BAY CITY FOREVER



This is a work of fan fiction, written by Rochelle Theresa Brown for entertainment purposes only, and not for profit. Characters not invented by me are the sole property of Procter and Gamble Productions.
BAY CITY FOREVER is rated TV-14 for an occasional mild expletive.
This work is under copyright.



DISCLAIMER
The form of amnesia Rachel has can best be described as soap opera amnesia. It is for plotline purposes only, and should by no means be interpreted as being medically accurate. My only "experience" in the field is having seen so many amnesia stories in my years as a soap viewer.

EPISODE 56




This episode begins where the previous one left off.

SCENE ONE

(The scene is Rachel's room at BCUH. Carl is standing by Rachel's bed.)

CARL: What did you say, Love?

RACHEL: I said I want to get married today.

CARL: But, Rachel, we can't just

RACHEL: Why not? We're in love, aren't we?

CARL: Yes, we are very much in love.

RACHEL: And it's past the time when we should have been married.

CARL: Well, yes.

RACHEL: And it's not as if we were a couple of teenagers getting married on an impulse.

CARL: No, we certainly are not. Although I'm intrigued at the thought of the two of us as a teenaged couple.

RACHEL: Don't change the subject, Carl. Now, I want to know why we can't get married today.

CARL: Because it is too late.

RACHEL: What do you mean, it's too late? Is there something I need to know, some reason why we shouldn't marry?
FADE OUT



SCENE TWO

(The scene shifts to Peggy Walters' bedroom. Peggy is sprawled on the bed, talking on her cell phone.)

PEGGY: Well, that plan didn't work. (Pause) No, it seems to have blown over already. (Pause) Yes, I still want to get even with her. (Pause)You're right. We're not out to get his sister. (Pause)Well, maybe we can find something about her(Pause)You're right. It would be poetic justice, after what she tried to do to my father. And then she accused me of(Pause)That's right. (Pause) No, I don't want to ruin her career. I want to ruin her life.
FADE OUT



SCENE THREE

(The scene shifts to the dining room in the Carlino home. Joe and Dante haven't returned. Everyone else is still at the table. There is an uncomfortable silence.)

TITO: Maybe I should go talk to Dante.

DEREK: I don't think that's such a good idea.

PAULINA: Derek's right, Tito. Right now, you're probably the last person Dante wants to talk to.

TITO: But why? Why is he mad at me, all of a sudden? I mean, he was so thrilled to

SOFIA: Maybe he found out about some of the things you did.

TITO: But how?

REMY'S VOICE: Like pretending you were the baby Mom gave away? Like almost letting Mom go to prison? Like almost keeping me from finding my family?

TITO: Wait a minute! I think he did find out, and I think I know how.

RYAN GABRIEL: Did you do bad things?

TITO: Yes, I did some bad things, but I'm trying to be a better person.(Thinks)And some day, I swear, I'll be a big brother you and Dante and Angela Rose can look up to, and I'll be a son Joe can be proud of.
FADE OUT



SCENE FOUR

(The scene shifts to Rachel's room at BCUH. Carl is standing near Rachel's bed.)

RACHEL: Answer me, Carl. What do you mean, "it's too late"? Is there a reason why we shouldn't get married?

CARL: (laughs, relieved) Not at all, Love. I only meant that it is too late in the day.

RACHEL: Oh. I hadn't thought about that.

CARL: But are you sure you want to be married here, in the hospital?

RACHEL: The sooner you and I are husband and wife, the better I'll feel.

CARL: Then I'll make all the arrangements, and by this time tomorrow, you and I should be, once again, a happily married couple.
FADE OUT



SCENE FIVE

(The scene shifts to the duck pond at Foster Park. Remy is sitting on the bench, talking on her cell phone.)

REMY: I need to see you right away. (Pause) No, not at my place. (Pause)Well, right now it doesn't feel like home to me. (Pause) I'll tell you when I see you. I'm in Foster Park, near the duck pond. (Pause) Oh, and I'd like you to bring
FADE OUT



SCENE SIX: CLOSING SCENE
The next day
(The scene shifts to Rachel's room at BCUH. Carl comes through the door.)

CARL: Hello, Love. I have wonderful news.

RACHEL: Carl

CARL: I've made the arrangements, and we can be married

RACHEL: Carl

CARL: Is something wrong?

RACHEL: I'm not sure. It's just that I had the strangest dreams all night.

CARL: Well, if you were dreaming about a honeymoon in this hospital

RACHEL: In my dreams, I kept hearing the same name over and over, and I don't know why. Carl, tell me something.

CARL: If I can.

RACHEL: I kept hearing the name "Lydia" in my mind. Do we know anyone by that name?
FREEZE FRAME

NEXT EPISODE