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Recent Literature on Boccherini

These publications contain multiple articles on Boccherini:

"Atti del convegno internazionale di studi: Luigi Boccherini e la musica strumentale dei maestri italiani in Europa tra Sette e Ottocento, Siena, 29-31 luglio 1993." Chigiana 23 (1993). Review by Alessandro De Bei in Rivista Italiana di Musicologia 31 (1996), 147-51. Individual articles in this issue are listed below. Cf. Pierluca Lanzilotta, "Un convegno su 'Luigi Boccherini e la musica strumentale dei maestri italiani in Europa tra Sette e Ottocento,'" Nuova Rivista musicale italiana 28 (1994), 301-04.

Boccherini Online 1 (2008)-

Lambea Castro, Mariano, and Jaime Tortella. "Commemoración II centenario de la muerte de L. Boccherini.” Revista de musicología 27 (2004), 607-812. Articles are indexed below.

Speck, Christian, ed. Boccherini Studies, vol. 1. Bologna: Ut Orpheus, 2007. Review by Floyd Grave in Ad Parnassum 6/12 (2008), 147-152. Articles in this volume are listed below, identified as "Boccherini Studies 1."

______. Boccherini Studies, vol. 2. Bologna: Ut Orpheus, 2009. Articles in this volume are listed below, identified as "Boccherini Studies 2." Review by Miguel Ángel Marín, Ad Parnassum 8/16 (2010).

______. Boccherini Studies, vol. 3. Bologna: Ut Orpheus, 2011. Articles in this volume are listed below, identified as "Boccherini Studies 3." Reviews: John Moran in Notes 69 (2012-13), 279-281; Walter Kurt Kreyszig, in Ad Parnassum 12/24 (2014), 163-172.

______. Boccherini Studies: New Evidence. Bologna: Ut Orpheus, 2014.



Barce, Ramon. Boccherini en Madrid: Primeros anos, 1768-1779. Europeos en Madrid. Madrid: Insituto de Estidos Madrileños, 1992.

Bertoldi, Donata. Luigi Boccherini e la cultura musicale del classicismo. Fucecchio: Edizioni dell'Erba, 1994.

Boccherini, J. A., and Jaime Tortella. "Las vivendas madrileñas de Luigi Boccherini. Una laguna biográfica." Revista de musicología 24 (2001), 163-188.

Boccherini Sânchez, José Antonio. "Los Testamentos de Boccherini." Revista de musicología 22 (1999), 93-121.

Bongiovanni, Carmela. “Luigi Boccherini a Genova (1765, 1767): Novità e precisazioni.” Rivista italiana di musicologia 41 (2006), 65-99.

Bossuyt, Ignace. Luigi Boccherini, 1743-1805. Leuven: Davidsfonds, 2002.

Cattoretti, Anna. "1771-1773: gli ultimi quintetti per archi di Giovanni Battista Sammartini, i primi di Luigi Boccherini." Chigiana 23 (1993), 193-229.

Churgin, Bathia. "Sammartini and Boccherini: Continuity and Change in the Italian Instrumental Tradition of the Classic Period." Chigiana 23 (1993), 171-91.

Coli, Remigio. "Casanova incontra Boccherini: I primi anni del musicista in Spagna (1768-1771)." Nuova rivista musicale italiana 27 (1993), 557-61.

______. "Musica e religiosità in Boccherini." Boccherini Online 1 (2008)

______. “Bocheerini: cosa c’è dietro i vecchi cataloghi.” In Boccherini Studies 3, 139-155.

Coli, Remigio, and Jaime Tortella. "I fandanghi di Boccherini." Boccherini Online 4 (2011)

Corvin, Matthias. "Ein Italiener in Madrid: Zum 200. Todestag von Luigi Boccherini." Das Orchester 53/5 (May 2005), 30-32.

Crisanto Gándara, Xosé. "Algunos aspectos sobre el contrabajo en la música de Luigi Boccherini." Revista de musicología 23 (2000), 443-464.

Crisanto Gandara, Xosé, and Robert Aymes. "The Double Bass in the Chamber Music of Luigi Boccherini." Bass World 26/1 (Jun-Sep 2002), 8-13.

D'Agostino, Marco. "La ‘Lettera di Breslau’: studio paleografico." Boccherini Online 2 (2009)

Degrada, Francesco. "Luigi Boccherini e la musica strumentale dei maestri italiani in Europa fra Sette e Ottocento." Chigiana 23 (1993), 363-75.

