GREGORIAN CHANT. PARTS OF THE DAY
The monk's life passes between the prayer and the work, be in the intellectual field (studying the ecclesiastic sciences) or in the manual one, according with his expertise and the needs of the Monastery. But where the monk identifies really as such is in the prayer recited as chant: the Gregorian Chant.
Seven are the times in a day in which the Gregorian Chant floods every corner of the Abbey:
Vigils: First of the canonical hours is said before the dawn.
It gives beginning to the life of the monk, on six o'clock in the morning.
Lauds: Part of the Divine Office that continues to Vigils.
It is realized approximately at 7:30 a.m.
Terce: minor Hour of the Divine Office, after the Eucharist
in common days and at 10:30 a.m. in festive days.
Sext: minor Hour before the Terce. It is realized at about
1:45 p.m.
None: Last of the minor hours before Eve. It is sung about
four o'clock in the afternoon.
Vespers: Hour after the None. It is sung at seven o'clock in
the afternoon.
Complines: Last part of the Divine prayer; it is the end of
the canonical hours of the day and is realized at 9:40 in the night.
THE CHANT IN SILOS
Some of the Gregorian Chant records that impress more emotively are those realized by the monks of Silos who sing them as part of their religious daily offices; its harmony and sweetness flood every corner of the old Abbey. Undoubtedly, his light and calm tone adds a peculiar dye that is helped by the rounded vowels and soft consonants of his Hispanic pronunciation.
The monks of the Silos Abbey have contributed to fill the catalogue of Gregorian Chant records with intense and soft works.
Particularly captivating are the final phrases that often seem to fade away in nothing as if they were absorbed by the stones walls that surround the choir. This is inherent to the music that often is moving away at the end of every phrase, and to the Latin words always accentuated in the penultimate syllable, giving to the chant a feeling of extensive sadness in every phrase.
In the Gregorian collection of Silos, the chant is virile, exact and studied and inevitably attractive. The embellishment and lengthening in the notes, together with the obliged and nasal licuescentia, produce at once a great sensation of peace, this spiritual peace for which every man looks in his interior, damaged for the developing of the daily life.
Now we are behind a sociological phenomenon difficult to evaluate. The popularity of these humble and simple monks has exceeded our borders going around the world; when everything returns to his riverbed and the imposition of the fashion makes him to sink into oblivion, the Gregorian Chant will continue there, since it has done for centuries, to be served as spiritual refuge, independent of our religious tendencies because, as Rvd. Father Abbot Dom. Clemente Serna says, "the spirituality is not scolded by the credence".