Track List
Track List
Track List
Track List
Track List
Track List
Track List
Track List
Track List
Track List
Billy Bragg
Vancouver, 12/15/86
This is a great show from the "Talking With the Taxman About Poetry" tour, with just Billy alone with his guitar. Most of the songs sound a lot better in the more stripped-down versions presented here, and there's a great bit where "Honey I'm a Big Boy Now" segues into "I Fall to Pieces". He also does wonderful versions of "The Marriage", "The Saturday Boy", "A New England", and lots of other songs from his early albums. Also, as one might expect from a Billy Bragg show in the midst of the Reagan/Thatcher era, there's quite a bit of ranting and raving about Russia, America, television, and the state of popular music. This tape is really what made me a Billy Bragg fan, and I would highly recommend it to anyone even remotely interested in his music.
Ever Fallen in Love?
Milkman of Human Kindness
Richard
The Myth of Trust
The Marriage
Greetings to the New Brunette
Honey, I'm a Big Boy Now
Levi Stubb's Tears
There is Power in a Union
World Turned Upside Down
Help Save the Youth of America
Saturday Boy
Man in the Iron Mask
Warmest Room
Think Again
To Have and Have Not
A New England
Between the Wars
Route 66
Stand Down, Margaret
Chile, Your Waters Run Red
Built to Spill
Atlanta, GA 5/15/99
This is a great sounding recording of one of the better Built to Spill shows I've heard. Doug Martsch's guitar playing is wonderful and the band really seems to be getting into it. This show is also notable for a slightly unusual setlist with a few songs ("Scarin", "Shameful Dread") that weren't played very often on this tour. Of course the standard are all there too, with especially strong renditions of "The Plan" and "You Were Right".
The Plan
Center of the Universe
Kicked it in the Sun
Time Trap
Else
Carry the Zero
Temporarily Blind
Stop the Show
Randy Described Eternity
Car
Shameful Dread
In the Morning
Reasons
Cable
You Were Right
I Would Hurt a Fly
Scarin'
Broken Chairs
Nick Cave
London, 3/30/99
I have quite a few bootlegs from Nick Cave's "solo" tour from 1999-2001 and, while some of the others may have better sound, this one is definitely my favorite. Nick's voice sounds really strong and his treatment of some of the older songs especially "Papa Won't Leave You, Henry" is absolutely stunning. The real highlights for me come towards the end of the show, with "Right Now I'm a-Roving" (a B side from the Boatman's Call sessions) getting a great re-working featuring Warren Ellis on violin and the amazingly powerful rendition of "Wild World". This is a wonderful show from start to finish.
West Country Girl
Straight To You
Sad Waters
Loom Of The Land
The Mercy Seat
Do You Love Me
Papa Won`t Leave You, Henry
Love Letter
Henry Lee
Stagger Lee
Orphan Boy/The Ship Song
Into My Arms
Right Now I'm a-Roving
Wild World
People Ain't No Good
Little Boat Is Empty
The Clash
San Bernadino, CA 5/28/83
This is, for all intents and purposes, the final performance of The Clash. Mick Jones left after this gig and, although they kept going as "Clash II", they were never quite the same. They ended it right though, as this is probably one of their best shows ever. This is a very clean recording with great versions of songs from all through their career "Police On My Back" and "Clampdown" are especially powerful and the band sounds as pissed off as ever. The show actually took place at a big festival that I think was sponsored by some computer millionaire, and Joe Strummer is obviously not too happy about it, ranting about how the "motto of America" is "you buy, you spend, you die". A fitting end for a great band.
London Calling (cut)
This Is Radio Clash
Somebody Got Murdered
Rock the Casbah
The Guns Of Brixton
Know Your Rights
Koka Kola
Hate and War
Armagideon Time
Sound of the Sinners
Safe European Home
Police on My Back
Brand New Cadillac
I Fought the Law
I'm So Bored with the USA
Train In Vain
The Magnificent Seven
Straight to Hell
Should I Stay or Should I Go?
Clampdown
Fugazi
Washington, D.C. 8/29/97
This was recorded direct from the soundboard at one of Fugazi's annual free shows in Fort Reno park, and it's a classic example of a great live band playing their best in front of a home-town crowd. The band is incredibly tight (Brendan's drumming is phenomenal) and the entire set flows perfectly from one song to the next. "Burning" and "Repeater" are especially intense, but the band is on fire from the moment Ian walks onstage with his traditional opening of "good evening ladies and gentleman, we are Fugazi from Washington, D.C."
Birthday Pony
Do You Like Me
Merchandise
Place Position
Break
Rend It
Reclamation
Floating Boy
Long Division
Burning
Song #1
Target
Bed For the Scraping
F/D
Pink Frosty
Forensic Scene
By You
Repeater
Public Witness Program
Great Cop
Reprovisional
PJ Harvey
B Side Collection
Generally when I hear "B Side Collection" I expect to find one or two decent songs mixed in with a bunch of unlistenable "experiments," obscure cover tunes, and songs that generally just aren't very good. This collection is a notable exception, as the bulk of the songs on these two discs are easily as good as the material that made it onto PJ Harvey's albums. While there are still a few throwaways, this collection features a great cover of Howlin' Wolf's "Wang Dang Doodle", two collaborations with Nick Cave, the heartbreaking "Nina In Ecstasy," and "Memphis," a song that really should have made it onto Stories from the City, Stories From the Sea. This is essential listening for any fan of PJ Harvey.