Dellaborra, Mariateresa. "'[...] La partie pourra être remplacée par [...: il caso dei notturni op. 38." Boccherini Online 1 (2008)

Dozio, Alessandro. "Jubilus et suavitas: le malentendu de la légèreté dans la musique de Luigi Boccherini." Boccherini Online 3 (2010)

Drosopoulou, Loukia. "Articulation Markings in Manuscript Sources of Luigi Boccherini's String Quintets." Boccherini Online 5 (2012)

______. "Boccherini as Chamber Composer to Friedrich Wilhelm II of Prussia: Some Insights from the Catalogues of the King's Music Collection." Boccherini Online 6 (2013)

______. “The Manuscript Ms. 16735 (1-9) at the Bibliothèque Nationale de France: A New Source for Boccherini’s Opp. 10-13 and 17-21.” In Boccherini Studies 3, 157-167.

______. “Luigi Boccherini’s String Quintets with Two Violas Opp. 60 and 62 (G 391-402): A Re-Examination of Their Origin.” In Boccherini Studies 3, 169-195.

Fernández-Cortés, Juan Pablo. “¿Qué quita a lo noble un airecito de maja? National and Gender Identities in the Zarzuela Clementina (1786) by Luigi Boccherini and Ramón de la Cruz.” Early Music 40 (2012), 223-236.

Fertonani, Cesare. "'Tutto è panno dell'istessa pezza': Boccherini e i generi d'intrattenimento." Analecta musicologica 32 (2002), 209-236.

______. “Boccherini e la rappresentazione nella musica strumentale.” Musica/realtà: Rivista quadrimestrale 26 (2005), 77-103.

______. "Boccherini e la Follia." In Boccherini Studies 1, 145-159.

Fischer, Klaus. “Die Partiturmanuskripte von Instrumentalwerken Boccherinis in der ehemaligen Königlichen Hausbibliothek in Berlin.” Studi musicali 37 (2008), 469-501.

Freiberg, Sarah. "Boccherini's Cello Concerto in Bb: Evolution of a Work." Strings 8/1 (Jul-Aug 1993), 20-27. G. 482.

Gianturco, Carolyn. "La Confederazione dei Sabini con Roma: Contributo di Luigi Boccherini alle 'Tasche' di Lucca." Chigiana 23 (1993), 27-47.

Giuggioli, Matteo. “Luigi Boccherini, nel bicentenario della morte, nuove prospettive di ricerca (Cremona, 7-8 maggio 2005).” Ad Parnassum 3/5 (2005)

______. “L’idillio minacciato. Figura e intreccio nei Quintetti per archi di Boccherini.” Studi musicali n.s. 2 (2011), 115-170.

______. "Quintetto 'afandangado.' Il giovane Boccherini e il richiamo del fandango." Boccherini Online 4 (2011)

Glüxam, Dagmar. “Luigi Boccherini: Streichquartett, op. 24, Nr. 5 (1776–78).” In Musikerhandschriften: Von Heinrich Schütz bis Wolfgang Rihm, 44.45. Stuttgart: Reclam, 2002.

Goretti, Laura. "La sonata n. 6 per violoncello e continuo: analisi di revisioni nel corso di due secoli." Chigiana 23 (1993), 151-56.

Gosálvez Lara, Carlos José. “¿Una nueva sonata para violoncello de Boccherini?” Revista de musicología 27 (2004), 805-812.

Gosálvez Lara, Carlos José, and Germán Labrador López de Azcona. “Fuentes españolas para el estudio de la obra de L. Boccherini (1743–1805): Los fondos manuscritos del Real Conservatorio Superior de Música de Madrid.” Revista de musicología 27 (2004), 743-762.

Grossato, Elisa. "Luigi Boccherini e Venezia." Chigiana 23 (1993), 135-50.

______. "Eleganza compositiva, ricerca timbrica e descrittiva nei quintetti per archi di Luigi Boccherini." In Boccherini Studies 1, 161-187.

______. “Gli scritti biografico-critici su Haydn e Boccherini e l’evolversi della fortuna dei due compositori fino alla prima metà dell’Ottocento.” In Boccherini Studies 3, 225-250.

Heartz, Daniel. "The Young Boccherini: Lucca, Vienna, and the Electoral Courts." Journal of Musicology 13 (1995), 103-16.

