#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------#
Q=150 4/4 Gtr I E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-------------|-------------|-------------|-------------|-------------| |-------------|-------------|-------------|-------------|-------------| |-------------|-------2-----|-------------|-------4-----|-------------| |-----2---2---|-----2---2---|-----0---0---|-----0---0---|-----2---2---| |---3---3---3-|---0---0---0-|---2---2---2-|---2---2---2-|---3---3---3-| |-1-----------|-0-----------|-3-----------|-2-----------|-1-----------| | | Gtr II | E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-0---------0-|-0---------0-|-3---------3-|-0---------0-|-0---------0-| |-1-1-------1-|-1-1-------1-|-0-0-------0-|-0-0-------0-|-1-1-------1-| |-0---0-----0-|-2---2-----2-|-0---0-----0-|-0---0-----0-|-0---0-----0-| |-2-----2---2-|-2-----2---2-|-0-----0---0-|-2-----2---2-|-2-----2---2-| |-3-------3-3-|-0-------0-0-|-2-------2-2-|-2-------2-2-|-3-------3-3-| |-0---------0-|-0---------0-|-3---------3-|-0---------0-|-0---------0-| Gtr I E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-------------|-------------|-------------|-------------|--------------| |-------------|-------------|-------------|-------------|--------------| |-------2-----|-------------|-------4-----|-------------|-------2------| |-----2---2---|-----0---0---|-----0---0---|-----2---2---|-----2---2----| |---0---0---0-|---2---2---2-|---2---2---2-|---3---3---3-|---0---0---0--| |-0-----------|-3-----------|-2-----------|-1-----------|-0------------| | | Gtr II | E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-0---------0-|-3---------3-|-0---------0-|-0---------0-|-0---------0--| |-1-1-------1-|-0-0-------0-|-0-0-------0-|-1-1-------1-|-1-1-------1--| |-2---2-----2-|-0---0-----0-|-0---0-----0-|-0---0-----0-|-2---2-----2--| |-2-----2---2-|-0-----0---0-|-2-----2---2-|-2-----2---2-|-2-----2---2--| |-0-------0-0-|-2-------2-2-|-2-------2-2-|-3-------3-3-|-3-------3-3--| |-0---------0-|-3---------3-|-0---------0-|-0---------0-|-0---------0--| Gtr I E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-------------|-------------|-------------|-------------|--------------| |-------------|-------------|-------------|-------------|--------------| |-------------|-------------|-------2-----|-------4-----|-------2------| |-----3---3---|-----2---2---|-----2---2---|-----0---0---|-----2---2----| |---3---2---3-|---3---3---3-|---0---0---0-|---2---2---2-|---0---0---0--| |-1-----------|-1-----------|-0-----------|-3-----------|-0------------| | | Gtr II | E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-1---------1-|-0---------0-|-0---------0-|-3---------3-|-0---------0--| |-1-1-------1-|-1-1-------1-|-1-1-------1-|-0-0-------0-|-1-1-------1--| |-2---2-----2-|-0---0-----0-|-2---2-----2-|-0---0-----0-|-2---2-----2--| |-3-----3---3-|-2-----2---2-|-2-----2---2-|-0-----0---0-|-2-----2---2--| |-3-------3-3-|-3-------3-3-|-0-------0-0-|-2-------2-2-|-0-------0-0--| |-1---------1-|-0---------0-|-0---------0-|-3---------3-|-0---------0--| Q H Q H Q H Q H Q H |-0---3-----|-3---1-----|-1---0-----|-0---0-----|-0---3------| |-1---------|-0---------|-1---------|-0---------|-1----------| |-2---------|-0---------|-2---------|-0---------|-2----------| |-2---------|-0---------|-3---------|-2---------|-2----------| |-0---------|-2---------|-3---------|-2---------|-0----------| |-0---------|-3---------|-1---------|-0---------|-0----------| | | E E Q Q E E Q Q E E Q Q E E Q Q E E Q Q |-0-0----3--|-3-3----1--|-1-1----0--|-0-0----0--|-0-0----3---| |-1-1----0--|-0-0----1--|-1-1----0--|-0-0----1--|-1-1----0---| |-2-2-2--0--|-0-0-0--2--|-2-2-2--0--|-0-0-2--2--|-2-2-2--0---| |-2-2----0--|-0-0----3--|-3-3----2--|-2-2----2--|-2-2----0---| |-0-0----2--|-2-2----3--|-3-3----2--|-2-2----0--|-0-0----2---| |-0-0----3--|-3-3----1--|-1-1----0--|-0-0----0--|-0-0----3---| Q H Q H Q H Q H Q H |-3---5-----|-1---0-----|-0---0-----|-0---5-----|-3---7------| |-0---------|-1---------|-0---------|-1---------|-0----------| |-0---------|-2---------|-0---------|-2---------|-0----------| |-0---------|-3---------|-2---------|-2---------|-0----------| |-2---------|-3---------|-2---------|-0---------|-2----------| |-3---------|-1---------|-0---------|-0---------|-3----------| | | E E Q Q E E Q Q E E Q Q E E Q Q E E Q Q |-3-3----1--|-1-1----0--|-0-0----0--|-0-0----3--|-3-3----1---| |-0-0----1--|-1-1----0--|-0-0----1--|-1-1----0--|-0-0----1---| |-0-0-0--2--|-2-2-2--0--|-0-0-2--2--|-2-2-2--0--|-0-0-0--2---| |-0-0----3--|-3-3----2--|-2-2----2--|-2-2----0--|-0-0----3---| |-2-2----3--|-3-3----2--|-2-2----0--|-0-0----2--|-2-2----3---| |-3-3----1--|-1-1----0--|-0-0----0--|-0-0----3--|-3-3----1---| Q H Q H Q H Q H |-1---3-----|-0---0-----|-0---5-----|-3---7-----|----| |-1---------|-0---------|-1---------|-0---------|----| |-2---------|-0---------|-2---------|-0---------|----| |-3---------|-2---------|-2---------|-0---------|----| |-3---------|-2---------|-0---------|-2---------|----| |-1---------|-0---------|-0---------|-3---------|----| | | E E Q Q E E Q Q E E Q Q E E Q Q |-1-1----0--|-0-0----0--|-0-0----3--|-3-3----1--|----| |-1-1----0--|-0-0----1--|-1-1----0--|-0-0----1--|----| |-2-2-2--0--|-0-0-2--2--|-2-2-2--0--|-0-0-0--2--|----| |-3-3----2--|-2-2----2--|-2-2----0--|-0-0----3--|----| |-3-3----2--|-2-2----0--|-0-0----2--|-2-2----3--|----| |-1-1----0--|-0-0----0--|-0-0----3--|-3-3----1--|----|
Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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