Kimagure Orange Road
"Love in a Video!"
Volume 10, Story 6
WB Volume 6, Story 6
Written and illustrated by Matsumoto Izumi
Translation & full-script typesetting by : Craig H. Nishida
Editing and Additional help by : Paul Hirose
Craig Nishida
Thomas Wyatt
Jerry Lee
Last revision : 08-18-95
Comments? Corrections? Suggestions? Please send them to:
kor-trans@gnu.ai.mit.edu
NOTE: WBp#'s are printed first, Normal manga pages in parentheses()
NOTE: Translation is done from the WB manga, so there may be a few
extras to those of you not having them.
Example: The subtitles on page 107 (107) are only in the WBs!
---------------------------------------------------
p 107 (107)--TITLE PAGE
[Madoka stands in a long black dress, black nylons and black flats. Hands on
her knees, she crouches down slightly and looks off to the side.]
MAIN TITLE (at top) _____
Love in a Video! bideo de #LOVE#!
in-video
SUB-TITLE (at bottom)
I Know You Have Your JIJOU ga aru no wa
Reasons, But You Still Want circumstances/reasons (S) having (T)
to Fool Around with Fire.*
SHItte-ru keredo
are-knowing but
ikenai HIASObi shite-mitai
bad/naughty want-to-play-with-fire-(love)
and-find-out
<*Commentary: The word = "playing (fooling around) with fire" has
the additional meaning of "playing with love".>
---------------------------------------------------
p 108 (108)
1
[Hikaru, in school uniform, looks off-panel in surprise.]
2
[Kyousuke portrait--he looks off to the side.]
3
Hikaru:
So you were here after all. yappari... koko datta no ne
after all here were (rhet)
4
Kyousuke: ____
You... kimi wa......
5
[View pans way back to show the two on a pedestrian overpass. Hikaru throws
herself at him.]
Hikaru:
I wanted to see you! Aitakatta!
---------------------------------------------------
p 109 (109)
1
Komatsu: [through a megaphone] __________
CU-U-UT!! ka----ttoo!!
2
Komatsu: _______
Oh, Hikaru-chan! Your iya-- hikaru-chan nakanaka riariti
performance was simply quite/highly reality
overflowing with realism!
afureru ENGI datta yo!
overflow performance was
Magnificent! subarashii
magnificent/wonderful
Komatsu FX: __________
pachipachi
Hikaru: [smiling] ___
Really...? Eh-heh ..........so-- kashira ufu
.
3
Komatsu:
On the other hand, Kasuga's sore ni hikikae KASUGA no HOU wa
performance... What can on-the-contrary 's direction (T)
I say? It's sorta...
nante yu-- no ka naa
what! say (nom) I-wonder
A bit more in this scene... mo-- chotto koko n tokoro 3-NEN -buri
You're finally meeting after a-bit-more here's-place after-3-years
3 years...
no DEAi na n da kara...
(nom) meeting are (explan) that's-why
So... Maybe more moving... so-- motto KANDOU-TEKI ni...
like-so much-more moving/touching
[Kyousuke closes his eyes and sweats.]
narration:
Eh?! What am I doing, you e_ nani o yatte-ru ka tte?
ask? ! what (O) am-doing (?) (quote)
Kyousuke:
.......... ..........
4
[Profile shot of Akane, operating a movie camera.]
narration:
Basically, 2 or 3 days ago, jitsu wa KOMATSU ga AKI no
Komatsu started talking actually (S) autumn 's
about making a video drama _____ _________
and entering it in the local CHOUNAI bideo - konku--ru ni
Autumn Video Contest... in-the-town video
in-video-contest
_____ ______
bideo - dorama o TSUKUtte OUBO suru to
video-drama (O) make-(and) if-enter-for
2 ~~ 3 HI MAE ni i--dashite...
from-2-to-3-days-ago beginning-to-speak
5
[Exterior shot of ABCB.]
narration: _________
Komatsu's goal is first KOMATSU no meate wa konku--ru no
prize in the contest--a 's aim (T) contest 's
video camera! _____ ______
ITTOUSHOU -HIN bideo - kamera!
