Dark Gables went without Thorne and Francisco (Brian Lohmann and Edmund O'Brien respectively) and brought in the Brother Montegue (amiably played by Travis Oats) himself to enlarge the cast back to critical mass. Strong positive up-turn in the couples relationships abounded with the absence of Thorne. Doruk Mamut Aktas (Robert Covarrubias) won the prize for finally establishing the history behind the Stone of Forgiveness and Healing - it was bounced off the forehead of Christ during the walk of the Stations, and was endowed with power when Jesus immediately forgave the caster of the stone, which was picked up and safely stored by Joseph of Aramathea for centuries. Strong work re-incorporating the disembodied Gretchen (Porter Kelly) using off-stage mic work.
Impro Theatre presented a Quirky English Comedy - "The Brides of Toad Hill" played as a double-play with the Passion Noir "The Funeral Home." Only a few moments of communication loss occurred, with strong random story generation and intense but subdued emotional connection. Misha Collins demonstrated strong use of the 'identify when lost' characteristic to the other players during specific moments when the audience was quite lost as well. Carla Rosati produced some heavy-hitting characters with strong identity and physicality. Nils Vaule did an outstanding marionette scene as a posing corpse. Gary Rae played one of the first lead roles with aplumb and disgust. Nick Massouh was being kicked and punted into the story twists in every scene. And Jo McGinley... tended a gentle flock of performing sheep with resilience.