Lying In the Sun
Somebody's Down Somebody's Name
Maniac
One Time Too Many
Daddy
Darling Be There
Harder
Long Time Coming
Reeling
Man-Size
Wang Dang Doodle
Naked Cousin
Ballad of a Soldiers Wife
Shot of Love
Nickel Under the Foot
This Is Mine
Zaz Turned Blue
Henry Lee
Death's Not the End
Featherhead
Civil War Correspondent (Remix)
Losing Ground
Who Will Love Me Now
Broken Homes
The Faster I Breath the Futher I Go
Nina In Ecstasy
Rebecca
Instrumental #2
The Bay
The Northwood
Sweeter Than Everything
Love Too Soon
Green Eyes
This Wicked Tongue
30
66 Promises
Memphis
As Close As This
My Own Private Revolution
Kick It To the Ground
Tom Waits
Sydney, Australia 3/79
A great show from the "Blue Valentine" tour, featuring wonderful, moving versions of a lot of Tom's older material along with some rambling, drunk-guy-at-the-bar monologues that characterized his performances in the 70s. Tom's voice sounds great too it's got that sort of gargling feel to it that you can hear on the "Blue Valentine" album, and it works really well with the older tunes like "Better Off Without a Wife" and "Small Change". The centerpiece of this show is definitely "Burma Shave", which goes on for over ten minutes and features a monologue about the day Elvis died and a medley with "Summertime". This is probably my favorite Waits show from the 70s; a great sounding recording of an exceptional performance.
Romeo Is Bleeding
Annie's Back In Town
Jitterbug Boy
Better Off Without a Wife
I Wish I Was In New Orleans
Since I Fell In Love for You
Red Shoes
Xmas Card from a Hooker in Minneapolis
Pasties and a G-String
Burma Shave
Tom Traubert's Blues
Small Change
Tom Waits
Oakland, CA 2/4/96
This is a great-sounding recording of what was unquestionably one of the best shows Tom Waits has ever put on. It was the first time he had played a lot of the "Bone Machine" material live, and the arrangements and performances from his band are incredible, especially "In the Coliseum" and "That Feel". The set, while it does focus on later material, draws nicely from all his albums, and Tom's between-song banter is hilarious. Other highlights include a long, haunting version of "Gun Street Girl" with Charlie Musselwhite on harmonica and a gorgeous rendition of "Big Joe and Phantom 309" (the first time he had played that song in over a decade). If you can only get your hands on one Tom Waits bootleg, this is probably the one to go for.
I Don't Wanna Grow Up
Black Wings
Goin' Out West
16 Shells From a 30.06
Such a Scream
Jesus Gonna Be Here
Earth Died Screaming
Tango Till They're Sore
A Little Rain
Broken Bicycles
Back in the Good Old World
Invitation To the Blues
Johnsburg, Illinois
On the Nickel
Christmas Card From a Hooker in Minneapolis
All Stripped Down
The Ocean Doesn't Want Me
In the Coliseum
Innocent When You Dream
Cemetery Polka
Falling Down
That Feel
Singapore
Heartattack and Vine
Filipino Box Spring Hog
Big Joe and Phantom 309
Gun Street Girl
Time
Lucky Day
Walk Away
The Fall of Troy
Tom Traubert's Blues
Tom Waits
Eugene, OR 10/15/99
This show took place near the end of the "Get Behind the Mule" tour, and the band is incredibly tight after a few months on the road. The setlist also features a few songs that weren't played very often on this tour notably "Frank's Wild Years" and "Cold Cold Ground" and some fantastic renditions of the material they had been playing every night. The real highlight for me is "Murder in the Red Barn", with the creeping banjo arrangement from the album replaced by a HUGE, stomping blues featuring Smokey Hormel on guitar. I should also note that the sound, while it is a very good audience recording, is not quite as clean as some of the other bootlegs from this tour, but the quality of the performance more than makes up for a little extra crowd noise.
Jockey Full of Bourbon
Jesus Gonna Be Here
In the Coliseum
Heart of Saturday Night
Get Behind the Mule
Chocolate Jesus
Down, Down, Down
Hold On
Eyeball Kid
Tango Till They're Sore
Johnsburg, Illinois
Cemetery Polka
Frank's Wild Years
Invitation to the Blues
Picture in a Frame
Innocent When You Dream
16 Shells from a 30.06
Gun Street Girl
Who Are You
Strange Weather
Cold Cold Ground
I'll Shoot The Moon
Murder in the Red Barn
Come On Up to the House
Lucky Day
Big In Japan
White Stripes
John Peel Session, London, 7/25/01
This show, while it only runs about 40 minutes, is what really made me a White Stripes fan. The sound is raw and furious all the way through, with the big highlight for me being a the chaotic, stomping version of "Death Letter" that goes on for almost eight minutes. There's also great versions of "Hotel Yorba," "Baby Blue," and "Let's Shake Hands." John Peel says it best when, at the end of the show, he thanks Jack and Meg and tells them that it's been "unforgettable."
Let's Shake Hands
When I Hear My Name
Jolene
Death Letter
Cannon/John the Revelator
Astro/Jack the Ripper
Hotel Yorba
I'm Finding It Harder to Be a Gentleman
Screwdriver
We're Gonna Be Friends
You're Pretty Good Looking For a Girl
Bollweavil
Hello Operator
Baby Blue