first-prize an-article video-camera
______
So he borrowed a camera sono tame HATTA kara kamera o karite...
from Hatta, and... therefore from-Hatta borrow-camera-(and)
Komatsu: [off]
Everyone, I need your minna KYOURYOKU shite-kure
cooperation. everyone work-together-(with-me)
___
I'm making a cool "seishun" ore wa kakko ii SEISHUN
drama.* I (T) cool springtime-of-youth
______
dorama o tsukuru n da
drama (O) make (explan)
<*Translation note: = "springtime of life/youth," "salad days,"
etc...>
6
[Komatsu crosses his arms and closes his eyes. Kyousuke and Hikaru watch him
in puzzlement.]
narration:
But... shikashi...
_______
Casting was a problem... MONDAI wa kyasuto...
problem (T) cast
Komatsu, who likes to medachi -tagari -YA no
stand out... want-to-stand-out person-who (nom)
KOMATSU no koto...
about-Komatsu
Komatsu:
(What shall I do? (do-- shiyou?
___
I want to play the leading ore SHUEN shitai kedo
role, but there's no way I I want-to-play-the-leading-part but
can appear on film at the ______
same time I'm operating the JIBUN de kamera o mawashi-nagara
camera...) by-self camera (O) while-turning
DOUJI ni JIBUN ga DEreru
at-the-same-time self (S) can-appear
wake wa nai shi...)
there's-no-reason consider
---------------------------------------------------
p 110 (110)
1
[Komatsu stares at the camera in his hands.]
narration:
...reluctantly resigned yamunaku SHUTSUEN o DANNEN!
himself to his fate! reluctantly performance (O) resign-oneself-
unwillingly to-one's-fate
Komatsu: ___ _____ ______
But still, I don't know how sore ni shite mo ore bideo - kamera
to operate a video camera... but/still I video-camera
TSUKAiKATA wakanne--
how-to-use not-know
Akane: [brightly]
Oh, I know how. a atashi wakaru wa yo
I know
2
Akane: [smiling] _________
Then I'll be your ja atashi ga kameraman yattageru yo
cameraman. then I (S) cameraman do-(for-you)
It sounds like fun. omoshiro -so-- da kara
fun looks-as-if that's-why
Komatsu: ___
Then I'll be the, uhh, ja ore wa...to KANTOKU o yaru yo
director. then I (T) uh director (O) do
3
Komatsu:
And so the question is, de MONDAI wa DARE ga
who will play the leading and-so/then problem (T) who (S)
roles...?
SHUYAKU ka......
leading-role (musing-to-self)
Hikaru: [raising her hand]
ME-E-EE!! ha----i!!
4
[She reads from the prepared script...]
Hikaru: [excited]
And the two gazed at each soshite futari wa mitsume ai...
other with love... and/then 2-people (T) gaze love
____ ______
Ohh, and there's even a maa rabu shi--n made aru no ne!
love scene! love-scene even there-is
[Kyousuke recoils.]
Kyousuke FX: _____
giku_
5
[Hikaru clings to Kyousuke's upper arm.]
Hikaru:
Don't you think these roles kono YAKU atashi to SEMPAI ni
are just perfect for Sempai these-characters/roles by-Sempai-and-me
and me?
pittari da to OMOimasen?
perfectly are not-think-that
Hikaru FX: ________
nikoniko
Komatsu and Akane FX: __________
pachipachi
Akane:
Yes! The two of you--it's hai o-futari-san ni KETTEI!!
settled!! by-(hon)-2-people-(hon) decision
6
[Exterior shot of some buildings.]
narration:
And so, right now, we're so-- yu-- wake de KOMATSU no kaita
in the middle of filming-- for-that-reason Komatsu (S) wrote
acting out the scenario ________
that Komatsu wrote. shinario ni sotte tada IMA
scenario satisfying just-now/at-present
SATSUEI-CHUU na no desu
during-filming are (explan)
Komatsu: [off] ______
So-o-o, that only leaves saate ato nokosu wa shi--n 10
scene 10--in other words, the-rest leave-behind (T) scene-10
the love scene! ____ ______
tsumari rabu shi--n nomi!
that-is-to-say love-scene only/merely
_________
The deadline for the contest ashita ga kontesuto no SHIMEKIri
is tomorrow, so let's do our tomorrow (S) contest 's closing
best to finish this.
da shi
is consider
gambatte KANSEI sasemasho--
do-best shall-make-completed
sign:
Lily of the Valley suzuran
---------------------------------------------------
p 111 (111)
1
[Exterior shot of ABCB.]
