TORRENT TITLE Richard Thompson Band - 1988-10-27 UW-Milwaukee Wisconsin Room, Milwaukee, WI ARTIST NAME Richard Thompson Band BOOTLEG TITLE N/A VENUE, CITY, COUNTRY, DATE UW-Milwaukee Wisconsin Room, Milwaukee, WI 1988-10-27 TRACK LISTING DISC 1 (42:34) 01 Valerie..................................(4:42) 02 Waltzing's For Dreamers..................(5:47) 03 Push And Shove...........................(4:34) 04 When The Spell Is Broken.................(6:32) 05 Jerusalem On The Jukebox.................(5:56) 06 I Still Dream............................(6:05) 07 How Many Times Do You Have To Fall ......(4:53) 08 Sugar Bee................................(4:00) DISC 2 (54:45) 01 Here Without You.........................(6:56) 02 Can't Win................................(7:58) 03 A Second Time ...........................(4:44) 04 Pepper In The Brandy / Seven Beat Polka..(6:08) 05 Al Bowlly's In Heaven....................(5:47) 06 Gypsy Love Songs.........................(8:28) 07 Two Left Feet............................(6:48) ENCORE 08 Ghosts In The Wind.......................(7:50) LINE UP RT- our guitar hero, vocals and m.c. Chris Collister- songstress and lookin' good Clive Gregson- guitar, smidgen of keyboards and vocals Pat Donaldson- bassman John Kirkpatrick- squeezy thing and vocals ***no Dave Mattacks tonight on batterie (he was hurt / sent home / RT mentions this during the show) ARTWORK N/A SOURCE / LINEAGE Stereo AUD master to Maxell XL II tape Borrowed mic > Borrowed Sony WM-D6C > Master tape > Computer WAV > Cool Edit Pro 2000 > TLH v2.4.1 > FLAC 8 > DIME > you I don't have the specific model for the mics, but the buddy from which I borrowed the gear (thanks K!) said they cost approx. US$500. Mics were physically separate left / right channel lines which fed back to a single stereo line into the deck. The left / right lines were either pinned over each shoulder facing stage, or pinned to left/right sides under an open-holed baseball cap. I originally mastered this 2009-06-15. The tape already had a fade-in at start / fade-out at the very end, and I added fades to cover tape flip/swap gaps. Beyond that, the only thing I did on the computer was place track marks before each piece. This FLAC fileset comes directly from those final WAVs's, which only needed SBE corrections in TLH; no CD-Rs or EACs. NOTES As this is an original master & isn't too bad to start with, please DON'T remaster and repost it. - - - - I think I may have been on my own for this show, and I don't remember where I was in the venue doing the taping. I found good levels & stuck with 'em through to the end; the only problem was some distortion in "Can't Win" as that was louder than the rest of the show. There's a bit of hiss, and a bit of bleed-thru on Tape Side 2's super-quiet parts (from sitting too long?). Apart from that, it's a fine sounding tape & one of the better ones I've come away with; check out the sample. - - - - This was definitely never traded, so only I've heard it to date. Crank it up and ENJOY! it as I have, and share it so others can hear it. - - - - There's a tape flip after Sugar Bee, in sync with the fade-out at the end of Disc One. There's another interrupt to insert a new tape after Gypsy Love Songs; again faded out. And apparently I did pause a bit during the claps before the encore. All that's missing is a bit of clapping - nothing musically or any between-song RT talking. Speaking of... I clap. Sorry. At least there's no talking from me. And I leave everything in, warts and all - tuning, the band talking between songs, some of the claps before the encores & at the end.