The music on both Avante and Next Frontier was created in entirety by myself using 7 synthesizers along with my Macintosh & PowerMac running a 32 channel Steinberg Cubase MIDI sequence software along with Digidesign and Logic Audio softwares. I composed, arranged, performed, programmed, recorded, and digitally mastered the entire project. What you hear on the CD was created by myself at my private project studio.

Why is this CD called "Next Frontier"?

        My intensions for this project was to introduce a new music genre which portrays my interpretation of nature, emotions, and technology in harmony. My music is the next frontier of NewAge music with a very melodic style along with simple but very striking orchestration.

What kind of instruments were used on this CD?

        This CD was created using sample playback synthesizers (such as the Korg 01/W FD) which brought to life both the delicacy and magnificance of nature without destroying the touch of technology.





Track 1. Beginning           Time: 0:48
This track portrays the cool dawn atmosphere along the shoreline.

Difficulties with the track:
It was difficult to manipulate the timing of the sweep for the high delicate X3 Synthesizer timbre (instrument or sound) with the Alesis acoustic piano timbre in real time. No click track was used.

Outcome of the track:
Very relaxing and natural...one can almost feel the piano and the caressing high delicate timbre uniting as one instrument. When this track fades out, it brings forward an anxioty to blast off into the break of dawn.

Track 2. September 27        Time: 2:43
This track portrays the celebration of looking ahead into the optimisitc future.

Difficulties with the track:
This track was remastered 5 times. It was very hard to emphasize the blasting timbre in the background. I had to use a simple but technologically embarrasing technique to get the track sounding as good as it is on the CD.

Outcome of the track:
Very powerful and energetic. I am very pleased with the transistions of the track.

Track 3. Midnite Harbor      Time: 3:05
This track portrays the chanting of the waves in the cool, dark, harbor with lights flickering in the docks. The X3 and M1 solo instruments interprets the cool ocean breeze.

Difficulities with the track:
This track was originally more than 4 minutes long. I digitally spliced off about a minute of music. It was somewhat hard to find the 0 crossing points of the waveform inorder to smoothly edit the part out. The LogicAudio software should be commended for the smooth edit.

Outcome of the track:
I am very pleased with the soothing solos and the calming background arrangement. I do not think anyone can find the 2 digital edit points either.

Track 4. Aqua Trail          Time: 3:59
This track portrays the waters of the ocean with whales moving gracefully with bubbles of air trailing behind them floating up to the surface.

Difficulties with the track:
None.

Outcome of the track:
The most dramatic part of this track is near the end where the orchestra timbre comes in with the mellow SY55 explosion sample in the background. I was interpreting two whales shoot for the surface, spray the water out from above, and dive back into its home. The two solo instruments throughout the track portrays two whales weiving back and forth embracing themselves with harmony.

Track 5. Grand Alps          Time: 4:01
This track portrays the magnificance of the Alps viewed from the Vinus Line.

Difficulties with the track:
Since the entire track uses a long wide reverbration on the main Roland electric piano timbre, it was hard to emphasize the reverbration on the Alesis snare drum.

Outcome of the track:
Very rhythmic and powerful. I am very pleased with the energy which closely interprets the excitement I felt when I experienced the Alps.

Track 6. Ghost Town          Time: 4:02
This track portrays a silhouette of a burnt town out in the valleys casted by the burning clouds of dusk.

Difficulties with this track:
I had about 4 versions of the Alesis piano / Roland electric piano solo verse about 3/4 of the way into the track. It was hard to make the solo sound lively but conservative to keep the verse consistent with the theme.

Outcome of the track:
I emphasized the lifelessness of the town and the memories of life it once had. The introduction has a very monotonus melody, but if you listen for the X3 Synthesizer bass timbre it is highly articulated. The track leaves you with the industrial noise sample in the background fading out with the reality that no one would ever come back. The overall recording quality is the best on this CD.

Track 7. Desert Dawn         Time: 4:28
This track portrays the atmosphere of the mysterious sunrise in the desert.

Difficulties with the track:
It was difficult to make the introduction's volume consistent with the rest of the track without loosing the interpretation of the quiet dawn atmosphere. The "Desert Dawn" voice was used directly off the Korg 01/W FD.

Outcome of the track:
The shuffle drum track is one of the first ever used on my music. This track has a mysterious image with a personality and groove.

Track 8. Outcast             Time: 3:33
This track portrays the power of faith.

Difficulties with the track:
This track uses the M1's solo synthesizer pulling the melody throughout the track. Without the use of the Wind Instrument controller, it is very hard to put life in an electronic instrument.

Outcome of the track:
Although different from the other tracks on the Next Frontier CD, it still shares the same simple but articulate arrangement. I am very pleased with the solo verse and the final chorus verse of Outcast. It wraps up the story with a simple fairytale like ending.

Track 9. Terminal Oath       Time: 4:17
This track portrays a promise made by a dying significant other that everything would be alright.

Difficulties with the track:
None.

Outcome of the track:
Very original music. This track has a very intriguing story-like melody. The change in key at the 2nd chorus verse near the end adds an additional icing on the cake to really give the track a twist. If someone was looking for an intensely dramatic track on the CD, I feel Terminal Oath would be one of them.

Track 10. Ocean's Province    Time: 4:14
This track portrays as the title, the home of many aquatic animals.

Difficulties with the track:
The Alesis bass drum and X5DR bass line on the original track off Avante was changed to a more simple arrangement.

Outcome of the track:
The track describes the vast ocean with its M1 solo trumpet timbre along with the Roland electric piano and strings arrangement. This track maybe more suitable for the older generation although I have had many young listeners like it too.

Track 11. Angel of the Night    Time: 4:56
This track portrays cute romance.

Difficulties of the track:
This track has many real time Alesis piano passages which was very hard to synchronize with the computer. There were very intense editing involved in some areas of the track to manipulate the live performance. The majority of the Alesis piano track was unedited.

Outcome of the track:
Very fluid with a groove closer to Contemporary Jazz than New Age. The part I like most about this track is the sence of innocense with a spice of intimacy. The ending Roland orchestra timbre pulls the track to a close with the delicate fade out for the entire album.




The next generation project is planned to come out by Fall 1998. I am planning to augment the drum programming techniques and percussion arrangement.

Thank you for visiting my homepage. If you are interested in the Next Frontier CD, please contact me by email or snail mail.




Email: ubaban@aol.com