Madoka: [off]
Oh, tonight! a KON'YA!
2
[Madoka takes a break, reading the newspaper behind the counter. Kyousuke
looks on.]
Madoka: ______ ___________
TV's Movie Playhouse terebi no EIGA GEKIJOU de "kasaburanka
is running "East of on-TV's-movie-theater Casablanca
Casablanca."
no HIGASHI" yaru n da
's the-east do (explan)
Kyousuke:
Is that right? HONTOU?
___
I really like that movie... ore sono EIGA SUki na n da...
I that-movie liking (explan)
3
Madoka: [smiling]
Me too! atashi mo!
It starts just when the cho--do HOUEI JIKAN wa o-MISE ga
shop closes. precisely telecast hour (T) store (S)
Owaru koro ne
close when (rhet)
4
[She turns about to face the TV screen set on the wall behind the counter.]
Madoka:
Maybe I'll stay and watch it koko de mite-iko-- ka na
here. in-this-place shall-go-watch I-wonder
narration: ___
I'll be filming all evening ore wa KOMBAN zutto KOMATSU-tachi to
with Komatsu and the others. I (T) all-evening with-Komatsu-(and
assoc)
SATSUEI da mon naa
filming am reason
5
Madoka: [brightly]
Hey, if you like, let's nee yokattara ISSHO ni miyo-- yo
watch it together. say if-okay together shall-watch
Kyousuke:
EH?! e?!
6
[His pov. She touches index finger to her chin, and gives him a small smile.]
Madoka:
I'll close the store, turn o-MISE o shimete DENKI o
down the lights, and with store (O) close-(and) electricity (O)
a glass in one hand... ______
KURAkushite gurasu KATATE ni...
make-dim-(and) glass in-one-hand
That's not bad, is it? nante WARUkunai yo ne
how! not-bad
narration:
"Not bad" is hardly the WARUkunai dokoro ja nai!!
phrase!! not-bad is-not-the-word
7
[Exterior night shot of ABCB.]
Kyousuke: [off]
(Just the two of us alone, (AKI no YONAGA ni futari kkiri de...
on a long autumn night... on-autumn's-long-night by-just-2-people
How nice...) i-- naa)
---------------------------------------------------
p 112 (112)
1
Kyousuke: ___
(But I'll be with Komatsu (demo ore KOMATSU-tachi no TOKORO ni...
and the others... but I at-Komatsu-(and-assoc)'s-place
Grr... Who cares!!) e--i maa ii ka!!)
Kyousuke: ___ _chikara_
(I have the Power in me!) (ore ni wa NOURYOKU ga aru n da!)
in-me (contrast) Power (S) have (expl)
2
[Panels 2 and 3 show the Komatsu residence.]
narration:
And so, after a long while, to yu-- wake de hisabisa ni
here I am cheating on them for-that-reason after-a-long-interval
again!
kakemochi desu!
being-in-2-or-more-places- am
(connotes 'cheating')
3
narration: ____ ______
We decided to shoot *the* REI no rabu shi--n wa
love scene at Komatsu's the-love-scene-in-question (T)
house...
KOMATSU no IE de toru koto ni nari...
at-Komatsu's-house take it-has-been-
decided-to
sign:
Komatsu KOMATSU
4
[Profile shot of Komatsu and Akane as they watch the scene off-panel. Akane
works the camera.]
Komatsu: ________
All right, and... Action!! hai HOMBAN suta--to!!
acting-before-the-camera start
5
[Pov shifts to show all four. Hikaru faces Kyousuke.]