______. Music in European Capitals: The Galant Style, 1720-1780. New York: W. W. Norton, 2003. "Boccherini in Madrid," 964-997.

Holmes, David M. "A Comparison of and Performance Practice Guide to Two Editions of the Boccherini Cello Concerto in B-flat Major." D.M.A. diss., University of Kansas, 1992. On G. 482.

Kim, Chungsum. "Twelve Violoncello Concertos of Boccherini and His Contributions to the Violoncello Literature." D.M.A. diss., The Juilliard School, 1991.

Labrador López de Azcona, Germán. “El papel R. Romaní y la datación de la música española de finales del s. XVIII (1775–1800): Una nueva vía de investigación en la obra de L. Boccherini.” Revista de musicología 27 (2004), 699-741.

______. "Luces y sombras de una biografía: Luigi Boccherini y la música en la corte de Carlos III y Carlos IV: Consideraciones socioeconómicas sobre su estancia en España." In Boccherini Studies 1, 3-29.

______. "A Short Note on Boccherini’s ‘Last Period’ and the True Nature of the Cantata al Santo Natale Op. 63 (1802)." Boccherini Online 6 (2013)

Labrador, Germán, and Isabel Lozano. "New Sources, Old Questions: On the Manuscripts of Inés de Castro and the Concierto a più instrumenti in the Biblioteca Nacional de España." In Boccherini Studies 2, 189-213.

Le Guin, Elisabeth. "A Composer for Our Time? For Drive Time, as Least." New York Times (14 Nov 1993), Arts & Leisure, 29.

______. "'As My Works Show Me to Be': Physicality as Compositional Technique in the Instrumental Works of Luigi Boccherini." Ph.D. diss., University of California-Berkeley, 1997. Abstract in DAI 58/8 (February 1998), 2898-A.

______. "'One Says That One Weeps, but One Does Not Weep': Sensible, Grotesque, and Mechanical Embodiments in Boccherini's Chamber Music." Journal of the American Musicological Society 55 (2002), 207-254. Cf. Beverly Jerold, “Maniera smorfiosa, a Troublesome Ornament: A Response to Elisbeth Le Guin,” Journal of the American Musicological Society 59 (2006), 459-461; Marco Mangani, “More on smorfiosoJournal of the American Musicological Society 59 (2006), 461-465; Elisabeth Le Guin, “This Matter of smorf-: A Response to Beverly Jerold and Marco Mangani,” Journal of the American Musicological Society 59 (2006), 465-472.

______. “Luigi Boccherini y la teatralidad.” Revista de musicología 27 (2004), 763-804.

______. Boccherini's Body: An Essay in Carnal Musicology. Berkeley: University of California Press, 2006. Reviews: Mara Parker, Notes 63 (2006-07), 606-608; Patricia Howard, Musical Times 147 (Winter 2006), 112-114; J. A. Winn, Studies in Romanticism 45 (2006), 643-648; Annette Richards, Journal of the American Musicological Society 61 (2008), 215-220; Keith Pascoe, Eighteenth-Century Music 4 (2007), 310-312; Suzanne G. Cusick, Current Musicology 84 (2007), 139-146; Kelly Savage, Women & Music 13 (2009), 90-95; Stephen Rumph, Journal of the Royal Musical Association 133 (2008), 128-143; Ralph D. Converse, Music Educator’s Journal 94/2 (November 2007), 50-51; Allesandro Mastropietro, Drammaturgia musicale e altri studi 3 (2007), 95-97; Loren Ludwig, Early Music America 13/4 (Winter 2007), 52-55; Clifford Bartlett, Early Music Review 115 (October 2006), 29-30.

______. "Rondo Picaresco: A Capricho upon the Sonata, G 569 in C Major." In Boccherini Studies 1, 189-218.

______. “Luigi Boccherini y la música de su tiempo II, Madrid, 2-4 November 2011.” Eighteenth-Century Music 9 (2012), 298-301.

Lévi Sala, Luca. "Le Stabat Mater op. 61 (1801) de Luigi Boccherini: genèse et état des sources." Revue de musicologie 100 (2014), 323-356.

López Marinas, Juan Miguel, and Jaime Tortella. “La Asociación de Cultura Musical (1922–1936): Boccherini en algunos de sus conciertos.” Revista de musicología 31 (2008), 523-556.

Lozano Martínez, Isabel. "Un manuscrito autógrafo de Boccherini en la Biblioteca Nacional (Madrid)." Revista de Musicología 25 (2002), 225-236.

