When we hear the name Frankenstein, a specific image often springs to mind: a towering, green figure with bolts in his neck and an expression of sorrowful rage. Yet, for over two centuries, Mary Shelley's classic novel has transcended this stereotype, inspiring countless adaptations and becoming a staple in literary discourse. Now, filmmaker Guillermo Del Toro is set to redefine this time-honored tale with his latest cinematic venture, "Frankenstein".
Released for a limited theatrical run on October 18, with a broader Netflix debut slated for November 7, Del Toro's interpretation has ignited considerable buzz. Initial screenings were limited to major cities like New York and Los Angeles, but the film has since reached other locales, including Columbus − much to the delight of eager audiences. This is one cinematic experience that demands the grandeur of the big screen.
Starring Oscar Isaac as Baron Victor Frankenstein, Mia Goth as Lady Elizabeth Harlander, and Jacob Elordi as the Creature, this adaptation diverges significantly from both the original text and previous film versions. The relationships between these characters are more intricate and nuanced, deeply exploring motivations that were only hinted at before.
As the film unfolds, it cleverly reimagines the narrative structure, beginning at the story's end. A new character, Captain Anderson (played by Lars Mikkelsen), replaces Robert Walton and serves as the lens through which we explore Victor's harrowing tale − starting with his traumatic upbringing and strained familial relationships.
Del Toro's vision presents Victor as a fundamentally flawed character, shaped by an abusive father and a haunting childhood. This departure from typical portrayals of a tortured genius adds layers to his relentless ambition. Young Victor, portrayed compellingly by Christian Convery, exhibits the emotional turmoil that foreshadows his later transgressions, even if his resemblance to Isaac raises questions about casting choices.
One of the more striking shifts in this adaptation is the aging up of William, Victor's brother. Unlike in the novel where he is a mere child, William is presented as an adult and engaged to Elizabeth. This evolution amplifies the stakes within their relationships while also creating new dynamics − especially as William supports Victor's dangerous ambitions, aided by the cunning arms dealer Henrich Harlander (played by Christoph Waltz).
In comparison to traditional adaptations, Del Toro's Victor is brash and emotionally volatile, making him a difficult figure to empathize with. His complex relationship with Elizabeth adds further tension, especially when juxtaposed with her newfound assertiveness.
In a fascinating twist, Jacob Elordi's portrayal of the Creature defies expectations. Gone is the mindless monster of previous iterations. Here, he emerges as a tragic figure − yearning for understanding and companionship while being inexorably linked to the man who created him.
Del Toro emphasizes the Creature's victimhood, a narrative shift that boldly confronts the viewer with the real monstrosity: Victor himself. Through expressive eyes that convey profound sadness, Elordi embodies the Creature's emotional depth as he navigates his complex existence, marked by a desperate search for identity.
The relationship between the Creature and an old blind man serves as a poignant exploration of human connection amidst isolation. The Creature's journey to self-discovery, helped by the clarity of this meaningful bond, starkly contrasts his increasingly tragic encounters with Victor.
Goth's performance as Elizabeth challenges the traditional archetype of the submissive female role. Her passion for nature and empathy towards the Creature adds layers to her character, making her one of the few who treats the Creature with dignity − in stark contrast to Victor's cruel neglect.
Perhaps the most significant departure from previous adaptations is the film's climax, which poignantly highlights the humanity buried beneath the Creature's stitched exterior. This emotional crescendo is a reminder that for all of Del Toro's narrative deviations, the core themes remain firmly rooted in the exploration of what it means to be human.
For those expecting a strict adherence to Shelley's original text, this adaptation may come as a shock. Yet, what Del Toro has crafted is a mesmerizing, cautionary tale about the perils of unchecked ambition, leaving viewers to ponder their own humanity in its wake.
Rating: 4.5/5If you're eager for more movie critiques, explore our other reviews [here]
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