is not so hot, so I'm going to quit rapping right now. *2001*
Wicked Eh - Not a beat that everybody will dig, but I liked it. Some cutting composition done with the n-track program give this track a rough hook. The lyrics are straight up, no ifs ands or buts about it. *2001*
In the End - Traumatically terrible. Something is wrong with the beat, the lyrics don't make sense, the scratch hook is dirty and something is definately messed up with the intro. *2001*
Have Your Cake and Eat It Too - My best composition track yet. Rhyme to attack the wackness and a lot of scratching. *2001*
Carnivore - Thick sound with bass and dirty drums. First track with Sacs in two years. It is a mans world, but it would mean nothing without a women on his hand. Man made the beats, man did the scratching, and man spit the rhymes. *2001*
Nothing Can Save Ya - The beat is a non-looping multi-tracker made in 1998 and the rest is just some experimental, bugged out, I must have been high type shit. *2001*
Death Is A Must - Not a gangster track. Death has always been a given for humans. This is one of the most highly accepted axioms of life. I don't care about the judges, but I still sacrifice to show that I'm the shit. *2001*
Know Cents - Second time around doing this song, the sound quality was shit the first time. The lyrics are straight forward and cover a lot of my thoughts and there is a funky scratch hook with some whistling. The wickedness is widespread. *2001*
Do the Do - Just a quick rhyme over a wicked beat by M,M and W? The rap starts at like 40 seconds into the track. *2001*
Listening - Staccato and the Eliminators do a collaboration that never really happened. Rapping whilst you art thou tapping your toes. The "topic" part is too loud. And I can use and in capitals if it make cents and capitalism rules. *2001*
Hope fully more dope beats, and collabos with real people.

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