I told her. She knelt. "Straighten
your body, slave," I told her.
said Micon to Tula. "Bara," said I to Feiqa. Both slaves
went immediately to the bellies, their heads to the left, their wrists
crossed behind their backs, their ankles also crossed. It is a common
binding position. We did not bind them, however. It was enough that they
lay there in this position.
of Gor, page 145
belly to you!" said the girl, her head down over my foot. She
held still to my ankle, her small hands about it. Her hair was
about my foot. I felt her hot lips press again and again to my
of Gor, page 34-35
then threw the second blanket, the top blanket over her, covering her
completely. When a blanket, or cloak, or covering of any sort, is thrown
over a slave like this she may not speak or rise.
She must remain as she is, silent, until the master, or some free
man, lifts the covering away.
of Gor, page 94
BY THE MASTER'S WILL
hands are now bound behind your back," he said.
"Yes, Master," I said. I must now keep my hands
or wrists in contact with one another, and behind my back. I was
now "bound by the master's will." I could not separate
my hands or wrists from one another now without permission. There
are many ways, of course, of "binding by the master's will".
The behind-the-back position is one of the simplest and loveliest.
This exposes the girl, frames the beauty of her breasts and makes her
helpless. That the bond is a "will bond," too, makes
clear to her the power of the master over her.
of Gor, page 277
OR CHAINING POSITION
he snapped. She put her head in the air and placed her hands behind her
of Gor, page 146
POSITION SUBMISSION OF THE GOREAN FEMALE
twisted her hair more. She winced, her back bent painfully. "Do you
wish me to submit to you now?" she begged. "Do so," said
he. She fell to her knees before him, and lifted her head to regard him.
"I will be your slave," she said. Then, she knelt back on her
heels, lowered her head, and lifted and extended her arms, wrists
crossed, as though for binding. She was very beautiful. "I am your
slave," she said, "- Master."
auctioneer did not strike her with his whip. He merely took her arms and
lifted them, so that the position chain, attached to each side of the
sales collar lay across her her upper arms. Then he had her clasp her
hands behind the back of her neck, so that the chain, on each side of
the collar, was in the crook of her arms, and she was exposed in such a
way that she could be properly exhibited."
she had been used before my kennel, she had been under "gag
law," as is common when the guards use a girl, forbidden speech,
save for moans and whispers."
her iron collar she wore a heavy leather Kur collar, high, heavily sewn,
with its large ring. He thrust her two wrists, before her body,
into the ring he had cut from the Kur. He then tied them inside,
and to, the ring. He then, from his belt, took a long length of
binding fiber and, doubling it, looped it, securing it, at its center to
the ring, leaving two long ends. He then threw her, on her back,
over the body, head down, of the fallen Kur. He took the two loose
ends of the binding fiber and taking them under the body of the fallen
Kur, dragged her wrists, elbows bend, over and above her head; he then,
bending her knees, tied one of the loose ends about her left ankle, and
the other about her right. It was the Gorean love bow.
of Gor, page 261
held my left hand open, at my wrist. She stiffened, and looked at me,
angrily. I opened and closed my left hand once. I saw her training in
Gorean customs had been thorough. But she never thought that such a
gesture would be used to her. She came beside me, and a bit behind
me, and, crouching, put her head down, deeply. I fastened my hand in her
hair. She winced. Women are helpless in this position."
shouted to my tarn, in Gorean and in English, “Harta! Harta! Faster!
of Gor, page 57
I said. "Yes, my
captor," she said. I
turned to regard her. She would follow me, behind and on the left.
In this way the sword arm is not likely to be encumbered.
