Richard Thompson Sanders Theatre Cambridge, MA April 18, 2017 ** 16 BIT ** Source: CA-11 cardioids > CA Battery Box > Roland R-05 @ 24 bit/48 kHz Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [Copy good right track over bad left track; WAVES C4 Multiband Parametric Processor (Limiter); iZotope Mastering Suite (declick); WAVES PS22 Spread Stereo plugin (Pensado Spatializer option); minor edits, normalize, & fades] > CDWav tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging) Location: House center, ten or twelve rows back, right next to the soundboard Recorded by: Steven Hanna Mastered by: Dennis Orr Setlist: (1:46:51) 01 Intro 02 Bathsheba Smiles 03 Walking On A Wire 04 Chat 05 Broken Doll 06 Valerie 07 Chat & Tuning 08 Beatnik Walking 09 Uninhabited Man 10 Chat & Tuning 11 1952 Vincent Black Lightning 12 Chat 13 Who Knows Where The Time Goes? 14 Trying 15 Crocodile Tears 16 I Feel So Good 17 Woods Of Darney 18 Wall Of Death 19 The Hots For The Smarts 20 Chat 21 Read About Love 22 A Love You Can't Survive 23 One Door Opens 24 Encore Break #1 - Encore #1 - 25 A Heart Needs A Home (1) 26 I Want To See The Bright Lights Tonight (1) 27 Dimming Of The Day (1) 28 Encore Break #2 - Encore #2 - 29 Beeswing (1) with Joan Shelley - vocals Richard Thompson - vocals & guitar Mastering Notes: There was an issue, likely due to a poor connection into the recorder, which caused a lot static on the left channel. I originally hoped to copy the right channel over the bad left one only in those noisy areas, however there were so many of them and the result left a kind of phasing issue in the repaired areas. In the end I copied the good right channel over the bad left channel, and added 30 milliseconds of delay to the start of the left side to better simulate a stereo effect. I then applied the WAVES PS22 Spread Stereo plugin (Pensado Spatializer) to widen the stereo imaging. There are a couple of minor spots of static in the Intro. There is also some minor noise in a couple of quiet places which sound suspiciously like Steve or the people next to him changing positions on the creaky old wooden theatre benches!