"Luigi Boccherini (1743-1805). Primo Convegno internazionale a Lucca, 1-3 dicembre 2011." Ad Parnassum 10-19 (2012)

Mangado, Artigas, and Maria Josep. "Il marchese di Benavent (1768-1849): Ricerca biografica sul chitarrista che commissiono a Luigi Boccherini i quintetti con chitarra." Il Fronimo 30 (Apr-Jun 2002), 13-20.

______. “El Marqués de Benavent (1768–1849): El aristócrata y guitarrista que encargó a Luigi Boccherini los quintetos con guitarra.” Revista de musicología 26 (2003), 513-543.

Mangani, Marco. Luigi Boccherini. L'amoroso canto, 3. Palermo: L'Epos, 2005. Reviews: Miguel Ángel Marín, Ad Parnassum 4/8 (2006) 147-151; Alessandro Mastropietro, Drammaturgia musicale e altri studi 3 (2007), 95-97.

______. "Nota su Boccherini e Pleyel." Boccherini Online 4 (2011)

Mangani, Marco, and Remigio Coli. "Osservazioni sul catalogo autografo di Luigi Boccherini: I quintetti a due violoncelli." Rivista italiana di musicologia 32 (1997), 315-326.

Mangani, Marco, Elizabeth Le Guin, and Jaime Tortella, eds. Luigi Boccherini. Estudio sobre fuentes, receptiõn e historiografía. Review by Fulvia Morabito, Ad Parnassum 6/11 (2008)

Marín, Cecilia González. "The Transcriptions for Two Instruments in Luigi Boccherini’s Catalogue." Boccherini Online 6 (2013)

Marín, Miguel-Ángel. "Music-Selling in Boccherini's Madrid." Early Music 33 (2005), 165-177.

______. "'Par sa grâce naïve et pour ainsi dire primitive': Images of Boccherini through His Early Biographies." In Boccherini Studies 1, 279-323.

Martos, Valle, and Jaime Tortella. “El rostro de Boccherini, espejo de un alma de artista.” Revista de musicología 27 (2004), 611-641.

Mastropietro, Alessandro. "Tra forma-sonata e rondò: una nuova forma ibrida dell’ultimo Boccherini sopra lo sfondo del classicismo viennese?" Boccherini Online 3 (2010)

Mateos, Alberto Hernández. "'Elegante sin dejar de ser sublime.' Boccherini y la música instrumental en el pensamiento de Antonio Eximeno (1729-1808)." Boccherini Online 5 (2012)

Morabito, Fulvia. “L’Opera omnia di Luigi Boccherini è Edizione Nazionale Italiana.” Ad Parnassum 4/7 (2006)

______. "La 'lettera di Breslau' di Luigi Boccherini: Evidenze peritali sulla non identità di mano." In Boccherini Studies 2, 113-188.

______. “La mano di Luigi Boccherini. Studio della scrittura alfabetica e musicale attraverso l’epistolario e i cataloghi autografi.” In Boccherini Studies 3, 17-138.

______. “Il ritrovamento del lotto 520 di Liepmannssohn e le nuove testimonianze sulla vendita alla Gitarristische Vereinigung di Monaco di Baviera.” In Boccherini Studies 3, 197-223.

Moreno, Emilio. "Luigi Boccherini." Goldberg: Revista de musica antigua 33 (April 2005), 14-23.

______. "Luigi Boccherini, a los doscientos años de su muerte." CD Compact: Musica clasica y alta fidelidad 19/4 (Jul-Aug 2005), 14-17.

Nadler, Atalia. "Luigi Boccherini's String Quartets, Op. 58 (1799): An Analytical Study." M.A. thesis, Bar-Ilan University, in progress.

Noonan, Timothy. "Structural Anomalies in the Symphonies of Boccherini." Ph.D. diss., University of Wisconsin-Madison, 1996. Abstract in DAI 57/5 (Nov 1996), 1904-A.

______. "The Slow Introduction in Boccherini's Symphonic Finales." Studi Musicali 31 (2002), 145-160.

Ortega, Judith. “El mecenazgo musical de la casa de Osuna durante la segunda mitad del siglo XVIII: El entorno musical de Luigi Boccherini en Madrid.” Revista de musicología 27 (2004), 643-697.

