Topic: Harry Gregson-Williams
AWARD WINNING COMPOSER HARRY GREGSON-WILLIAMS WITH ORIGINAL SONGS PERFORMED BY SWITCHFOOT AND REGINA SPEKTOR **ORIGINAL SOUNDTRACK TO BE RELEASED ON MAY 13TH ON WALT DISNEY RECORDS** AVAILABLE HERE (April 29, 2008- Burbank, CA)- Walt Disney Records will release the original soundtrack for Walt Disney Pictures/Walden Media's The Chronicles of Narnia: Prince Caspian on May 13, 2008. The recording features score written by award-winning composer Harry Gregson-Williams and songs performed by Switchfoot ("This Is Home"), Regina Spektor ("The Call"), Oren Lavie ("A Dance 'Round The Memory Tree"), and Hanne Hukkelberg ("Lucy"). In 1950, the scholar, critic and writer C.S. Lewis published The Lion, The Witch and the Wardrobe, the first of his seven-volume series, The Chronicles of Narnia, and established a modern legend. Adults and children alike fell in love with his stirring, action-packed adventure that was set in the middle of World War II bombing raids yet transported readers into an alternate and far more enchanted universe of mythological creatures waging an epic battle between good and evil. Harry Gregson-Williams reunites with director Andrew Adamson for the 5th time after composing the scores for his Academy Award®-winning Shrek (co-composed with John Powell), the hit sequels Shrek 2 and Shrek the Third, and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, for which he collected Golden Globe and Grammy nominations for his score. He is one of Hollywood's most sought after composers, working on a variety of high-profile projects, both animated and live-action. Over the last several years, Gregson-Williams has composed such notable scores for Shrek the Third,Gone Baby Gone, Chicken Run, Man on Fire, Flushed Away, Domino, Spy Game, Déjà vu, Phone Booth, Veronica Guerin, Smilla's Sense Of Snow, The Replacement Killers, Bridget Jones: The Age of Reason, Enemy of the State, Antz and Kingdom of Heaven, among others. The multi-platinum selling rock band Switchfoot has written and recorded the original song "This Is Home," which is heard in the body of the film and over the end title credits. They shot a video for the song with director Brandon Dickerson, who filmed their most recent video for "Awakening." "We are so honored to be a part of the Prince Caspian film with 'This Is Home,'" says Switchfoot frontman Jon Foreman. "The Narnia stories have a really special place in my brother Tim and my lives. Our dad used to read these to us at bedtime when we were boys. Our imaginations were shaped on these amazing novels." The characters of C.S. Lewis' timeless fantasy come to life once again in this newest installment of the Chronicles of Narnia series, in which the Pevensie siblings are magically transported back from England to the world of Narnia, where a thrilling, perilous new adventure and an even greater test of their faith and courage awaits them. "As [the film's director] Andrew Adamson and I began early discussions about the musical possibilities for The Chronicles of Narnia: Prince Caspian," composer Harry Gregson-Williams said, "it became clear that the movie could take a score with plenty of edge and bite to it this time around, supporting the fast moving action and adventure that quickly unfolds." One year after the incredible events of The Lion, the Witch and the Wardrobe, the Kings and Queens of Narnia find themselves back in that faraway wondrous realm, only to discover that more than 1300 years have passed in Narnian time. During their absence, the Golden Age of Narnia has become extinct, Narnia has been conquered by the Telmarines and is now under the control of the evil King Miraz, who rules the land without mercy. The fast forward 1300 years in the future allowed Gregson-Williams to re-address themes from the first film as well as creating new ones. Director Andrew Adamson described, "For Prince Caspian, Harry drew not only on the beloved themes of The Lion, The Witch, and The Wardrobe, but also developed original, sympathetic themes for Caspian and the Telmarines. Harry has threaded these themes with the same beauty and originality as he has woven all the notes that form his wonderful scores." The four Pevensie children will soon meet an intriguing new character: Narnia's rightful heir to the throne, the young Prince Caspian, who has been forced into hiding as his uncle Miraz plots to kill him in order to place his own newborn son on the throne. Gregson-Williams embraced the challenge of composing for these new characters. He described, "The early introduction of a fearful Prince Caspian fleeing for his life from the dangerous Lord Miraz gave me a wonderful opportunity to introduce this new and somewhat darker musical landscape right from the opening." Also drawing inspiration from C.S. Lewis was Switchfoot. "'This Is Home' was inspired by the book after re-reading it for the opportunity to write for the film," continues the band's frontman, Foreman. "I am always taken by [C. S.] Lewis' ability to write about the bittersweet beauty in this world; this home we aren't really made for but is the place we work out our humanity in the midst of our longing for our true home."

THE NUMBER 23
Now Playing: NEW LINE RECORDS
Topic: Harry Gregson-Williams
FEATURING ORIGINAL MUSIC COMPOSED BY HARRY GREGSON-WILLIAMS

CONSUMER INFORMATION ON THE CD

ORIGINAL MOTION PICTURE SOUNDTRACK OUT ON NEW LINE RECORDS FEBRUARY 20TH

(Los Angeles, CA – February 8, 2007) Jim Carrey makes a rare dramatic turn for the film The Number 23. The film, which was directed by Joel Schumacher, features a soundtrack composed by Harry Gregson-Williams (The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe, Shrek), in stores on February 20th. This film marks Gregson-Williams’ third collaboration with the director.

Animal control officer Walter Sparrow (Jim Carrey) has found a book he doesn’t dare put down. By reading the mysterious novel “The Number 23” given to him as a birthday gift by his wife Agatha (Virginia Madsen) Walter twists his once placid existence into an inferno of psychological torture that could possibly lead him to his death or that of his loved ones. All this because of The Number 23.

Harry Gregson-Williams is one of Hollywood’s most sought after composers, working on a variety of high-profile projects, both animated and live-action. Born in England to a musical family, Gregson-Williams earned a scholarship from the music school of St. John’s College in Cambridge at the age of seven. By age 13, he had been a soloist on over a dozen records, and then earned a coveted spot at the Guildhall School of Music and Drama in London. He started his film career as an orchestrator and arranger for composer Stanley Myers, and went on to compose his first scores for the veteran English director, Nicolas Roeg. Gregson-Williams’ initiation in to Hollywood film scoring was then facilitated by his collaboration and friendship with Oscar?-winning composer Hans Zimmer.

It was 1997’s Smilla’s Sense of Snow that earned Gregson-Williams international acclaim, followed by 1998’s Antz, which he co-wrote with John Powell. Since then Gregson-Williams has generated an extensive body of work that includes the scores for Bridget Jones: The Edge of Reason, Domino, Kingdom of Heaven, Veronica Guerin, Shrek, Shrek 2, Chicken Run and The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe, for which he was nominated for a Golden Globe and Grammy. He most recently composed the scores for Deja Vu, Shrek the Third, and Seraphim Falls.

New Line Cinema presents The Number 23. Directed by Joel Schumacher, and starring Jim Carrey, Virginia Madsen, the film will be in theaters on February 23, 2007. The New Line Records soundtrack in stores on February 20, 2007.