Hikaru:
Tonight, come to my room KON'YA atashi no HEYA ni kite...
... tonight to-my-room coming
6
[He stares back...]
Kyousuke:
.......... ..........
7
[...and pulls out a copy of the script.]
Kyousuke:
Let's see... What was it? e--tto nan da kke?
let's-see what is (?)
Komatsu and Akane:
Hey hey hey! kora kora kora
---------------------------------------------------
p 113 (113)
1
[Angrily, Akane hauls Kyousuke off to the side.]
Akane:
You goof! darashinai naa------_
untidy/slovenly/slipshod (rhet) !
Come here a sec! chotto kinasai yo_
2
Akane:
You're with Hikaru-chan, hikaru-chan ga AITE na n da
so come out looking more (S) partner are (explan)
determined!!
kara motto SEKKYOKU-TEKI ni
that's-why much-more aggressive/positive
DEnasai yo_!!
go-out-(command)
Got it?! i-- koto
[He sweats.]
3
Akane:
Although it's just acting, tatoe ENGI de atte-mo
it's a love scene. A love even-if in-a-performance even-tho-being
scene! ____ ______ ____ ______
rabu shi--n yo rabu shi--n!
love-scene
4
Akane: ______
Isn't this is your chance? kore wa chansu ja nai?
this-(one) (T) chance is-not
Kyousuke:
Eh?! e?!
5
[Isolated shot of a corner of the room.]
Akane: [off]
Take advantage of the dosakusa ni magirete yatchai na yo
situation and do it already. take-advantage-of-the- do-(finality)
confusion-of-the-situation-(and)
Kyousuke: [off]
Wha!?! na_?!
6
[His pov of a wide-eyed Akane.]
Akane: ______
Then, a torrid scene is so-- surya dorama de wa
set down in the drama, so if-do-like-that in-drama (contrast)
you, you and Hikaru-chan...
HAKUNETSU no ENGI tte
white-heat/incandescence 's acting (T)
koto ni mo naru shi
it's-also-been-decided and-besides
anta wa anta de
you (T) on-account-of-you
hikaru-chan to......
with-Hikaru
_____
ufufu
What a deal! mo--ke mono ja nai!
good-bargain/a-godsend is-not
---------------------------------------------------
p 114 (114)
1
Hikaru: [gaze downcast]
I'll definitely be atashi kitto matte-ru kara...
waiting... I surely be-waiting that's-why
2
[He can't meet her eyes.]
Kyousuke: ___
But I... demo ore ni wa...
but to-me (contrast)
3
Hikaru: [turning aside]
I know! SHItte-ru wa!
am-knowing
_hito_
You have someone else... anata ni wa ano ONNA ga...
for-you (contrast) that-person (S)
Kyousuke FX: _____
giku_
4
Hikaru: [sadly] _hito_
Even tonight, you intend to KON'YA mo ano ONNA no tokoro ni
go to her place, right? tonight too to-that-person's-place
iku tsumori na no ne?
go intention are (nom) (rhet)
Kyousuke FX: _____
giku_
5
[Kyousuke bows his head toward Hikaru in shame, clapping a hand to the back
of his head. Hikaru is surprised.]
Kyousuke:
N-no... Th-that's... i iya so sonna uwa--_!!
Oo-wahhh!!
I-I'm sorry!! go gomennasai!!
Kyousuke FX:
pekon
6
Kyousuke: [nervous smile]
B-but we're only watching de demo tada EIGA ISSHO ni
a movie together, and but merely movie together
that...
miru dake na n da shi
watch only are (explan) and-besides
sonna......
that-kind-of
Hikaru:
Huh? e?
[Komatsu and Akane also look at him blankly.]
---------------------------------------------------
p 115 (115)
1
Kyousuke: [opening the script again]
Ah! Oops. a ikene
Komatsu:
What are you doing? nani yatte n da omae wa...
what doing (explan) you (T)
script: ___________
"East of Casablanca" SCRIPT kasaburanka no HIGASHI DAIHON
Casablanca 's the-east script
2
Komatsu:
Can't be helped, can it. sho-- ga nai naa
Then, let's take a short ja chotto kyu--kei shimasu
break. then a-little break do
[Kyousuke exits, smiling nervously and holding up the script book.]
