| Basic Subject |
Title and Author |
Description |
| |
|
|
| Philosophy of Art |
| Artist To Artist by Clint Brown |
Excellent book of quotes from artists
about art |
| Artists On Art by Goldwater and
Treves |
Writings by and about artists from the
early Renaissance to the first part of the 20th century |
| The Painted Word by Tom Wolfe |
Excellent critique of the modern art
world |
| Culture Gulch by John Canaday |
Brief but poignant criticisms of the
world of art in the 20th century |
| Theories of Modern Art by H. B.
Chipp |
Unparalleled collection of writings
from artists and critics ranging from the mid 19th century through
the mid 20th century |
| Dear Theo edited by Irving Stone |
A collection of Vincent Van Gogh's
letters to his brother, this the closest one can come to getting
into the mind of an artist. |
| |
| Anatomy And Drawing |
The Human Figure by John
Vanderpoel |
Excellent reference from one of the
leading authorities and teachers of human anatomy. This book deals
mostly with surface anatomy. It is punctuated with exquisite
drawings by Vanderpoel. |
| The Practice and Science of Drawing
by Harold Speed |
Very lucid instruction on linear and
tonal approaches. This book is also punctuated with beautiful
drawings by Harold Speed. |
| Artistic Anatomy by Richer and
Hale |
Written and illustrated by the
foremost 19th century artistic anatomist then translated by
America's foremost 20th century teacher on artistic anatomy - Robert
Beverly Hale. I had the privilege of attending his lectures when I
was younger. Hale is legendary. |
| Drawing Lessons From The Great
Masters by Robert Beverly Hale |
Hale takes the reader on a tour of
great drawings from the Early Renaissance through the 19th century.
Each drawing is analyzed and explained in utmost precision and
detail. This is probably the one book that influenced my drawing
approach the most. |
| Classical Drawing Atelier by
Juliette Aristides |
Great instruction and philosophy
carrying on the traditions of Atelier training as they pertain to
drawing |
| A Drawing Manual by Thomas
Eakins |
Newly published after collecting dust
as a manuscript for nearly a century, this book is highly technical
but well worth reading. |
| |
| Art History |
John Sargent by Evan Charteris |
Thorough account by a great biographer
and friend of the great artist |
| Strapless by Deborah Davis |
Detailed account of the relationship
between Sargent, his sitters and the famous Madame X. A well
researched account of Madame X and her life fills in the many
mysteries surrounding the famed painting. |
| Sistine Secrets by Breck and
Dolliner |
A great read. Very detailed and well
researched information on Michelangelo's obscure messages in his
ceiling and his involvement in Kabala and Judaism. I was skeptical
at first but very convinced as I read on. |
| Lives of The Artists by Giorgio
Vasari |
A classic that cover many great artist
throughout the Renaissance. Some of it is hyperbole but the
discerning reader will draw a great deal of inspiration from this
piece. |
| The Nude by Kenneth Clark |
Thorough appraisal of the influences
of the nude in art from its earliest beginnings |
| Civilisation by Kenneth Clark |
Relates the history and critique of
western civilization in the typical eloquence of Sir Kenneth Clark |
| From Dawn to Decadence by
Jacques Barzun |
This book treats the 500 hundred years
of western culture from the Renaissance to the present in such an
methodical, detailed and eye opening manner, that it's hard to
believe one man can be so knowledgeable. It may surprise you to read
his comments on Leonardo. |
| Recollections of a Picture
Dealer by Amboise Vollard |
Vollard relates numerous anecdotes
from the lives of the artists he represented and championed,
including Cezanne and Picasso. |
| Rembrandt's Eyes by Simon Schama |
The most complete and detailed account
of Rembrandt in existence. The research is impeccable. |
| An Artist And The Pope by Curtis
Pepper |
Recollections of the Relationship
between 20th century artist Giacomo Manzu and a Pope's commissions
for the Vatican |
| |
| Reference |
The Oxford Dictionary of Art by
Chilvers, Osbourne & Farr |
Indispensible resource for all
artists. |
| |
| Practical Instruction |
Classical Painting Atelier by
Juliette Aristides |
Great instruction and philosophy
carrying on the traditions of Atelier training as they pertain to
painting |
| The Art Spirit by Robert Henry |
Great collection of teachings and
suggestions by an artist was also undoubtedly one of the finest
teachers of the 20th century |
| The Art of Etching by Lumsden |
Great treatise on the practice and
technique of etching. Even though it is a bit dated, it is a great
resource for anyone interested in the discipline of etching. |
| Capturing The Moment In Oils by
David Curtis |
In a way similar to Burton Silverman's
books but the subjects of his paintings differ quite a bit from
Silverman's |
| Painting Techniques of The Great
Masters by Hereward Lester Cooke |
In a way similar to Hale's Drawing
Lessons, Cooke examines seminal paintings and points out the virtues
of composition, color, line etc. in each. |
| The Mastery of Oil Painting by
Frederick Taubes |
A must read for any artist who wants
to understand the properties of oil paint, color, and technique |
| Painting People by Burton
Silverman |
Written by one of the best
painter/illustrators of today. Very clear writing on the development
process of his own oil paintings. The book is accompanied by photos
of his works in progress. I found this book to be extremely helpful
and influential in my early days as a painter. |
| Breaking The Rules of Watercolor
by Burton Silverman |
Similar to the above, just a different
medium. Makes a great argument for using any means necessary for
completing a successful watercolor. While not directly mentioned,
this book does much to combat the modern fallacies of organizations
like the American Watercolor Society. |
| Alla Prima: Everything I know About
Painting by Richard Schmid |
A must read for all painters who want
to increase their skill in brushwork and on blocking in and really
seeing their subject. Key ideas on "value" and
"edge" are clearly explained. |
| Oil Painting Techniques and
Principles by Harold Speed |
Great guide for the serious artist who
wants to develop sound methods in oils. This book approaches
techniques and principles from a tonal standpoint. |