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* RARE GIRL ROCK *

the CLINGER SISTERS

this is a rare 45 indeed, the b isde is the 'LIPSTICK SONG', we do have one song of the CLINGERS reviewed on page 2, you'll find more info on DEBRA CLINGER on page 5, and our shrine located in our 'GATEWAY'........this single is from '64, and is no doubt bubblegum, would love to hear it and review it here....

another single we found out about is 'ROUND, ROUND.ROUND/MEAN IT' from '68, with JOHNNY CYMBLA as the producer....

the CLINGERS 45 of the late 60's, the single is reviewed on page 2 , at least the a side is, .........~

excert from the - HARE KRSNA NEW NETWORK - ,....... PRABHUPADA IS SPEAKING ABOUT MATERIALISTIC AMERICANS AND HOW THEY UNCONSCIOUSLY SPEND THEIR WHOLE LIFE GOING AROUND IN CIRCLES, NEVER GETTING ANYWHERE.........

Prabhupada: ...oba. Mitho 'bhipadyeta grha-vratanam. Adanta-gobhir visatam... (aside:) Not too near. Adanta-gobhir visatam tamisram punah punas carvita-carvananam. Punah punas carvita-carvananam, getting life after life and enjoying sense: the same eating, the same sleeping, the same sexual intercourse, and same defense, either as dog or as man or as bird or beast. This is called punah punas carvita-carvananam. These four things are available, either you become a dog or a god. Not God, these demigods. In the material world, everyone is given the facilities for eating, sleeping, sexual intercourse and defense. Now, if some dangers come, so we may be victims, but a bird immediately goes. He has better defense. Is it not?

If some dangers come immediately... Suppose all of a sudden a motorcar comes and kills us. We cannot do anything, but the bird, small bird, "Hut!" He can do that. Is it not? So his defensive measure is better than us. Similarly, I want to have sex. I have to arrange for that, find out some... But the female bird is always around him, at any time. This sparrow, the pigeon. You have seen it? Immediately ready for sex life. And eating? Oh, there is some fruit. Immediately he can eat. And sleeping? That is also very comfortable. So these facilities, don't think that it is available on this skyscraper building. They are available for the birds and the beasts. It is not that unless you have got a very nice apartment in the skyscraper building, you cannot have all these facilities of eating, sleeping and sex life. Anywhere. Visayah khalu sarvatah syat. This is called visaya. Visaya means the facilities for sense enjoyment. That is called visaya.

Our process is visaya chadiya se rase majiya. One has to give up this visaya and relish the transcendental bliss. It is a different platform. And these persons, bodily concept of life, their only enjoyment is this visaya. So sastra says that you are after visaya. This is available in any life. Why you are repeating this visaya in different forms of life either as bird or beast or tree or human being or cats and dogs? Punah punas carvita carvananam. Again and again, the same thing, in different forms. So those who are interested with this visaya, matir na krsne paratah svato va, they cannot become Krishna conscious, paratah, by instruction of spiritual master or experienced person, or by themselves. Themselves, they cannot. Even by instruction by the spiritual master or higher authorities. Paratah. Svatah, personally, or by others' instruction, matir na krsne, they cannot become Krsna conscious. Mitho 'bhipadyeta. Mithah, or by conference, consulting, making a meeting, "What is the problem of life?" They cannot take to Krsna consciousness. Why?


Grha-vratanam. So long they have got this determination, "We shall be happy in this material world," they cannot take... Grha-vratanam. Grha means home and grha means this body also. Those who are trying to be happy within this body, material world, they cannot take to Krsna consciousness. Matir na krsne paratah svato va mitho 'bhipadyeta grha-vratanam. Why they cannot? Adanta-gobhih: their senses are so uncontrolled. Therefore they must undergo the process of punah punas carvita-carvananam, again and again, the same visaya: eating, sleeping, mating. That's all.

BONNIE ST. CLAIRE *