REVIEWS OF SANDMAN AND SALAMANDER

(Published in Mystery Buff Magazine. Please contact Mark Levine at mlevine1@flash.net for permission to reprint)

TITLE: SANDMAN

AUTHOR: J. Robert Janes

REVIEWER: Mark Levine

CLASSIFICATION: World War II Mystery

PUBLICATION: 1996

BINDING: Paperback

PAGES: 261

ISBN: #1-56947-120-7

PUBLISHER: Soho Press, Inc.

COST: $12.00

TITLE: SALAMANDER

AUTHOR: J. Robert Janes

REVIEWER: Mark Levine

CLASSIFICATION: World War II Mystery

PUBLICATION: June 1998

BINDING: Hardback

PAGES: 311

ISBN: #1-56947-119-3

PUBLISHER: Soho Press, Inc.

COST: $22.00



Good guys versus the bad guys: That's what mystery fiction is all about. Cops vs. Killers. Good vs. Evil. J. Robert Janes boils it all down to the essentials with his Jean-Louis St-Cyr and Hermann Kohler mysteries, SALAMANDER and SANDMAN, now available in the United States. It's the Nazis against the Allies, but with some interesting twists.

Set in occupied France in 1942 and 1943, Kohler is a Gestapo inspector paired up with French Surete's St-Cyr to investigate non-military crimes. The good guys working with the bad guys for truth and justice. Author Janes explains in a note, "...during the Occupation of France the everyday crimes of murder and arson continued to be committed, and I merely ask, by whom and how were they solved?" Whether or not this duo represents historical accuracy is unimportant -- Janes' detailed and intricate tales are highly believable.

It also isn't as simple as good vs. Evil. Kohler is Gestapo, but refuses to participate in the depravities the Nazis were known for. His assignment to this outpost in France, far away from Germany, is something of a punishment. He's a likeable guy. St-Cyr, also, seems dedicated to his work. Unfortunately, he's now associated with the Gestapo, and therefore marked as a traitor by the French Underground. St-Cyr doesn't seem to warrant the label of bad guy. Janes clearly needed positive characters for his novels, and compensated by creating alternative conflicts. The pairing of Gestapo and Surete may be a gimmick, but it's well executed and entertaining. This bird has wings.

A Canadian author, Janes provides not only a detailed picture of life in occupied France, but also a glimpse into the minds of the people. Janes style of writing includes seeing St-Cyr and Kohler through the eyes of the people they question, revealing their fear and suspicions while providing additional depth to the inspectors. There is a huge wealth of information on life in German-occupied countries, and Janes has no doubt read most of it.

Likewise, Janes' plots differ significantly. Both follow a hurried investigation under difficult, war-time scrutiny. Both piece together clues from not only crime scenes but from numerous interrogations and interviews. Both feature limited time to solve the crime -- In SANDMAN, because of the threat of harm to a missing girl and additional killings, in SALAMANDER because of threat of arson fire at a huge upcoming public concert. Yet, each investigation features significantly different crimes, techniques, political challenges, and personalities. Janes is clearly not writing his books based on a formula.

In SANDMAN, set in January, 1943, St-Cyr and Kohler find themselves tracking a serial killer through the frozen streets of Paris who preys on young girls. The most recent victim is suspected to be Nenette Micheline Vernet, part of the powerful family who turned their factories over to making German submarine parts. The prominent name certainly turns up the heat on the investigation, especially when the body turns out to be somebody else, and Nenette appears to be missing.

St-Cyr and Kohler find themselves pursuing two mysteries: stalking the killer, and rescuing the girl. Fortunately, the two investigations proved to be linked, as Nenette's room indicates she's something of a Nancy Drew, and was secretly investigating the serial killings, too. Apparently, she must have been pretty good, for her clues prove valuable. The clues lead the detectives through the ruins of Jewish Synagogues, the depravity of the Parisian brothels, and to the protected strongholds of the church.

In SALAMANDER, the duo find themselves investigating an arson fire at a theatre in Lyon, 1942. The fire claimed 183 victims. Evidence of the French Underground is found, but St-Cyr and Kohler don't believe it to be a factor and hide the evidence. Suspiciously, Lyon Fire Marshall Julien Robichaud had been in the theatre with a lover. A prominent priest is burned. A nude woman, murdered, is found upstairs.

Also suspiciously, Lyon was playing host to a fire marshall's convention, and the only thrice-decorated Fire marshall in the Reich, Leiter Weidling, was in town. Weidling suspected the arsonist also responsible for a number of fires in Germany. Obersturmfuhrer Klaus Barbie, complete with Gestapo torture tactics, appears to bi in Lyon as well. The pressure to solve the crime would be intense.

Again, the trail leads through the brothels, and the dark underside of Lyon, with some sick men and women who find themselves sexually aroused by fire. The theatre fire was expertly set, and could only have been committed by someone who knows about accelerrants and explosions well. The duo must find the culprit before the big concert all the German and city officials will be attending: The arsonist will certainly strike there.

St-Cyr's style of investigation would be impossible today: He collects clues from the crime scene, and drops them in his pocket. Then, either as new clues come up, or when he's sitting and thinking, he pulls the clues from his pocket for further examination. Kohler is more direct, using his Gestapo background as leverage in an argument, despite his lack of belief in the system, or follow through from superiors should anyone call his bluff. Together they work well, playing off each other and depending on each other.

There are probably others in the St-Cyr-Kohler series already published in Canada -- Janes bibliography lists many titles. Should it prove popular here, new mysteries will probably be published quickly. For some reason, Soho Press is not publishing in chronological order: SALAMANDER takes place before SANDMAN. There may be copyright issues involved, or the best sellers in Canada are making their way South first.

Regardless, if World War II is a passion along with mysteries, do not miss J. Robert Janes books, SANDMAN and SALAMANDER. It opens up a whole new genre in war fiction.







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