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Satyricon

This is another film by Fellini. Frankly speaking I didn't like it. Although it's difficult to say what's wrong with it I think the main reason is that it creates an atmosphere not like that in Petronius' novel. And it seemed to me rather dull. The costumes and decorations and even the actors are very good. But Fellini seems to have made a modern version, though "modern" is not the right word here. Rather I'd call it too social. Petronius did not intend to reflects morals of the low society, he just wanted to create a fine and elaborate sample of work for the entertainment of the smart set. I should admit that some scenes are very good, for example the tale about the widow, her lover and dead husband. But the action is always too slow, there is no central story, characters just meet and suddenly depart. The actors are excellent but their play could have been much more lively.

As for the plot, Fellini saved little. He left two young guys who loved each other, but all lines are mixed and messed. Fellini just wanted to depict the social picture of some period (either ancient or modern it is hard to say). For example the feast at Trimalchio's house he shows us in all the details and it last for a long time. Some scenes are difficult to understant at all even to me who knows the original version (I mean Petronius'). The episodes are not connected with each other, we cannot say why this or that character have done something. Their actions sometimes look out of logic. Some characters disappear then suddenly appear again and we cannot say how or why. Maybe Fellini really wanted to do a satire but I didn't feel this. The plot is too absurd and it is no point to tell it. Partly it is due to the actors' performance. For example the faces chosen by the director express lust, greed and other vulgar feelings perfectly. In general Fellini adores mass scenes - he's rather good at them (though to my mind he indulges in them a little too long) but is an absolute failure in depicting feelings and passions of a lonely man. It is an individual peculiarity because other Italian directors can do it perfectly. And what is also bad in Fellini's films is that he tends to moralize and this can spoil even a good film. But this picture has too many flaws to like it.

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