What's it about?: "In every generation," the voiceover on the first episodes tells us, "there is a chosen one." The duties of the one in question - to battle against the demons and the forces of darkness that harangue mankind. She (for those new to this, the chosen one is always female) is the one called the Slayer, and the current carrier of the burden is Buffy Anne Summers. She never wanted the job, but she's stuck with it and must try to cope with being the Slayer and at the same time a woman with all the pressures of "normal" life. Her ways of dealing with the supernatural in general and vampires in particular - Angel (ex-Angelus) and Spike (ex-William the Bloody) in even more particular - have ruffled the feathers of her now ex-Watcher Rupert Giles, the ex-librarian of the ex-Sunnydale High School (but in the end he sided with her against the Council, and has now returned to England); and nor are those around her unaffected.
Why is it good?: That's like asking "Why is Piers Morgan annoying?" So many reasons, but let's start with the most obvious - it's rightly acclaimed for its appealing characters, its strong writing and deft performances. It blends fantasy adventure and more "realistic" drama with aplomb, it's witty without ever sacrificing itself on the altar of camp (with the arguable exception of Season 1's 'Big Bad,' the Master) - though that's not to say it hasn't had room for basically comic episodes like "Bewitched, Bothered and Bewildered" and "Band Candy" - and it can make you laugh, gasp and cry in turns. In other words, this is so much more than the Dawson's Creek-with-fangs some insist on pegging it. (It's also worth noting that "Welcome To The Hellmouth"/"The Harvest" - the two-part first episode - established that the Hellmouth, on which Buffy's town of Sunnydale is situated, is home to all manner of creatures, not just vampires, and thereby free of the restrictions of its title.) Add in all the action sequences (the Buffy/Angelus swordfight in "Becoming Part 2" is a particularly good example) and a successful avoidance of the dreaded Fifth Season Syndrome, and you have one of the most layered, most consistently watchable dramas on television. Better than The West Wing (itself no must-miss), and much better and more involving than The Sopranos. (There. I've said it.) As The Guardian's Gareth McLean wrote after "The Body" (the stunning episode dealing with the death of Buffy's mother), "Joyce may be dead but long live Buffy the Vampire Slayer."
Who likes it?:
1997: Outstanding Makeup In A Series ("Welcome To The Hellmouth."
1998: Outstanding Hairstyling In A Series ("Becoming, Parts 1 and 2"); Outstanding Makeup In A Series("Surprise/Innocence"); Outstanding Music Composition For A Series (Dramatic Underscore)(Christophe Beck for "Becoming, Part 1").
1999: Outstanding Makeup In A Series ("The Zeppo"); Outstanding Sound Editing In A Series ("Lover's Walk").
2000: Outstanding Cinematography In A Series (Michael Gershman, "Hush"); Outstanding Hairstyling In A Series ("Beer Bad" - one of my least favourite episodes BTW); Outstanding Writing In A Dramatic Series (Joss Whedon, "Hush" - one of my most favourite episodes).
2002: Outstanding Hairstyling For A Series: "Hell's Bells." Outstanding Makeup In A Series (Non-Prosthetic): "Hell's Bells." Outstanding Makeup In A Series (Prosthetic): "Hell's Bells." Outstanding Music Direction: "Once More, With Feeling."
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For more of the Buffyverse....
Buffy the Vampire Slayer (Official UPN Site)
Buffy the Vampire Slayer: Heart & Soul
Slayage
Much Ado About Buffy The Vampire Slayer
Slayer.net