Orth, Christian. "Zum Daumenaufsatz in den Cellostimmen von Boccherinis Kammermusik." In Boccherini Studies 1, 219-243. Cf. “Beispiele für die Verwendung von Alt- und Sopranschlüssel in den Cellostimmen bei Zeitgenossen Boccherinis.” In Boccherini Studies 3, 273-276.

______. “Das Unisono der Celli – Beobachtungen zur Entwicklung von Boccherinis Quintettsatz.” In Boccherini Studies 3, 251-271.

Parker, Mara. "Luigi Boccherini and the Court of Prussia." Current Musicology 52 (1993), 27-37.

______. "Soloistic Chamber Music at the Court of Friedrich Wilhelm II, 1786-1797." Ph.D. diss., Indiana University, 1995.

______. "Boccherini's Chamber Works for Friedrich Wilhelm II." In Boccherini Studies 1, 33-62.

______. "Boccherini's Workshop: The Quartettini for Friedrich Wilhelm II." Gli spazi della musica 4/1 (2015)

Rasch, Rudolf. "Luigi Boccherini and the Music Publishing Trade." In Boccherini Studies 1, 63-142; cf. addenda and corrigenda in Boccherini Studies 2, 215-216.

______. "Luigi Boccherini's Six Duets for Two Violins, Op. 3." In Boccherini Studies 2, 23-112.

______. “Luigi Boccherini (1743-1805): First International Conference in Lucca, Lucca, 1-3 December 2011.” Eighteenth-Century Music 9 (2012), 301-303.

Rasch, Rudolf, ed. Understanding Boccherini’s Manuscripts. Newcastle upon Tyne: Cambridge Scholars, 2014. Review by John Moran in Notes 72 (2015-16), 567-569.

Ravenni, Gabriella Biagi. "'Molti in Lucca si applicavano alla professione della musica': Storie di formazione e di emigrazione nella patria di Luigi Boccherini." Chigiana 23 (1993), 69-109.

Ridgewell, Rupert. "Artaria's Music Shop and Boccherini's Music in Viennese Musical Life." Early Music 33 (2005), 179-189.

Rode, Geoffrey Mark. "Luigi Boccherini's Six String Quartets, Opus 32: A Formal and Stylistic Analysis." M.A. thesis, University of Calgary, 1992. Abstract in MAI 32/1 (Feb 1994), 11.

Sainati, Edward. "Luigi, Haydn's Italian Wife?" Strad 104 (Feb 1993), 162-67.

______. "A Castilian Line of Descent." Strad 104 (Oct 1993), 925-26.

Sala, Luca. “Édition critique du Stabat Mater de Luigi Boccherini.” Ph.D. dissertation, Poitiers University, 2012.

Sala, Massimiliano. “The New Critical Edition of the Complete Works of Luigi Boccherini.” Ad Parnassum 3/6 (2005)

______. “The New Critical Edition of the Complete Works of Luigi Boccherini.” Ad Parnassum 3/6 (2005)

Salvetti, Guido. "Le due versioni dello 'Stabat mater' di Boccherini." In Musica senza aggetivi: Studi per Fedele d'Amico, 2 vols., ed. Agostino Ziino, I, 185-195. Florence: Leo S. Olschki, 1991.

______. "Camerismo sinfonico e sinfonismo cameristico: alla ricerca di un approccio analitico pertinente." Chigiana 23 (1993), 337-52.

Schick, Hartmut. “Hat Franz Xaver Richter des Streichquartett erfunden? Überlegungen zum 300. Geburtstag des Komponisten, samt einer Hypothese zu Boccherini.” Archiv für Musikwissenschaft 66 (2009), 306-321.

Sierra Pérez, José, and Elena Vásquez García. “La relación del 'villancicos' [sic] de Boccherini con la pastorada.” Nassarre: Revista aragonesa de musicología 23 (2007), 87-108.

Speck, Christian. "Mozart und Boccherini: Zur Frage der Italianita in Mozarts frühen Streichquartetten." In Internationaler Musikwissenschaftlicher Kongress zum Mozartjahr 1991 Baden-Wien, ed. Ingrid Fuchs, II, 921-932. Tutzing: Hans Schneider, 1993.

______. "Boccherini und die Verbreitung seiner Musik in europäischen Musikzentren des 18. und frühen 19. Jahrhunderts." Chigiana 23 (1993), 111-34.