Kyousuke: ___
Oh! I'll go and memorize a ore chotto DAIHON oboete-kuru ne!
the script for a bit, okay?! I a-bit script go-and-memorize
3
[Surrounded by crackling energy, he rematerializes outside ABCB.]
Kyousuke teleport FX: ____
shu_
4
[He and Madoka sit side-by-side at the counter, watching TV. They chat.]
5
[Tight shot of the TV.]
actress:
I'll definitely be atashi kitto matte-ru kara...
waiting... I surely be-waiting that's-why
6
actor ___
But I have... demo ore ni wa...
but to-me (contrast)
---------------------------------------------------
p 116 (116)
1
[Kyousuke looks at the TV in surprise...]
2
[...and recites the actress's lines. Madoka turns to him in surprise.]
Kyousuke/actress:
I know! SHItte-ru wa!
am-knowing
_hito_
You have someone else... anata ni wa ano ONNA ga...
to-me (contrast) that-person (S)
3
[He opens up the script book.]
narration:
Huh? It's the same as are? KOMATSU no DAIHON to ONAji da!
Komatsu's script! as-Komatsu's-script same is
script book FX: _____
pera_
Kyousuke:
(That Komatsu... (KOMATSU n yatsu...
____
Ripping off this movie.) kono EIGA pakutta na)
this-movie steal/rip-off
script: ___________
"East of Casablanca" SCRIPT kasaburanka no HIGASHI DAIHON
Casablanca 's the-east script
4
Madoka: [picking up the script]
What's that? nani sore?
Kyousuke:
Ah, no, nothing really. a iya chotto
5
Madoka: [reading]
But... I'll be waiting. demo... atashi matte-ru wa
but I be-waiting
6
[View looking up at the ceiling.]
Kyousuke: [off]
(Yikes, I have to go now.) (ikene sorosoro ikanakutcha)
oh-no now must-go
7
[He exits with a forced smile. Madoka still holds the script.]
Kyousuke:
Excuse me for a bit! chotto SHITSUREI!
---------------------------------------------------
p 117 (117)
1
[Overhead view. Hikaru lies on a bed. The other three stand nearby.]
narration: ______
Finally, the scene in iyoiyo MONDAI no shi--n...
question... finally problematic-scene
______
The hero sneaks into the hiroin ga nete-iru HEYA
room where the heroine is heroine (S) is-sleeping room
sleeping.
soko ni SHUJINKOU ga shinobikomu
in-there hero (S) steal-(slip)-into
______
She wakes up. hiroin ME o samasu
heroine awake/wake-up
And then the two of them... soshite futari wa......
and/then 2-people (T)
Komatsu:
Okay, let's get rolling. hai HOMBAN ikima--su
acting-before-camera go
2
[Akane turns to Kyousuke and winks.]
Akane: [winking] ______
Got it?! This is your ii?! chansu na n da kara ne
chance, okay?! okay chance is (explan) that's-why (rhet)
_maji_
Go for it! HONKI de iku no yo!
seriously/in-earnest going
3
Kyousuke:
B-but... Something like de demo... aitsura no MAE de
that. In front of them... but in-front-of-those-guys
nante sonna...
the-likes-of that-kind-of
Akane: [concerned]
True... so-- nee
With your personality, it'll anta no SEIKAKU ja nee
be tough. your-character/personality is-not
4
[With a smile, Akane hustles Komatsu out of the room...]
Akane:
Could you leave us alone for chotto SEKI hazushite-kurenai?
a sec? a-bit not-leave-(us)-alone
Kyousuke says he's KYOUSUKE hazukashii tte!
embarrassed! embarrassed (quote)
5
[...and shuts the door, leaving him in the hall.]
door FX: _____
batan
Akane: [off]
Don't come in for about 5-FUN hodo haitcha dame yo!
5 minutes! about-5-minutes mustn't-enter
6
[Hikaru lies back in bed, looking up at the ceiling with a small smile. She
rests the back of a hand on her forehead.]
