IV: A Life of Concrete Acts

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Poem / Oswald LeWinter
( Lisbon, Portugal )

Art / Aimea Saul
( Portland, Oregon )



Travels


1. From Hamburg to Munich

The day awakens in the train.
In the compartment's open door
a late traveler sits and waits,
sun in the thick lenses 
of glasses balanced on his nose.
By a thin smile on the face
of the hour stirring beside me,
I am urged to jump into a life
of concrete acts. I must go
to the dining car. A woman
with a lily skin and mouth
of poppies sits before ivory dreams
of journeys sweeter than cocoa
in the seat facing me. She laughs
and the appointments, that divide
my life into half hours, disappear
as I sense, the small deaths call me.






Fearful




2. Amsterdam

The painter has misplaced his ear inside the clock.
Streets cross the broad canals like women, bent
from age, in clothes too black for the bright noon.
One bridge after the other asks about you.
But you have hidden yourself in a painting
that lurks behind walls topped with razor wire;
a picture, in which Stars burst like soap bubbles
around a Moon encircled by rings of haze.




3. Turku

The old stone churches sing requiems.
Each stone has its own voice, its place
in the dim, ancient choir.
Like a hero of badly faded battles
Death comes toward us, gray, tired, 
and unsteady, but visibly teased
by your fine hands with parchment skin
you offer him as greeting, but without fear
until you meet again in a much quieter hour.




4. Caesaria

The columns sleep on the beige field:
Roman soldiers, thrown down carelessly
after a loud battle's exertions.
This morning, as the sun raised pearls
on your shoulders, we were both victors.
Thereafter, in the bath, I told you the tale
of the Grape that yields its juice once only.
You are sweet, like the bread of bees
and your scent lives longer than wild roses
on Mount Carmel. Like both, you also sting.




5. Seebüll

The sea is a sea of flowers,
and the wind moves waves through leaves,
and birds are the fish in this sea.
The joy of beating wings and the twittering,
the motion of the tides of colors in the pond,
all of it as though Nolde were still alive
and directing Nature in a Symphony 
of sharps in praise of Creation with his brush.
I see you are devoted to your awe,
your eyes larger than the eyes 
of our small son, from which peonies sprout.
You glide over these far-off blooming dreams,
an origami skiff out of Japan
with red and golden eyes on its sides
that capture the entirety of its surroundings
like a painter, filled with celestial joy.






Isolation





Next - VI: Polaroid Keyhole / Arlene Ang - Fariel Shafee

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