Vagabonds of Gor, page 381
moment or two Marcus was again beside me, and Phoebe behind him, on his
left. The girl normally heels a right-handed master on the left,
that she not encumber the movements of the weapon hand.
of Gor, page 117
your head," he said. "Higher. Higher!" She looked up at
him, her head far back, the leash on her throat. "You need
not now keep your head in high-harness position," he said to the
girl. She moved her head.
of Gor, pages 308 – 309
( FORM OF OBEISANCE), ALSO KNOWN AS PROSTRATE
the word karta is not from the books. Prostrate or Tile are
accurate names for this position.
we assumed a common form of slave obeisance, kneeling, the palms of our
hands on the ground, our heads to the ground. Many masters, though it
tends to be rather associated usually with given cities, require this
position of their girls, usually when they first enter his presence or
find themselves, as in a room which he has entered, in his presence. She
is then, usually, when given permission, permitted to lift her head, but
is to remain kneeling before him, beautifully, in a standard position,
her knees closed if she is a house or tower slave, her knees open if she
was the sort of slave I was, whatever sort of slave that was supposed to
indicated a flat leather box to one side. "Knee crawl,"
I said. "Fetch it here."
of Gor, page 342
crossed my wrists beneath me and touched my head to the floor, exposing
the bow of my back. It is the submissive posture of a slave girl
who is to be punished. It is called Kneeling to the Whip. I
shook, visibly at his feet. I whimpered. I waited for him to
call guard, to bring the lash.
Captive of Gor, page 200
TO THE COFFLE
now, my pretty slaves," said Ginger, "kneel straight. Back
straight, heads up. Back on your heels there! Spread those pretty knees.
Yes, that is the way men like it. Put your hands, palms down, on your
thighs. Good. good. Excellent!," The girls now knelt in the coffle
as pleasure slaves."
position, said Drusus Rencius.
I swiftly put my head down and felt his fingers lock themselves
deeply in my hair. I turned my head and pressed my lips suddenly,
helplessly, to his thigh, kissing him. He twisted my head cruelly to the
side, holding it there, turned, so that my lips could not touch him.
he said. Immediately, responsive to this command, I flung my wrists
behind me, separated by some two inches, and lifted my chin, my head
turned to the left. I felt slave bracelets flung, snapping shut, on my
wrists. I was braceleted. In another moment I was leashed. “Precede
me,” said the guard. I went before him.
of Gor, page 364
POSITION (ALSO KNOWN AS PLEASURE SLAVE)
now, my pretty slaves," said Ginger, "kneel straight.
Back straight, heads up. Back on your heels there! Spread
those pretty knees. Yes, that is the way men like it. Put
your hands, palms down, on your thighs. Good. Good.
of Gor, page 155
' I told her. 'Yes Master ' she said. She nestled obediently in the
crook of my left arm.'
suddenly snapped his fingers and, in the swift double gesture of the
Gorean Master, pointed to a place on the dirt floor before him, almost
simultaneously turning his hand, spreading the first and index fingers,
pointing downwards. I fled to him and knelt before him, my knees in the
dirt, in the position of the pleasure slave, my head down, trembling.
to the dirt!" called a man. Swiftly
we assumed a common form of slave obeisance, kneeling, the palms of our
hands on the ground, our heads to the ground. Many master, though
it tends to be rather associated, usually, with given cities, require
this position of their girls, usually when they first enter his
presence, or find themselves, as in a room which he has entered, in his
presence. Dancer of Gor, page 114
trembled. I now stood over her, the slave whip in my hand. I drew it
back, then I threw it aside, angrily. I crouched down. Then I jerked her
head up, by the hair
was amused, for she had run as a slave girl is sometimes taught to run,
with rapid short steps, her legs almost straight, her feet scarcely
leaving the ground, back straight, head turned to the left, arms at her
sides, palms out at a forty-five degree angle, more of a dancer's motion
than a true run."
SLEEN - ASSUMING THE POSITION OF SHE-QUADRUPED
this form of slavery, which is commonly used for disciplinary purposes,
or for the amusement of the Master, the woman is not permitted to arise
from all fours; similarly she is not permitted human speech, though she
may signify needs and desires by such means as cringing, and moaning and
whimpering. Not permitted the use of her hands, save as a means of
locomotion, she must also eat and drink from pans set on the floor, or,
sometimes to satisfy her thirst, she must lap the water permitted to her
from puddles or lick spillages from the tiles; too, it is no uncommon to
chain her near her master's feet, while he dines, that he may, if he
wishes, throw her scraps of food. She will also be taught tricks,
through which paces she may be put for the entertainment of her master's
guests, such things as begging, lying down, rolling over, and fetching
his sandals in her teeth. And, needless to say, when her master wishes
to use her sexually, it will be a position common to the she-quadruped.
before I could realize what he intended, he had subjected Miss Cardwell
to what, among slavers, is known as the Whip Caress Ideally it is done,
as Kamchak had, unexpectedly, taking the girl unaware. Elizabeth
suddenly cried out throwing her head to one side. I observed to my
amazement the sudden, involuntary, uncontrollable response to the touch.