Hikaru:
.......... ..........
---------------------------------------------------
p 118 (118)
1
[She closes her eyes.]
Hikaru heartbeat FX: ________
dokidoki
Hikaru: ____ ______
(A love scene with Sempai, (SEMPAI to no rabu shi--n kaa
hmm... with-Sempai 's love-scene (muse-to-self)
______
Here's my chance. kore wa chansu da wa
this-(one) (T) chance is
_____
I'll take advantage of dosakusa ni magirete atashi... ufufu)
the situation... taking-advantage-of-confusion
) I
2
[Isolated shot of the camera.]
Akane: ________
And... Action!! hai suta--to!!
narration:
In the script, it's roughly DAIHON de wa koko kara
2 minutes from this point in-script (contrast) from-here
to when the heroine wakes ______
up... hiroin ga ME o samasu made
heroine (S) awake/wake-up until
YAKU 2-FUN......
about 2-minutes
3
[Kyousuke stands at bedside...]
Kyousuke:
Let's see... etto...
4
Kyousuke: ______
(Oh no! I forgot my line!) (ikene! serifu WASUrechatta!)
forgot-one's-lines-(regret)
5
Kyousuke:
Akane, do you have the akane DAIHON motte-nai?
script? script not-having
Akane:
What are you talking nani itte n no
about? what saying (?)
You're holding the only one anta ga motte-ru yatsu shika nai yo
we have. you (S) holding fellow only-have
6
[He looks about the room.]
Kyousuke: ___
My script... ore no DAIHON......
Kyousuke FX: __________
kyorokyoro
7
[He visualizes leaving it with Madoka.]
narration:
Ah! That's right!! ha_ so-- da!!
I left it behind with AYUKAWA no tokoro ni WASUrete-kita n da!!
Ayukawa!! at-Ayukawa's-spot went-and-forgot/ (expl)
left-behind
---------------------------------------------------
p 119 (119)
1
Kyousuke: [teleporting out]
Wait a sec. I'll go get chotto totte-kuru
it. a-bit go-and-fetch
Kyousuke teleport FX: ____
shu_
Akane: ______
Ah! There's not much tape a_ mou te--pu no NOKOri SUKUnai no yo
left! ! already tape 's not-much-left
It's no good doing it over yarinaoshi wa kikanai
again. do-over-again (T) not-be-good-(for)
________
We've cut it too close. girigiri na n da kara
the-(very)-limit is (explan) that's-why
2
Madoka:
Oh! Where'd you come from? ara itsu no MA ni?
before-one-knows/unawares
Kyousuke:
Hello... do--mo......
3
Madoka: [smiling]
Look, you came at just the mite cho--do ii tokoro yo
right moment. look perfectly good moment
4
[On the TV, the actor bends over the sleeping woman, preparing to kiss her.]
narration: ______
Wahhh! It's the same uwa--_ onnaji shi--n da!!
scene!! ! same scene is
5
[He sees the script, in front of Madoka.]
Kyousuke:
(Oh, there it is!) (a atta!)
6
[Tight shot of the script.]
script: ___________
"East of Casablanca" SCRIPT kasaburanka no HIGASHI DAIHON
Casablanca 's the-east script
Komatsu Seiji KOMATSU SEIJI
7
[Glancing from the script to his watch, he reaches over to grab the script.]
Kyousuke arm FX: ___
sa_
Kyousuke:
(Oh no! If I don't get (ikene! HAYAku modoranai to......)
back soon...) soon if-not-return
---------------------------------------------------
p 120 (120)
1
[He misses the script and his hand comes to rest on Madoka's.]
2
[She looks at him. He blushes back.]
Kyousuke heartbeat FX: _____
doki_
3
[Madoka smiles.]
narration:
Wh-what'll I do? do do-- shiyou?
This is great, but... ureshi-- kedo...
If this keeps up, kono mama ja hikaru-chan ga
Hikaru-chan will wake up!! if-this-keeps-up (S)
ME o samashichau!!
awaken-(finality)
4
Kyousuke:
(Wahhh! I'm already too (wa----_ moo maniawanai_!!)
late!!) ! already be-too-late
5
[Hikaru sits up and looks around.]
