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Welcome to the ERIC SATIE
COMPOSITION NOTES Page of
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Brief synopsis' of the most popular classical music by

Eric Alfred Leslie Satie


Born in Honfleur, 17 MAY 1866
Died, Paris, 1 JUL 1925
Eccentric French composer write music for the stage
Keyboard, Choral and Orchestral works.

  • Satie 'Fore and Afterthoughts'
    1915. Three brief works after Debussy, Paul Dukas and Albert Roussel. They are Idylle, Aubade and Meditation.

  • Satie 'Gnossiennes'
    These works were written for piano. Similar to his 'Twenty Short Pieces' of 1914, these selections had no barlines or tiome signatures. They suggest some forgotten time or place. An orchestral suite was prepared by Claude Debussy.

  • Satie 'Gymnopedies'
    (zhum noh pay DEE) Three hushed melodies for piano. Satie seems to have made up the word "Gymnopedie". "Gymno" is from Greek "naked" ("gymnasium" is from a verb "to exercise naked"), "pedie", from "paido", "child, boy" (depending on the context). Satie's word seems to mean "naked boys", but the (pseudo-)Greek suggests that these are his reflections on the beauty of form of naked young men exercising or just relaxing. He never explained the title of these early popular pieces, but it appears the gymnopedies refers to ancient Greek dances done by naked youths over a period of a few days honoring Apollo. Picture them in slow motion. Debussy liked the third enough to orchestrate it.

  • Satie 'Mercure'
    Satie collaborated with Cocteau, Picasso and Massine in 1924 for the second ballet. The Adventures of Mercury musically depicted by cabaret-style tunes, brassy outbursts and some serene melodies.

  • Satie 'Parade'
    Erik Satie's ballet 'Parade' (pah RAHD') was written in the winter of 1915 for Serge Diaghilev's Ballet Russes. Satie collaborated with Cocteau, Picasso and Massine to create a circus parade complete with acrobats, clowns, a chinese magician and to keep things lively added cops and robbers. Picasso's colors brightened the costumes and sets, Massines's choreography was wild and complimented Satie's score and Cocteau's scenario. The witty orchestration had gunfire, typewriters, sirens and whips. There was even a figurative elbowing of Stravinsky. A lick or two at the Rite of Spring. It was described as 'surreal' exploring the world of dreams and the subconscious. v

  • Satie 'Piano Pieces for Four Hands'
    including 'Cinema' the entr'act from the 1924 'Relash' ballet. Arranged for four hands by Darius Milhaud, the ballet music of 'Relache' was featured at the intermission of a film showing.

  • Satie 'Relache' (1924)
    Satie's last ballet with a scenario by Picabia and, yes, a film by Rene Clair. The title, Relaxation or Liberation actually refers to the French concept of closing a performance. Plotless nonsence interrupted by a silen film. Even an American cavalry trumpet call makes its way into the score. A lot. See any good music dictionary. The title is typical of Satie's quirky sense of humor. In the feminine form "relache" means "port of call", but Satie had in mind the masculine -- which in a theatrical context means "suspension of performance". So when the ballet opened in 1924 it almost didn't open at all: passers-by would have read the sign as "Closed"!

  • Satie 'Sports and Divertisements'
    21 short pieces for piano, composed around 1910. Satie's major keyboard work.

  • Satie (1866 - 1925) 'Trois Sarabands'
    Composed in 1887 and written in the style of M. Ravel, to whom the second is dedicated. The third is in the style of E. Chabrier, whom Satie also admired.

  • Satie was against the strong influence of German music on the French in the early part of the 20th century. He wrote music with amusing titles such as "Three Pieces in the shape of a pear"

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