The Whip Caress is commonly used among Slavers to force a girl to betray
your back," I snapped, "Make slave lips. Throw apart
your legs!" Swiftly
the girl complied, tears in her eyes. She then lay there, her lips
pursed to kiss, her ankles widely apart.
I looked down at her. She looked up at me, tears in her
eyes. A girl who is commanded to make slave lips, or who receives
the command, "Slave lips," must form her mouth for kissing.
She then, commonly, is not permitted to break this lip position until
either she kisses or is kissed. Needless to say, a girl cannot
speak when her lips are un the unbroken, fully-pursed slave-lips
position. The command which commonly follows the "Slave
lips" command is "Please me."
Brothers of Gor, page 111
went to the side of the room and picked up my sea bag. I threw it
to the center of the room. She looked down at it, puzzled.
It was of heavy blue material, canvas, and tied with a white rope. "Lie down upon it," I told her, "on your back,
your head to the floor." She
did so. "No,
please," she said, "not like this." It is a common
position for a disciplinary slave rape. In it the woman feels very
vulnerable, very helpless.
of Gor, page 202
position," said Ephialtes to the two women.
of Gor, page 386
looked me over. I blushed, under Gorean appraisal, I only wore my
tether. "Stand as a slave," he said. I stood beautifully, back
straight, head high, belly sucked in, hip turned. No woman can stand
more beautifully than as a gorean slave girl. "Excellent,"
said Ladletender, smacking his lips. "Master is pleased," I
said. "Yes," he said. "The slave too, is then
pleased," I said."
binding position," he said. I was prone. When a girl is prone, the
standard binding position is to cross the wrists behind the back and to
cross the ankles. I took this position instantaneously.
fell to her knees before him, and lifted her head to regard him.
"I will be your slave," she said. Then, she knelt back
on her heels, lowered her head, and lifted and extended her arms, wrists
crossed, as though for binding. She was very beautiful.
"I am your slave," she said. "-- Master."
of Gor, page 16
Kajira!" said the man. She
slid her legs from under her and lay on her back, her hands at her
sides, palms up, her legs open.
of Gor, page 77
she lay on her back, her knees drawn up, before me. She arched her back.
Her breasts were lifted beautifully. I observed their lovely rise and
fall, correlated with the respiratory cycle of her small lungs. Then she
lay back, her shoulders in the dirt, and pressing against the earth with
her small feet, piteously lifted before me, for my examination, and
seizure, if I pleased, the deep belly of her, the sweet cradle of her
your back," he said, "knees raised, heels on the floor."
I then lay before him, in a standard, supine capture position.
might be given to a female or to the Free person with a female, who is
not identified. It essentially means, show your brand.
position of the Tower Slave, in which Vika knelt, differs from that of a
free woman only in the position of the wrists which are held before her
and, when not occupied, crossed as though for binding.
Priest-Kings of Gor, page 46
'Kneel,' he said, 'swiftly, facing away from me,' I obeyed, in terror,
almost frenziedly. I now faced the door. 'To all fours,' he commanded I
obeyed, trembling. Twice more then he struck me, the second blow, as I
cried out with misery, sobbing, flung me again to the carpet on my
belly. 'Kneel, as you were before," he said. I obeyed. 'All fours,'
he said. I went again to all fours. He then, crouching near me, reaching
about me, put the whip to my lips. I kissed it, frightened, again and
again. 'kneel now, in the following fashion' he said. 'Do not waste
time,' He then had me kneel with my head to the floor, my hands clasped
tightly behind the back of my neck. I cried out, gasped, fixedly held,
put to his fierce, disciplinary purposes. He then drew back from me. I
was now on my belly on the rug, gasping in disbelief. I understood more
of my slavery then, than I had before"
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