---------------------------------------------------
p 121 (121)
1
[Kyousuke stands there...]
2
[...and takes her by the hand.]
@Kyousuke: ___ ____
You're the one I... ore yappari kimi no koto ga...
I after-all about-you (S)
3
[He embraces her tightly.]
@Kyousuke:
...love, after all! SUki na n da!
liking (explan)
@Kyousuke/Hikaru FX:
hishi_
4
Hikaru: [blushing]
Oh my! maa_
5
[Exterior night shot of ABCB.]
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p 122 (122)
1
[Kyousuke laughs at something Madoka said. Both hold glasses in their hands.
Food sits on plates before them.]
2
[Kyousuke laughs...]
narration:
Ha ha... Surely by now... haha... kitto IMAgoro wa...
surely by-now (T)
3
[...and his expression turns to nervous sweating.]
narration:
The lead actor turning up SHUYAKU ga inaku natte...
missing... the-lead-actor (S) not-there becoming
______
I bet they're all pissed minna kankan daro-- naa
off. everyone blow-up/ poss-be (rhet)
throw-a-fit
4
[Exterior shot of the Komatsu residence.]
sign:
Komatsu KOMATSU
5
[Kyousuke nervously sticks his head in the door.]
door FX: _____
kacha
6
[Akane and Hikaru turn to look. Hikaru smiles. Kyousuke's face goes into
shock.]
Hikaru:
Oh! ara_
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p 123 (123)
1
[Her look turns dark.]
Hikaru:
SEMPAI!! sempai!!
2
[Kyousuke flinches back against the wall.]
Kyousuke FX: ___
don
3
Hikaru:
Really Sempai, back then!! ano TOKI no SEMPAI ttara!!
that-time 's (I-tell-you)
4
[She claps her hands to her cheeks and smiles. Komatsu looks on. Akane
crosses her arms and watches.]
Hikaru: ________
My heart was beating atashi dokidoki shichaimashita!
wildly! I was-throbbing-(finality)
Hugging me with such anna ni DAITAN ni
boldness... so-much boldly/daringly
dakishimete-kuru nante...
start-hugging the-likes-of
Kyousuke pratfall FX: __
zu...
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p 124 (124)
1
[Kyousuke stares back at Hikaru, wide-eyed and nervous.]
2
[He glances at Akane.]
Kyousuke FX: ______
chira_
3
Akane FX: ______
pachi_
4
[She lifts a forefinger.]
Akane:
I don't know where you doko ni itte-ta ka
went, but... to-what-place were-going (?)
SHIranai kedo...
not-know but
It's gonna cost you big atashi no KAshi wa o--kii zo--
time!! my-bill (T) huge !!
5
Kyousuke:
(Oh! That's it!! (a_ so-- ka!!
___
So Akane disguised ja akane ga ore ni HENSHIN shite
herself as me and played so (S) by-me disguising-(as)
my part...!!)
DAIYAKU o......!!)
stand-in (O)
6
[Exterior night shot of the Komatsu residence.]
narration:
I-I'm glad... yo yokattaa...
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p 125 (125)
1
[View of the sky.]
narration:
And the next day... soshite YOKUJITSU...
2
[Shot of a building.]
narration: _________
At the contest meeting konku--ru KAIJOU de wa...
hall... contest meeting-hall at (T)
3
[The judges and audience cringe in horror at what they view off-panel.]
narration: ____ ______
The problematic love MONDAI no rabu shi--n ga......
scene... problematic love-scene (S)
judges:
OHHHHHH!! o~~~~~~_!!
4
[On the big screen, Akane and Hikaru embrace.]
narration:
Was the big topic of OOkina WADAI o
conversation! huge/great topic-of-conversation (O)
yonda!
named/branded
narration:
The conclusion is... KETSURON------
a-conclusion
______
The camera never lies! kamera wa SHOUJIKI MONO de aru!
camera (T) an-honest-person is
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