BAY CITY FOREVER



This is a work of fan fiction, written by Rochelle Theresa Brown for entertainment purposes only, and not for profit. All characters not invented by me are the sole property of Procter and Gamble Productions.
BAY CITY FOREVER is rated TV-14 for an occasional mild expletive.
This work is under copyright.



EPISODE 59




SCENE ONE

(The scene is Edith's home. Edith is on the phone.)

EDITH: Yes, I talked to him. (Pause) Don't worry. He's an expert. (Pause) No, nobody will be able to tell the difference. (Pause) Believe me, I'm not worrying about the phone bill. (Pause) No, that shouldn't be a problem. (Pause) I'm sure. They'll never be able to trace it to us. (Pause) No, he'll take care of that end of it. All we have to do is
FADE OUT



SCENE TWO

(The scene shifts to the duck pond at Foster Park. Jamie, Steven, and Kirkland are on the bench. Bridget and Michelle are feeding the ducks. Camera angle widens, and we see Cass approaching from the right, while Grant approaches from the left. They reach the bench at the same time.)

JAMIE: What are you doing here, Grant?

GRANT: I came to get my son.

JAMIE: You can't just take him without a custody hearing.

KIRKLAND: Do I have to go... right away?

CASS: No, Kirkland, you don't.

GRANT: Now, just a minute, Cass. This doesn't concern you.

CASS: I beg to differ. As Jamie's attorney, I must insist on seeing those papers.

GRANT: You are Jamie's attorney, and you are challenging my position as mayor at the same time? Isn't that a conflict of interest?

CASS: I don't see how. After all, neither you nor I have started campaigning yet. Now, hand over those papers.

GRANT: Very well. (Hands documents to Cass.)

CASS: I'm going to need some time to go over these papers and make sure they're in order. Until then, there is no way you are taking custody of Kirkland.

GRANT: (Complacently) Well, a few moments more won't make much of a difference.

CASS: (scoffs) A few moments? I intend to go over these documents with a fine-tooth comb.

JAMIE: And until Cass tells me that these papers are legit, Kirkland stays with me.

GRANT: (annoyed) Very well. Just don't try anything funny.
FADE OUT



SCENE THREE

(The scene shifts to Rachel's room at BCUH. Matthew and Amanda are inside with Rachel.

AMANDA: So how are you feeling now?

RACHEL: Confused.

MATTHEW: How come?

RACHEL: I keep remembering someone's name, just her name, and nothing else.

MATTHEW: What name are you remembering?

RACHEL: Lydia Hutchins.

(Matthew and Amanda exchange looks.)

AMANDA: Lydia Hutchins?

RACHEL: Yes. Carl says she's his sister, but...

MATTHEW: But you're not sure you believe him?

RACHEL: When I first mentioned her name to him, he was very evasive.

AMANDA: But that doesn't make any sense. Why would he be evasive about his sister?

RACHEL: That's what I can't figure out.
FADE OUT



SCENE FOUR

(The scene shifts to a bench in Foster Park. Nick and Remy are sitting together, talking.)

NICK: So your folks aren't upset any more?

(Camera angle widens to show Tito approaching.)

REMY: They want us to get married again. Dad wants me to have a wedding with all the trimmings, and then some.

NICK: Well, that's what we planned to have all along.

REMY: I know, but (sighs)

NICK: Are you sorry

(Tito stops at the bench.)

TITO: Remy, could I talk to you?

REMY: I have nothing to say to you.

TITO: Just give me a few minutes.

REMY: Not even a second.

NICK: You heard my wife. Now get lost.

TITO: Wait a minute. Did you just call Remy your wife?

NICK: Goodbye, Tito.

TITO: All right, all right. (Walks away towards the left, calls over shoulder) By the way, congratulations.

REMY: (turns to Nick, furious) Why did you have to tell him we're married?

NICK: I didn't think it was such a big deal.

REMY: Our marriage isn't a big deal?

NICK: Come on, you know that's not what I meant. I meant telling Tito wasn't a big deal.

REMY: It was to me.

NICK: But why?

REMY: Figure it out. (Gets up, walks away towards the right.)

NICK: (to himself) What the Hell just happened?
FADE OUT



SCENE FIVE: CLOSING SCENE

(The scene shifts to Rachel's room at BCUH. Rachel is alone now. She is listening to the radio.)

MALE REPORTER'S VOICE: And in other news, a woman identified as Lydia Hutchins was killed today

RACHEL: What?!

MALE REPORTER: When the car she was driving was struck by a drunk driver. Many of you will remember that Ms. Hutchins was involved in the shocking events that took place at the opening of Rachel Cory's exhibition at The Tripodi Gallery.

(The scene flashes back to The Tripodi Gallery on the night of the opening. We see Rachel and Lydia facing each other)

LYDIA: I have nothing to lose, now that Carl is dead.

RACHEL: And what did you have to gain while he was alive? He would never have gone back to you.

LYDIA: (mockingly) Really? Do you honestly believe that that time you caught us at The Rosenthal Hotel was the last time your husband and I were together?

RACHEL: My husband?

LYDIA: Yes. Carl and I were legally divorced. I was fighting to get him back.

RACHEL: If I had the chance to do it all over again, I would fight tooth and nail to keep you away from him.

(Carl walks up.)

CARL: Do you really mean that, my love?

(The scene returns to the present. Rachel turns off the radio. The scene dissolve to show the corridor of BCUH. Carl is walking towards Rachel's room.)FREEZE FRAME

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