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ANTONELLA PIEMONTESE Biography 
Incoming Thought Protection,1998 Solo Exhibitions 1997 Littlejohn Contemporary, New York, NY, Accessorized (object/text) 1993 Julian Pretto Gallery, New York, NY, Dual Word Patterns 1992 Julian Pretto Gallery, New York, NY, Artificial Landscape Jan Turner Gallery, Los Angeles, CA, The Boundaries of Quantity 1991 Julian Pretto Gallery, New York, NY, Exercice de Mémoire 1989 Julian Pretto Gallery, New York, NY, Weight of Words Group Exhibitions 2003 Van Brunt Gallery, Beacon, NY, Nohra Haime Gallery, New York, NY, Brooklyn on 57th Street 2002 The Rotunda Gallery, Brooklyn, NY, Try This Akus Gallery, Eastern Connecticut State University, CT, Permeable Borders 2001 Sideshow Gallery, Brooklyn, NY, Holiday Group Show Flynndog Gallery, Burlington, VT Sideshow Gallery, Brooklyn, NY, 21st Suffragettes 2000 The Rotunda Gallery, Brooklyn, NY, Wunderkammer:Wonderworks 1999 The National Museum of Modern Art, Kyoto, and Museum of Contemporary Art, Tokyo, Japan, Visions of the Body: Fashion or Invisible Corset, curated by Shinji Kohmoto White Columns, New York, NY, Outer Boroughs Richard Anderson Fine Arts, New York, NY 1998 Norwalk Community Technical College, Norwalk, CT, Art and Language Stefan Stux Gallery, New York, NY, Invitational ‘98 Gramercy Park Hotel, New York, NY,The Gramercy International Contemporary Art Fair 1997 Gallery A, Chicago, IL, READ Text and the Visual 67 Broad St, New York, NY, The Art Exchange Show Stefan Stux Gallery, New York, NY 1996 Central Connecticut State University, New Britain, CT,Conceptual Tools (Selected Works from the LeWitt Collection) Wadsworth Atheneum, Hartford, CT,The Collection of Julian Pretto / Acquiring Art in the 90’s Stefan Stux Gallery, New York, NY 1993 Wadsworth Atheneum, Hartford, CT,Nature, Memory, Strength, curated by Kimberly Davenport 1992 University Art Museum,Santa Barbara,CA, Santa Monica Museum of Art,Santa Monica,CA, and North Carolina Museum Of Art,Raleigh,NC, Knowledge:Aspects of Conceptual Art, curated by Phyllis Plous Rena Bransten Gallery, San Francisco, CA, Paint/Print Julian Pretto Gallery, New York, NY, Photography/Text 1990 The Institute of Contemporary Art, PS1 Museum, Long Island City, NY, Special Projects1990 Cleveland Center for Contemporary Art, Cleveland, OH, In the Beginning Julian Pretto Gallery, New York, NY, New Conceptualists 1986 Cava Gallery, Philadelphia, PA Awards Pollock-Krasner Foundation Grant, 1998-99 Lectures Museum of Contemporary Art, Tokyo, Japan, Personal Safety Wardrobe, August 7, 1999 Visiting Artist Fiber Dept, Maryland Institute College of Art, Baltimore, MD, 2001 Bibliography The National Museum Of Modern Art, Kyoto and The Kyoto Costume Institute. Visions of the Body: Fashion or Invisible Corset, Japan, 1999. Rika Kayama. “Salvation Clothing”, Asahi Shinbun Tokyo Edition, 11/24/99 Geijutsu Shincho. Stardust Review of Exhibitions: Visions of the Body: Fashion or Invisible Corset, Oct1999 Laurel Berger. “In Their Sights”, Artnews, March 1997. Elizabeth Langhorne. “To Don the Parangolé?”, Conceptual Tools (Selected Works from the LeWitt Collection), Central Connecticut State University, New Britain, CT, 1996. Huston Paschal. “Knowledge:Aspects of Conceptual Art”, Preview, North Carolina Museum of Art,Autumn1992 Frances Colpitt. “Past and Present Moments of Conceptual Art: the Breadth of Knowledge”, Knowledge: Aspects of Conceptual Art, University Art Museum, Santa Barbara, CA, 1992. Phyllis Plous. “Speaking to Contemporary Culture: Notes and Excavations”, Knowledge: Aspects of Conceptual Art, University Art Museum, Santa Barbara, CA, 1992. Susan Kandel. “Reading Between the Lines”, Los Angeles Times, 2/20/92. Amy Sparks. “Review”, Dialogue, Jan/Feb 1991. Education 1985 MFA, School of Visual Arts 1982 BFA, SUNY College at Purchase Collections Kyoto Costume Institute, Kyoto, Japan The National Museum of Modern Art, Kyoto, Japan Sol LeWitt Collection, Chester, CT The Collection of Julian Pretto, Wadsworth Atheneum, Hartford, CT Private Collections, USA |