______. "'Ma musique vocale la plus moderne': Boccherinis Konzertarien." Mozart-Jahrbuch 2000, 225-244.

______. “Über Zusammenhänge zwischen thematsicher Arbeit und metrischer Regularität des musikalischen Baus in der Streichquartett-komposition von Luigi Boccherini.” Ad Parnassum 3/5 (2005), 7-22.

______. "Boccherini as Cellist and His Music for Cello." Early Music 33 (2005), 191-210. Cf. Agnes Kory, “Boccherini and the Cello,” Early Music 33 (2005), 749-751.

______. "Die neue Gesamtausgabe der musikalischen Werke von Luigi Boccherini." In Boccherini Studies 2, 1-21.

______. “Der Autor des angeblichen Boccherini-Briefes aus Breslau ist Abbé Bastiani.” In Boccherini Studies 3, 1-16.

Sutcliffe, W. Dean. "Archaic Visitations in Boccherini's Op. 32." In Boccherini Studies 1, 246-276.

Tchernowitz-Neustadtl, Miriam. "The String Trios of Luigi Boccherini," 2 vols. Ph.D. diss., Bar-Ilan University, 1991. Abstract in DAI 53/9 (Mar 1993), 3039-A.

______. "Aspects of the Cycle and Tonal Relationships in Luigi Boccherini's String Trios." Chigiana 23 (1993), 157-69.

______. "The Rondo in Boccherini's String Trios: An Italian Alternative to the Viennese Tradition." Studi Musicali 30 (2001), 399-409.

Tooten, M. "De strijkkwartetten van Boccherini (1743-1805)." Adem 29/1 (1993), 45-49.

Tortella, Jaime. "Luigi Boccherinigui en la Ilustración Española." Ph.D. dissertation, Universidad Autónoma de Barcelona, 1999. Summary in Revista de musicología 22 (1999), 255-258.

______. Luigi Boccherini y el Banco de San Carlos. Un aspecto inédito. Madrid: Tecnos, 1998. Review by Ramón Barce in Revista de Musicología 22 (1999), 304-05.

______. Boccherini: un músico italiano en la España Ilustrada. Madrid: Sociedad Española de Musicología, 2002. Reviews: Elizabeth Le Guin, Eighteenth-Century Music 2/1 (2005), 150-156; Emilio Moreno, Revista de musicología 26 (2003), 350-352.

______. "La musica descriptiva o argumental en el catalogo de Luigi Boccherini." Nassare: Revista aragonesa de musicologica 20 (2004), 193-220.

______. "Errors, Myths and Legends around Luigi Boccherini." Boccherini Online 1 (2008)

______. "The Traces of Boccherini’s ’Cello." Boccherini Online 2 (2009)

Vanhulst, Henri. "La diffusion des oeuvres de Boccherini d'après les catalogues du marchand de musique bruxellois Weissenbruch (1804-1813)." In Echos de France et d'Italie: Liber amicorum Yves Gérard, ed. Marie-Claire Mussat, Jean Mongredien, and Jean-Michel Nectoux, 359-369. Buchet/Chastel: Société française de musicologie, 1997.

Zecca Laterza, Agostina. "Giuseppe Amiconi incisore dello Stabat Mater di Boccherini. Note d'archivio." Boccherini Online 4 (2011)

Author? Luigi Boccherini en el segundo centenario de su muerte (1743–1805). Review by Rebeca Rios, Nuova rivista musicale italiana 41 (2007), 400-401.



Luigi Boccherini: Opera Omnia: Critical Edition, Christian Speck, general editor (Bologna: Ut Orpheus, 2005-)

vol. 1, Arie da Concerto G 544-559, edited by Christian Speck, 2005. Reviews: Eric Cross, Early Music 34 (2006), 504-506; Miguel Ángel Marín, Ad Parnassum 4/7 (2006); Elisabeth Le Guin, Eighteenth-Century Music 6 (2009), 276-280.

vol. 11, Clementina. Zarzeula in Two Acts, G 540, edited by Miguel Angel Martín, 2013.

vol. 27/1, 6 Trios Op. 1, G 77-81, edited by Rudolf Rasch, 2014.

vol. 29, 6 Duets for 2 violins, Op. 3, G 56-61, edited by Rudolf Rasch, 2007. Review by Elisabeth Le Guin in Eighteenth-Century Music 6 (2009), 276-280.

vol. 30, 6 Sonatas Op. 5, G 25-30, for Keyboard and Violin, edited by Rudolf Rasch, 2009.